Tosca (Highlights)

~ Release by Puccini - Mirella Freni, Placido Domingo, Samuel Ramey, Philharmonia Orchestra, Giuseppe Sinopoli (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Tosca: Ah! Finalmente!
producer:
Wolfgang D. Stengel
bass-baritone vocals [Angelotti]:
Bryn Terfel (bass-baritone opera singer) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini5:09
2Tosca: Dammi i colori… Recondita armonia di bellezze diverse!
producer:
Wolfgang D. Stengel
bass vocals [Sagrestano]:
Angelo Veccia (operatic bass vocalist) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1990-05)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini4:28
3Tosca: Gente là dentro!
producer:
Wolfgang D. Stengel
bass-baritone vocals [Angelotti]:
Bryn Terfel (bass-baritone opera singer) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini1:12
4Tosca: Mario! Mario! Mario!
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini7:24
5Tosca: Ah, quegli occhi! – Qual occhio al mondo può star
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini5:34
6Tosca: Finale I: Tre sbirri, una carrozza
producer:
Wolfgang D. Stengel
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I
Giacomo Puccini5:03
7Tosca: Ov’è Angelotti?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini2:13
8Tosca: Ed or fra noi parliam da buoni amici
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Giuseppe Sinopoli (conductor)
compilation of:
Tosca: Atto II. “Ed or fra noi parliam” (Scarpia, Tosca, Sciarrone, Cavaradossi) by Mirella Freni (soprano), Samuel Ramey (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Giuseppe Sinopoli (conductor) and Tosca: Atto II. “Sciarrone, che dice il cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) by Plácido Domingo (tenor), Mirella Freni (soprano), Ralf Lukas (bass-baritone), Samuel Ramey (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Giuseppe Sinopoli (conductor)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini4:33
9Tosca: Orsù, Tosca, parlate
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone) (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:48
10Tosca: Nel pozzo, nel giardino!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Giuseppe Sinopoli (conductor)
partial recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini0:27
11Tosca: Vissi d’arte, vissi d’amore
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:39
12Tosca: E lucevan le stelle
producer:
Wolfgang D. Stengel
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1990-05)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini4:25
13Tosca: Ah! Franchigia a Floria Tosca
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini3:03
14Tosca: O dolci mani mansuete e pure
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini5:52
15Tosca: E non giungono
producer:
Wolfgang D. Stengel
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:42
16Tosca: Come è lunga l’attesa!
producer:
Wolfgang D. Stengel
bass vocals [Carceriere]:
Bryan Secombe (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III
Giacomo Puccini3:02
17Tosca: Presto, su! Mario!
producer:
Wolfgang D. Stengel
bass vocals [Sciarrone]:
Ralf Lukas (bass-baritone) (in 1990-05)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1990-05)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05)
tenor vocals [Spoletta]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini1:27