Meets the Beatles

~ Release by John Pizzarelli (see all versions of this release, 2 available)

Tracklist

Medium 1
#TitleRatingLength
1Can't Buy Me Love
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
French horn:
Peter Gordon (French hornist)
saxophone:
Kenny Berger, Andy Fusco (American alto-saxophonist), Gary Keller (American jazz saxophonist), Scott Robinson (US jazz saxophonist) and Chuck Wilson (woodwind)
solo clarinet:
Ken Peplowski
trombone:
Wayne Andre, John Mosca, Jim Pugh (US trombonist) and Alan Raph
trumpet:
Tony Kadleck, Jim O'Connor (trumpet), Barry Ries and Ron Tooley
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
Can’t Buy Me Love
writer:
John Lennon (The Beatles) (in 1964-01) and Paul McCartney (The Beatles) (in 1964-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC and Unart Music Corp.
written at:
George V Hotel in Paris, Île-de-France, France (from 1964-01 until 1964-02)
3:37
2Things We Said Today
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
French horn:
Peter Gordon (French hornist)
saxophone:
Kenny Berger, Andy Fusco (American alto-saxophonist), Gary Keller (American jazz saxophonist), Scott Robinson (US jazz saxophonist) and Chuck Wilson (woodwind)
trombone:
Wayne Andre, John Mosca, Jim Pugh (US trombonist) and Alan Raph
trumpet:
Tony Kadleck, Jim O'Connor (trumpet), Barry Ries and Ron Tooley
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
Things We Said Today
written in:
Saint Thomas, U.S. Virgin Islands (in 1964-05)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles) (in 1964-05)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
4:09
3Here Comes the Sun
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
cello:
Chungsun Kim, Adam Grabois, Jeanne M. LeBlanc, Jesse Levy, Melissa Meell (American cellist) and Stephanie L. Cummins (cello)
double bass:
Joseph Bongiorno, John Miller (bassist and music contractor/coordinator) and Douglas W. Romoff
harp:
Stacey G. Shames
piano:
Ray Kennedy (Jazz pianist and composer)
solo tenor saxophone:
Harry Allen (saxophone)
viola:
Alfred V. Brown (viola), Kenneth Burward‐Hoy, Juliet Haffner, Maxine L. Roach (violist), Mitsue Takayama (violinist/violist/cellist), Liuh-Wen Ting and Leslie J. Tomkins
violin:
Martin Agee, Avril Brown (Violinist), Elizabeth Lim-Dutton, Max Ellen, Barry Finclair, Evan Johnson (violinist), Karen Karlsrud, Katherine Naomi Katz, Laura J. Seaton, Laura S. Oatts, Lisa Matricardi, Joel Pitchon (violinist), Rick S. Dolan (violinist), Sanford W. Allen, Andrea Ingrid Schultz, Richard Sortomme (violinist/composer), Belinda Whitney-Barratt and Xin M. Zhao
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd.
5:04
4I've Just Seen a Face
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
conductor:
Ray Kennedy (Jazz pianist and composer) and John Pizzarelli
arranger:
Ray Kennedy (Jazz pianist and composer) and John Pizzarelli
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
I’ve Just Seen a Face
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
2:47
5And I Love Her
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
cello:
Chungsun Kim, Adam Grabois, Jeanne M. LeBlanc, Jesse Levy, Melissa Meell (American cellist) and Stephanie L. Cummins (cello)
double bass:
Joseph Bongiorno, John Miller (bassist and music contractor/coordinator) and Douglas W. Romoff
harp:
Stacey G. Shames
piano:
Ray Kennedy (Jazz pianist and composer)
viola:
Alfred V. Brown (viola), Kenneth Burward‐Hoy, Juliet Haffner, Maxine L. Roach (violist), Mitsue Takayama (violinist/violist/cellist), Liuh-Wen Ting and Leslie J. Tomkins
violin:
Martin Agee, Avril Brown (Violinist), Elizabeth Lim-Dutton, Max Ellen, Barry Finclair, Evan Johnson (violinist), Karen Karlsrud, Katherine Naomi Katz, Laura J. Seaton, Laura S. Oatts, Lisa Matricardi, Joel Pitchon (violinist), Rick S. Dolan (violinist), Sanford W. Allen, Andrea Ingrid Schultz, Richard Sortomme (violinist/composer), Belinda Whitney-Barratt and Xin M. Zhao
conductor:
Ray Kennedy (Jazz pianist and composer) and Don Sebesky
arranger:
Ray Kennedy (Jazz pianist and composer) and Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
And I Love Her
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部
3:56
6Got to Get You Into My Life
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
Got to Get You Into My Life
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
4:01
7Oh Darling
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
French horn:
Peter Gordon (French hornist)
saxophone:
Kenny Berger, Andy Fusco (American alto-saxophonist), Gary Keller (American jazz saxophonist), Scott Robinson (US jazz saxophonist) and Chuck Wilson (woodwind)
