The Chronological Classics: Artie Shaw and His Orchestra 1939-1940

~ Release by Artie Shaw and His Orchestra (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Last Two Weeks in July
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-08-27) and Les Robinson (on 1939-08-27)
clarinet:
Artie Shaw (on 1939-08-27)
double bass:
Sid Weiss (on 1939-08-27)
drums (drum set):
Buddy Rich (on 1939-08-27)
guitar:
Al Avola (on 1939-08-27)
piano:
Bob Kitsis (on 1939-08-27)
tenor saxophone:
Georgie Auld (on 1939-08-27) and Tony Pastor (on 1939-08-27)
trombone:
Les Jenkins (on 1939-08-27), Harry Rogers (trombone player) (on 1939-08-27) and George Arus (on 1939-09-28)
trumpet:
Harry Geller (on 1939-08-27), Chuck Peterson (trumpet) (on 1939-08-27) and Bernie Privin (on 1939-08-27)
vocals:
Helen Forrest (on 1939-08-27)
recording of:
The Last Two Weeks in July (on 1939-08-27)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
Abel Baer
2:58
2Oh! Lady, Be Good
recorded in:
New York, New York, United States (on 1939-08-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-08-27) and Les Robinson (on 1939-08-27)
clarinet:
Artie Shaw (on 1939-08-27)
double bass:
Sid Weiss (on 1939-08-27)
drums (drum set):
Buddy Rich (on 1939-08-27) and George Wettling (on 1939-08-27)
guitar:
Al Avola (on 1939-08-27)
piano:
Bob Kitsis (on 1939-08-27)
tenor saxophone:
Georgie Auld (on 1939-08-27) and Tony Pastor (on 1939-08-27)
trombone:
George Arus (on 1939-08-27), Les Jenkins (on 1939-08-27) and Harry Rogers (trombone player) (on 1939-08-27)
trumpet:
Harry Geller (on 1939-08-27), Chuck Peterson (trumpet) (on 1939-08-27) and Bernie Privin (on 1939-08-27)
orchestra:
Artie Shaw and His Orchestra (on 1939-08-27)
conductor:
Artie Shaw (on 1939-08-27)
instrumental recording of:
Oh, Lady Be Good! (on 1939-08-27)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:09
3I Surrender, Dear
recorded in:
New York, New York, United States (on 1939-08-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-08-27) and Les Robinson (on 1939-08-27)
bass:
Sid Weiss (on 1939-08-27)
clarinet:
Artie Shaw (on 1939-08-27)
drums (drum set):
Buddy Rich (on 1939-08-27)
guitar:
Al Avola (on 1939-08-27)
piano:
Bob Kitsis (on 1939-08-27)
tenor saxophone:
Georgie Auld (on 1939-08-27) and Tony Pastor (on 1939-08-27)
trombone:
George Arus (on 1939-08-27), Les Jenkins (on 1939-08-27) and Harry Rodgers (on 1939-08-27)
trumpet:
Harry Geller (on 1939-08-27), Chuck Peterson (trumpet) (on 1939-08-27) and Bernie Privin (on 1939-08-27)
orchestra:
Artie Shaw and His Orchestra (on 1939-08-27)
recording of:
I Surrender Dear (on 1939-08-27)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:40
4Many Dreams Ago
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-09-28) and Les Robinson (on 1939-09-28)
clarinet:
Artie Shaw (on 1939-09-28)
double bass:
Sid Weiss (on 1939-09-28)
drums (drum set):
Buddy Rich (on 1939-09-28)
guitar:
Al Avola (on 1939-09-28)
piano:
Bob Kitsis (on 1939-09-28)
tenor saxophone:
Georgie Auld (on 1939-09-28) and Tony Pastor (on 1939-09-28)
trombone:
George Arus (on 1939-09-28), Les Jenkins (on 1939-09-28) and Harry Rogers (trombone player) (on 1939-09-28)
trumpet:
Harry Geller (on 1939-09-28), Chuck Peterson (trumpet) (on 1939-09-28) and Bernie Privin (on 1939-09-28)
