Atlantic Rhythm and Blues 1947-1974, Volume 5: 1962-1966

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Up on the Roof
recorded in:
New York, New York, United States (on 1962-06-28)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1962-06-28)
baritone vocals:
Dock Green (on 1962-06-28)
bass vocals:
Tommy Evans (US r&b bass vocalist for The Drifters) (on 1962-06-28)
lead vocals:
Rudy Lewis (on 1962-06-28)
tenor vocals:
Charlie Thomas (The Drifters) (on 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 2), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 113) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 375)
recording of:
Up on the Roof (on 1962-06-28)
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Drifters52:36
2See See Rider
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass:
Russ Saunders (jazz bass player) (on 1962-09-26)
guitar:
Everett Barksdale (on 1962-09-26), Carl Lynch (on 1962-09-26) and Joe "Groundhog" Richardson (on 1962-09-26)
membranophone:
Sticks Evans (on 1962-09-26)
organ:
Ernest Hayes (American pianist, organist and arranger) (on 1962-09-26)
other instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Paul Griffin (American pianist, session musician) (on 1962-09-26)
tenor saxophone:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1962-09-26)
vocals:
LaVern Baker (US rhythm & blues singer) (on 1962-09-26)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1962-09-26)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
See See Rider Blues (on 1962-09-26)
composer:
[traditional] (special purpose artist)
LaVern Baker42:33
3I (Who Have Nothing)
Ben E. King2:31
4If You Need Me
Solomon Burke2:35
5These Arms of Mine
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass guitar:
Lewie Steinberg
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper and Johnny Jenkins (US blues guitarist)
organ and piano:
Booker T. Jones
tenor saxophone:
Charles “Packy” Axton
vocals:
Otis Redding
recording of:
These Arms of Mine
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp. (BMI)
Otis Redding3.82:34
6Hello Stranger
recorded in:
Chicago, Illinois, United States (on 1963-01-16)
producer:
Ollie McLaughlin
bass, drums (drum set), guitar, organ and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1963-01-16)
vocals:
The Dells (on 1963-01-16) and Barbara Lewis (on 1963-01-16)
conductor:
Riley Hampton (on 1963-01-16)
arranger:
Riley Hampton
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 27)
recording of:
Hello Stranger (on 1963-01-16)
lyricist and composer:
Barbara Lewis
Barbara Lewis2:43
7On Broadway
recorded in:
New York, New York, United States (on 1963-01-22)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1963-01-22)
baritone vocals:
Eugene Pearson (vocals, Drifters) (on 1963-01-22)
bass vocals:
Tommy Evans (US r&b bass vocalist for The Drifters) (on 1963-01-22)
lead vocals:
Rudy Lewis (on 1963-01-22)
tenor vocals:
Charlie Thomas (The Drifters) (on 1963-01-22)
vocals:
Doris Troy (on 1963-01-22), Dee Dee Warwick (on 1963-01-22) and Dionne Warwick (on 1963-01-22)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (on 1963-01-22)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
The Drifters53:03
8Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Doris Troy2:31
9Land of 1000 Dances
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music and Tune-Kel
Chris Kenner42:30
10Walkin' the Dog
recording of:
Walking the Dog
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East Memphis Music
Rufus Thomas2:31
11Release Me
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Esther Phillips3:17
12Mercy, Mercy
guitar:
Jimi Hendrix (in 1964-03)
recording of:
Mercy, Mercy (in 1964-03)
writer:
Don Covay and R.A. Miller (US songwriter Ronald Alonzo Miller)
publisher:
Cotillion Music Inc. (BMI)
Don Covay2:25
13Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.52:43
14And I Love Him
engineer:
Tom Dowd
vocals:
Esther Phillips (Little Esther)
conductor:
Ray Ellis (US producer, arranger and conductor)
arranger:
Ray Ellis (US producer, arranger and conductor)
cover recording of:
And I Love Her
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部
Esther Phillips32:43
15Hold What You've Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (on 1964-11-06)
bass:
Warren Jones (bass, Soul) (on 1964-11-06)
bass [electric bass]:
Clarence Hadley (on 1964-11-06)
drums (drum set):
Clyde Williams (on 1964-11-06)
guitar:
Lee Royal Hadley (guitar, Soul) (on 1964-11-06)
tenor saxophone:
Eddie Williams (saxophone) (on 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 26)
recording of:
Hold What You’ve Got (in 1964)
lyricist and composer:
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:08
16Mr. Pitiful
recording of:
Mr. Pitiful
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:38
17Baby I'm Yours
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Van McCoy Music
Barbara Lewis2:33
18Teasin' You
Willie Tee2:48
19I've Been Loving You Too Long
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding3:14
20In the Midnight Hour
Wilson Pickett2:28
21See Saw
Don Covay3:03
22Respect
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Otis Redding4.22:08
23You Don't Know Like I Know
recording of:
You Don’t Know Like I Know
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
Sam & Dave2:39
24When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
25Hold on I'm Comin'
recording of:
Hold On, I’m Comin’ (in 1966)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East Memphis Music, Irving Music, Inc., Pronto Music, Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Sam & Dave52:37
26Cool Jerk
recording of:
Cool Jerk (in 1966)
lyricist and composer:
Donald Storball
publisher:
Trio Music Company and Aberbach (German publisher) (in 1967)
The Capitols2:37
27Neighbor, Neighbor
Jimmy Hughes2:39