solo trumpet:
Barry Ries
trombone:
Wayne Andre, John Mosca, Jim Pugh (US trombonist) and Alan Raph
trumpet:
Tony Kadleck, Jim O'Connor (trumpet), Barry Ries and Ron Tooley
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
Oh! Darling
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC
4:03
8When I'm 64
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
solo accordion:
Don Sebesky
solo clarinet:
Ken Peplowski
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
When I’m Sixty‐Four
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC
written at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1956)
2:44
9You Can't Do That
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
You Can’t Do That
writer:
John Lennon (The Beatles) (in 1964-02) and Paul McCartney (The Beatles) (in 1964-02)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
4:14
10For No One
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
cello:
Chungsun Kim, Adam Grabois, Jeanne M. LeBlanc, Jesse Levy, Melissa Meell (American cellist) and Stephanie L. Cummins (cello)
double bass:
Joseph Bongiorno, John Miller (bassist and music contractor/coordinator) and Douglas W. Romoff
harp:
Stacey G. Shames
piano:
Ray Kennedy (Jazz pianist and composer)
solo tenor saxophone:
Harry Allen (saxophone)
viola:
Alfred V. Brown (viola), Kenneth Burward‐Hoy, Juliet Haffner, Maxine L. Roach (violist), Mitsue Takayama (violinist/violist/cellist), Liuh-Wen Ting and Leslie J. Tomkins
violin:
Martin Agee, Avril Brown (Violinist), Elizabeth Lim-Dutton, Max Ellen, Barry Finclair, Evan Johnson (violinist), Karen Karlsrud, Katherine Naomi Katz, Laura J. Seaton, Laura S. Oatts, Lisa Matricardi, Joel Pitchon (violinist), Rick S. Dolan (violinist), Sanford W. Allen, Andrea Ingrid Schultz, Richard Sortomme (violinist/composer), Belinda Whitney-Barratt and Xin M. Zhao
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
For No One
written in:
Klosters-Serneus, Graubünden, Switzerland (in 1966-03)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles) (in 1966-03)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
3:14
11Get Back
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
French horn:
Peter Gordon (French hornist)
saxophone:
Kenny Berger, Andy Fusco (American alto-saxophonist), Gary Keller (American jazz saxophonist), Scott Robinson (US jazz saxophonist) and Chuck Wilson (woodwind)
solo alto saxophone:
Andy Fusco (American alto-saxophonist)
solo contrabass saxophone:
Scott Robinson (US jazz saxophonist)
trombone:
Wayne Andre, John Mosca, Jim Pugh (US trombonist) and Alan Raph
trumpet:
Tony Kadleck, Jim O'Connor (trumpet), Barry Ries and Ron Tooley
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
Get Back
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC
3:59
12Long and Winding Road
recording engineer, engineer and mixer:
Jim Czak (engineer, owner of NOLA Recording Studios)
assistant engineer:
Bill Moss (US engineer)
producer:
John Pizzarelli and Don Sebesky
cello:
Chungsun Kim, Adam Grabois, Jeanne M. LeBlanc, Jesse Levy, Melissa Meell (American cellist) and Stephanie L. Cummins (cello)
double bass:
Joseph Bongiorno, John Miller (bassist and music contractor/coordinator) and Douglas W. Romoff
harp:
Stacey G. Shames
piano:
Ray Kennedy (Jazz pianist and composer)
viola:
Alfred V. Brown (viola), Kenneth Burward‐Hoy, Juliet Haffner, Maxine L. Roach (violist), Mitsue Takayama (violinist/violist/cellist), Liuh-Wen Ting and Leslie J. Tomkins
violin:
Martin Agee, Avril Brown (Violinist), Elizabeth Lim-Dutton, Max Ellen, Barry Finclair, Evan Johnson (violinist), Karen Karlsrud, Katherine Naomi Katz, Laura J. Seaton, Laura S. Oatts, Lisa Matricardi, Joel Pitchon (violinist), Rick S. Dolan (violinist), Sanford W. Allen, Andrea Ingrid Schultz, Richard Sortomme (violinist/composer), Belinda Whitney-Barratt and Xin M. Zhao
conductor:
Don Sebesky
arranger:
Don Sebesky
recorded at, mixed at and engineered at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States
cover recording of:
The Long and Winding Road
written in:
Scotland, United Kingdom (in 1968)
writer:
John Lennon (The Beatles) (in 1968) and Paul McCartney (The Beatles) (in 1968)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
3:43

Credits

Release

manufactured in:Europe
photography:Kit Kittle
mastering:Bernie Grundman
bass:Martin Pizzarelli (Bassist)
drums (drum set):Tony Tedesco
guitar:John Pizzarelli
percussion:Sammy Figueroa
vocals:John Pizzarelli
distributed by:BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
copyrighted (©) by and phonographic copyright (℗) by:BMG Entertainment (in 1998)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/9544166 [info]