Piano Interpretations

~ Release by Wynton Kelly (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Blue Moon
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Blue Moon (on 1951-07-25)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
3:09
2Fine and Dandy
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Fine and Dandy (on 1951-07-25)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:50
3I Found a New Baby
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
I’ve Found a New Baby (on 1951-07-25)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
2:53
4Cherokee
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Cherokee (on 1951-07-25)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:08
5Born to Be Blue
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
3:26
6Where or When
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1951-07-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
2:52
7Moonglow
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:29
8Moonglow (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:11
9If I Should Lose You
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
If I Should Lose You (on 1951-07-25)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:04
10Born to Be Blue (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
3:00
11Goodbye (1st take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-10)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:23
12Goodbye (2nd take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:47
13Foolin' Myself
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Foolin’ Myself (on 1951-08-01)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
publisher:
Chappell Music Co. Inc.
3:03
14There Will Never Be Another You
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
There Will Never Be Another You (on 1951-08-01)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:04
15Do Nothing Till You Hear From Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Do Nothin’ Till You Hear From Me (on 1951-08-01)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3:04
16Summertime
producer:
Alfred Lion
congas:
Lee Abrams (American jazz drummer) (on 1951-08-01)
double bass [bass]:
Franklin Skeete (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1951-08-01)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:11
17Moonlight in Vermont
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Moonlight in Vermont (on 1951-08-01)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:26
18Crazy He Calls Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Crazy He Calls Me (on 1951-08-01)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
3:18
19Opus Caprice
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
2:53

Credits

Release

liner notes:Michael Cuscuna
additional producer:Michael Cuscuna (task: reissue)
mastering:Ron McMaster (US mastering & cutting engineer)
Discogs:https://www.discogs.com/release/2438424 [info]

Release group

included in:Nine Classic Albums 1951-1961