The Academy: By Request

~ Release by Academy of St. Martin-in-the-Fields, Sir Neville Marriner (see all versions of this release, 3 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
1Solomon: Arrival of the Queen of Sheba
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St. Martin‐in‐the‐Fields (from 1983-06-27 until 1983-06-28)
conductor:
Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
George Frederic Handel2:45
2Cantata no. 208: Sheep May Safely Graze
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
performer:
Irena Grafenauer (flautist)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:31
3Berenice: Minuet
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
partial recording of:
Berenice, HWV 38 (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (from 1736-12-18 until 1737-01-27)
librettist:
Antonio Salvi (Italian poet and librettist)
premiered at:
Covent Garden Theatre (1732-1808) in London (Greater London), England, United Kingdom (on 1737-05-18)
part of:
Händel-Werke-Verzeichnis (number: HWV 38)
partial recording of:
Berenice, HWV 38: Overture
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Berenice, HWV 38
George Frederic Handel3:44
4Jesu, Joy of Man’s Desiring
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist)
oboe:
Celia Nicklin (oboist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach5:11
5Christmas Oratorio: Sinfonia
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1994)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:57
6Messiah: Pastoral Symphony
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frederic Handel3:07
7Holberg Suite, op. 40: Prelude
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (for string orchestra)
Edvard Grieg2:42
8Rosamunde, D. 797: Entr’acte no. 3 in B-flat major
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recording of:
Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert6:57
9Orfeo Ed Euridice: Dance of the Blessed Spirits
producer:
John Fraser (UK producer)
flute:
Paul Davies (flautist)
harpsichord:
Ian Watson (conductor and keyboardist)
transverse flute:
Paul Edmund-Davies (flautist)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (from 1983-06-27 until 1983-06-28)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck5:54
10String Quartet no. 2 in D: Nocturne
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist)
harpsichord:
Ian Watson (conductor and keyboardist)
violin:
Kenneth Sillito (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Marriner (conductor)
orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
composer:
Александр Порфирьевич Бородин (Russian composer)
arrangement of:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin7:40

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