Time for 2

~ Release by Anita O’Day & Cal Tjader (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Thanks for the Memory
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1962-02)
piano:
Bob Corwin and Lonnie Hewitt
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
lead vocals:
Anita O’Day
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Thanks for the Memory (from 1962-02-26 until 1962-02-28)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 11)
2:43
A2It Shouldn't Happen to a Dream
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
It Shouldn’t Happen to a Dream (from 1962-02-26 until 1962-02-28)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Don George (US songwriter/composer, 1909–1987) and Johnny Hodges
publisher:
United Music Corp.
2:58
A3Just in Time
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-02-27)
recording engineer:
Al Schmitt
producer:
Creed Taylor
double bass:
Freddie Schreiber (jazz bassist) (on 1962-02-27)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-02-27)
vibraphone:
Cal Tjader (on 1962-02-27)
vocals:
Anita O’Day (on 1962-02-27)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Just in Time (Bells Are Ringing) (on 1962-02-27)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
2:46
A4Under a Blanket of Blue
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Under a Blanket of Blue (from 1962-02-26 until 1962-02-28)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
2:20
A5That's Your Red Wagon
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Red Wagon (Your Red Wagon) (from 1962-02-26 until 1962-02-28)
lyricist:
Gene de Paul and Don Raye
composer:
Richard M. Jones
2:43
A6Peel Me a Grape
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Peel Me a Grape (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Dave Frishberg
3:01
B1An Occasional Man
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
An Occasional Man (from 1962-02-26 until 1962-02-28)
writer:
Ralph Blane and Hugh Martin
publisher:
Saunders Publications
2:24
B2The Party's Over
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
The Party’s Over (Bells Are Ringing) (from 1962-02-26 until 1962-02-28)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
2:18
B3I Believe in You
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:21
B4Mr. Sandman
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
cover recording of:
Mr. Sandman (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
1:53
B5Spring Will Be a Little Late This Year
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Spring Will Be a Little Late This Year (from 1962-02-26 until 1962-02-28)
lyricist and composer:
Frank Loesser
3:20
B6I'm Not Supposed to Be Blue Blues
recorded in:
Hollywood, Los Angeles, California, United States (from 1962-02-26 until 1962-02-28)
recording engineer:
Al Schmitt
producer:
Creed Taylor
bass:
Freddie Schreiber (jazz bassist) (from 1962-02-26 until 1962-02-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (from 1962-02-26 until 1962-02-28)
vibraphone:
Cal Tjader (from 1962-02-26 until 1962-02-28)
vocals:
Anita O’Day (from 1962-02-26 until 1962-02-28)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
I'm Not Supposed to Be Blue Blues (from 1962-02-26 until 1962-02-28)
lyricist:
Lew Brown
composer:
Sammy Fain
2:35