vocals:
Helen Forrest (on 1939-09-28)
3:18
5A Table in a Corner
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-09-28) and Les Robinson (on 1939-09-28)
clarinet:
Artie Shaw (on 1939-09-28)
double bass:
Sid Weiss (on 1939-09-28)
drums (drum set):
Buddy Rich (on 1939-09-28)
guitar:
Al Avola (on 1939-09-28)
piano:
Bob Kitsis (on 1939-09-28)
tenor saxophone:
Georgie Auld (on 1939-09-28) and Tony Pastor (on 1939-09-28)
trombone:
George Arus (on 1939-09-28), Les Jenkins (on 1939-09-28) and Harry Rogers (trombone player) (on 1939-09-28)
trumpet:
Harry Geller (on 1939-09-28), Chuck Peterson (trumpet) (on 1939-09-28) and Bernie Privin (on 1939-09-28)
vocals:
Helen Forrest (on 1939-09-28)
3:13
6If What You Say Is True
recorded in:
New York, New York, United States (on 1939-09-28)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-09-28) and Les Robinson (on 1939-09-28)
clarinet:
Artie Shaw (on 1939-09-28)
double bass:
Sid Weiss (on 1939-09-28)
drums (drum set):
Buddy Rich (on 1939-09-28)
guitar:
Al Avola (on 1939-09-28)
piano:
Bob Kitsis (on 1939-09-28)
tenor saxophone:
Georgie Auld (on 1939-09-28) and Tony Pastor (on 1939-09-28)
trombone:
George Arus (on 1939-09-28), Les Jenkins (on 1939-09-28) and Harry Rogers (trombone player) (on 1939-09-28)
trumpet:
Harry Geller (on 1939-09-28), Chuck Peterson (trumpet) (on 1939-09-28) and Bernie Privin (on 1939-09-28)
vocals:
Tony Pastor (on 1939-09-28)
orchestra:
Artie Shaw and His Orchestra (on 1939-09-28)
3:12
7Without a Dream to My Name
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-09-28) and Les Robinson (on 1939-09-28)
clarinet:
Artie Shaw (on 1939-09-28)
double bass:
Sid Weiss (on 1939-09-28)
drums (drum set):
Buddy Rich (on 1939-09-28)
guitar:
Al Avola (on 1939-09-28)
piano:
Bob Kitsis (on 1939-09-28)
tenor saxophone:
Georgie Auld (on 1939-09-28) and Tony Pastor (on 1939-09-28)
trombone:
George Arus (on 1939-09-28), Les Jenkins (on 1939-09-28) and Harry Rogers (trombone player) (on 1939-09-28)
trumpet:
Harry Geller (on 1939-09-28), Chuck Peterson (trumpet) (on 1939-09-28) and Bernie Privin (on 1939-09-28)
vocals:
Helen Forrest (on 1939-09-28)
3:30
8Love Is Here
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-10-26) and Les Robinson (on 1939-10-26)
clarinet:
Artie Shaw (on 1939-10-26)
double bass:
Sid Weiss (on 1939-10-26)
drums (drum set):
Buddy Rich (on 1939-10-26)
guitar:
Al Avola (on 1939-10-26)
piano:
Bob Kitsis (on 1939-10-26)
tenor saxophone:
Georgie Auld (on 1939-10-26) and Tony Pastor (on 1939-10-26)
trombone:
George Arus (on 1939-10-26) and Les Jenkins (on 1939-10-26)
trumpet:
Harry Geller (on 1939-10-26), Chuck Peterson (trumpet) (on 1939-10-26) and Bernie Privin (on 1939-10-26)
vocals:
Helen Forrest (on 1939-10-26)
3:05
9All in Fun
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-10-26) and Les Robinson (on 1939-10-26)
clarinet:
Artie Shaw (on 1939-10-26)
double bass:
Sid Weiss (on 1939-10-26)
drums (drum set):
Buddy Rich (on 1939-10-26)
guitar:
Al Avola (on 1939-10-26)
piano:
Bob Kitsis (on 1939-10-26)
tenor saxophone:
Georgie Auld (on 1939-10-26) and Tony Pastor (on 1939-10-26)
trombone:
George Arus (on 1939-10-26) and Les Jenkins (on 1939-10-26)
trumpet:
Harry Geller (on 1939-10-26), Chuck Peterson (trumpet) (on 1939-10-26) and Bernie Privin (on 1939-10-26)
vocals:
Helen Forrest (on 1939-10-26)
recording of:
All in Fun (on 1939-10-26)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Broadway Rhythm (film)
2:46
10All the Things You Are
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-10-26) and Les Robinson (on 1939-10-26)
clarinet:
Artie Shaw (on 1939-10-26)
double bass:
Sid Weiss (on 1939-10-26)
drums (drum set):
Buddy Rich (on 1939-10-26)
guitar:
Al Avola (on 1939-10-26)
piano:
Bob Kitsis (on 1939-10-26)
tenor saxophone:
Georgie Auld (on 1939-10-26) and Tony Pastor (on 1939-10-26)
trombone:
George Arus (on 1939-10-26) and Les Jenkins (on 1939-10-26)
trumpet:
Harry Geller (on 1939-10-26), Chuck Peterson (trumpet) (on 1939-10-26) and Bernie Privin (on 1939-10-26)
vocals:
Helen Forrest (on 1939-10-26)
recording of:
All the Things You Are (from “Very Warm for May”) (on 1939-10-26)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:14
11You're a Lucky Guy
recorded in:
New York, New York, United States (on 1939-10-26)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-10-26) and Les Robinson (on 1939-10-26)
bass:
Sid Weiss (on 1939-10-26)
clarinet:
Artie Shaw (on 1939-10-21, on 1939-10-26)
drums (drum set):
Buddy Rich (on 1939-10-26)
guitar:
Al Avola (on 1939-10-26)
piano:
Bob Kitsis (on 1939-10-26)
tenor saxophone:
Georgie Auld (on 1939-10-26) and Tony Pastor (on 1939-10-26)
trombone:
George Arus (on 1939-10-26), Les Jenkins (on 1939-10-26) and Harry Rogers (trombone player) (on 1939-10-26)
trumpet:
Harry Geller (on 1939-10-26), Chuck Peterson (trumpet) (on 1939-10-26) and Bernie Privin (on 1939-10-26)
vocals:
Tony Pastor (on 1939-10-26)
orchestra:
Artie Shaw and His Orchestra (on 1939-10-26)
recording of:
You're a Lucky Guy
lyricist:
Sammy Cahn
composer:
Saul Chaplin
2:40
12Shadows
recorded in:
New York, New York, United States (on 1939-11-09)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-11-09) and Les Robinson (on 1939-11-09)
clarinet:
Artie Shaw (on 1939-11-09)
double bass:
Sid Weiss (on 1939-11-09)
drums (drum set):
Buddy Rich (on 1939-11-09)
guitar:
Dave Barbour (on 1939-11-09)
piano:
Bob Kitsis (on 1939-11-09)
tenor saxophone:
Georgie Auld (on 1939-11-09) and Tony Pastor (on 1939-11-09)
trombone:
George Arus (on 1939-11-09), Les Jenkins (on 1939-11-09) and Harry Rogers (trombone player) (on 1939-11-09)
trumpet:
Harry Geller (on 1939-11-09), Chuck Peterson (trumpet) (on 1939-11-09) and Bernie Privin (on 1939-11-09)
orchestra:
Artie Shaw and His Orchestra (on 1939-11-09)
2:47
13I Didn't Know What Time It Was
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-11-09) and Les Robinson (on 1939-11-09)
clarinet:
Artie Shaw (on 1939-11-09)
double bass:
Sid Weiss (on 1939-11-09)
drums (drum set):
Buddy Rich (on 1939-11-09)
guitar:
Dave Barbour (on 1939-11-09)
piano:
Bob Kitsis (on 1939-11-09)
tenor saxophone:
Georgie Auld (on 1939-11-09) and Tony Pastor (on 1939-11-09)
trombone:
George Arus (on 1939-11-09) and Les Jenkins (on 1939-11-09)
trumpet:
Harry Geller (on 1939-11-09), Chuck Peterson (trumpet) (on 1939-11-09) and Bernie Privin (on 1939-11-09)
vocals:
Helen Forrest (on 1939-11-09)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1939-11-09)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
2:58
14Do I Love You?
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-11-09) and Les Robinson (on 1939-11-09)
clarinet:
Artie Shaw (on 1939-11-09)
double bass:
Sid Weiss (on 1939-11-09)
drums (drum set):
Buddy Rich (on 1939-11-09)
guitar:
Dave Barbour (on 1939-11-09)
piano:
Bob Kitsis (on 1939-11-09)
tenor saxophone:
Georgie Auld (on 1939-11-09) and Tony Pastor (on 1939-11-09)
trombone:
George Arus (on 1939-11-09) and Les Jenkins (on 1939-11-09)
trumpet:
Harry Geller (on 1939-11-09), Chuck Peterson (trumpet) (on 1939-11-09) and Bernie Privin (on 1939-11-09)
vocals:
Helen Forrest (on 1939-11-09)
recording of:
Do I Love You? (on 1939-11-09)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
3:03
15When Love Beckoned
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-11-09) and Les Robinson (on 1939-11-09)
clarinet:
Artie Shaw (on 1939-11-09)
double bass:
Sid Weiss (on 1939-11-09)
drums (drum set):
Buddy Rich (on 1939-11-09)
guitar:
Dave Barbour (on 1939-11-09)
piano:
Bob Kitsis (on 1939-11-09)
tenor saxophone:
Georgie Auld (on 1939-11-09) and Tony Pastor (on 1939-11-09)
trombone:
George Arus (on 1939-11-09) and Les Jenkins (on 1939-11-09)
trumpet:
Harry Geller (on 1939-11-09), Chuck Peterson (trumpet) (on 1939-11-09) and Bernie Privin (on 1939-11-09)
3:14
16Frenesi
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-03-03)
alto saxophone:
Bud Carlton (on 1940-03-03), Blake Reynolds (on 1940-03-03) and Jack Stacey (on 1940-03-03)
bass and double bass:
Jud DeNaut (on 1940-03-03)
bass clarinet and basset clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
drums (drum set):
Carl Maud (on 1940-03-03) and Carl Maus (on 1940-03-03)
flute:
Marty Ruderman (on 1940-03-03) and Morton Ruderman (on 1940-03-03)
French horn:
Jack Cave (on 1940-03-03) and John Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
tenor saxophone:
Dick Clark (tenor saxophonist) (on 1940-03-03) and Jack Stacy (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jack Gray (on 1940-03-03), Jacques Ray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03), Dave Sterkin (on 1940-03-03) and David Sturkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
orchestra:
Artie Shaw and His Orchestra (on 1940-03-03)
conductor:
Artie Shaw (on 1940-03-03)
recording of:
Frenesi (on 1940-03-03)
lyricist and composer:
Alberto Domínguez
instrumental recording of:
Frenesi (on 1940-03-03)
lyricist and composer:
Alberto Domínguez
3:06
17Adios, Mariquita Linda
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-03-03)
alto saxophone:
Bud Carlton (on 1940-03-03) and Blake Reynolds (on 1940-03-03)
bass:
Jud DeNaut (on 1940-03-03)
bass clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
drums (drum set):
Carl Maus (on 1940-03-03)
flute:
Marty Ruderman (on 1940-03-03)
French horn:
John Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
tenor saxophone:
Dick Clark (tenor saxophonist) (on 1940-03-03) and Jack Stacy (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jacques Ray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03) and Dave Sterkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
orchestra:
Artie Shaw and His Orchestra (on 1940-03-03)
instrumental recording of:
Adiós mariquita linda (on 1940-03-03)
lyricist and composer:
Marcos Augusto Jiménez Sotelo (Mexican composer, musician)
3:39
18Gloomy Sunday
alto saxophone:
Bud Carlton (on 1940-03-03), Jack Stacy (on 1940-03-03) and Blake Reynolds (on 1940-03-03)
bass clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
double bass:
Jud DeNaut (on 1940-03-03)
drums (drum set):
Carl Maus (on 1940-03-03)
flute:
Morton Ruderman (on 1940-03-03)
French horn:
Jack Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jack Gray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03) and Dave Sterkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
vocals:
Pauline Byrne (on 1940-03-03)
recording of:
Gloomy Sunday (on 1940-03-03)
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
3:42
19My Fantasy
alto saxophone:
Bud Carlton (on 1940-03-03), Jack Stacy (on 1940-03-03) and Blake Reynolds (on 1940-03-03)
bass clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
double bass:
Jud DeNaut (on 1940-03-03)
drums (drum set):
Carl Maus (on 1940-03-03)
flute:
Morton Ruderman (on 1940-03-03)
French horn:
Jack Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jack Gray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03) and Dave Sterkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
vocals:
Pauline Byrne (on 1940-03-03)
3:31
20A Deserted Farm
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-03-03)
alto saxophone:
Bud Carlton (on 1940-03-03), Jack Stacy (on 1940-03-03) and Blake Reynolds (on 1940-03-03)
bass:
Jud DeNaut (on 1940-03-03)
bass clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
drums (drum set):
Carl Maus (on 1940-03-03)
flute:
Morton Ruderman (on 1940-03-03)
French horn:
John Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
tenor saxophone:
Dick Clark (tenor saxophonist) (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jacques Ray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03) and Dave Sterkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
orchestra:
Artie Shaw and His Orchestra (on 1940-03-03)
2:48
21Don't Fall Asleep
alto saxophone:
Bud Carlton (on 1940-03-03), Jack Stacy (on 1940-03-03) and Blake Reynolds (on 1940-03-03)
bass clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
double bass:
Jud DeNaut (on 1940-03-03)
drums (drum set):
Carl Maus (on 1940-03-03)
flute:
Morton Ruderman (on 1940-03-03)
French horn:
Jack Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jack Gray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03) and Dave Sterkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
2:56
22Dreaming Out Loud
alto saxophone:
Lyle Bowen (on 1940-05-13) and Jack Stacey (on 1940-05-13)
bass clarinet:
Joe Krechter (on 1940-05-13)
cello:
Cy Bernard (on 1940-05-13)
clarinet:
Artie Shaw (on 1940-05-13)
double bass:
Jud DeNaut (on 1940-05-13)
drums (drum set):
Spencer Prinz (on 1940-05-13)
French horn:
Jack Cave (french horn) (on 1940-05-13)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-05-13)
piano:
Lyle Henderson (on 1940-05-13)
tenor saxophone:
Harold Lawson (on 1940-05-13)
trumpet:
Harry Geller (on 1940-05-13), Manny Klein (on 1940-05-13) and George Thow (on 1940-05-13)
viola:
Sam Freed (on 1940-05-13) and Dave Sterkin (on 1940-05-13)
violin:
Harry Bluestone (on 1940-05-13), Dave Cracov (on 1940-05-13), Jerry Joyce (on 1940-05-13), Bob Morrow (on 1940-05-13) and Mischa Russell (violinist) (on 1940-05-13)
vocals:
Pauline Byrne (on 1940-05-13)
3:28
23Now We Know
alto saxophone:
Lyle Bowen (on 1940-05-13) and Jack Stacey (on 1940-05-13)
bass clarinet:
Joe Krechter (on 1940-05-13)
cello:
Cy Bernard (on 1940-05-13)
clarinet:
Artie Shaw (on 1940-05-13)
double bass:
Jud DeNaut (on 1940-05-13)
drums (drum set):
Spencer Prinz (on 1940-05-13)
French horn:
Jack Cave (french horn) (on 1940-05-13)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-05-13)
piano:
Lyle Henderson (on 1940-05-13)
tenor saxophone:
Harold Lawson (on 1940-05-13)
trumpet:
Harry Geller (on 1940-05-13), Manny Klein (on 1940-05-13) and George Thow (on 1940-05-13)
viola:
Sam Freed (on 1940-05-13) and Dave Sterkin (on 1940-05-13)
violin:
Harry Bluestone (on 1940-05-13), Dave Cracov (on 1940-05-13), Jerry Joyce (on 1940-05-13), Bob Morrow (on 1940-05-13) and Mischa Russell (violinist) (on 1940-05-13)
vocals:
Pauline Byrne (on 1940-05-13)
3:17

Credits

Release group

part of:The Chronological Classics (number: 1087) (order: 596)