Tracklist

CD 1
# Title Artist Rating Length
1 Choral Prelude: In dir ist Freude, BWV 615 Johann Sebastian Bach 2:38
2 Largo from Serse, HWV 40: Act I George Frideric Handel 3:08
3 Air on a G String from Orchestral Suite no. 3 in D major, BWV 1068 Johann Sebastian Bach 5:16
4 Arrival of the Queen of Sheba (from “Solomon”, HWV 67) George Frideric Handel 3:11
5 Bridal Chorus (from “Lohengrin”, WWV 75) Richard Wagner 1:52
6 Trumpet Tune Jeremiah Clarke 1:17
7 Trumpet Voluntary - Prince of Denmark’s March Jeremiah Clarke 1:25
8 Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro Johann Sebastian Bach 6:25
9 Praise, My Soul, the King of Heaven Sir John Goss 2:35
10 Praise to the Lord [traditional] 3:09
11 Love Divine, All Loves Excelling Sir John Stainer 2:33
12 All Things Bright and Beautiful William Henry Monk 3:18
13 The King of Love My Shepherd Is John Bacchus Dykes 3:12
14 Lead Us, Heavenly Father, Lead Us Friedrich Filitz 2:14
15 Jerusalem Sir Hubert Parry 2:44
16 Air and Gavotte Samuel Wesley 3:36
17 Jesu, Joy of Man’s Desiring Johann Sebastian Bach 3:22
18 Barcarole (from “The Tales of Hoffmann”) Jacques Offenbach 3:50
19 Toccata (from Organ Symphony no. 5 in F minor, op. 42 no. 1) Charles‐Marie Widor 5:40
20 Hornpipe in D (from The Water Music Suite no. 2 in D major, HWV 349) George Frideric Handel 3:38
21 Trumpet Voluntary Jeremiah Clarke 1:25
22 Wedding March (from “A Midsummer Night’s Dream”, op. 61) Felix Mendelssohn 5:36
23 Young Brides Chorus (from “Der Freischütz”, op. 77, J. 277) Carl Maria von Weber 2:10

Credits

CD 1

organ:
Alexander Anderson (organist) (tracks 12–13)
Stephen Cleobury (organist) (tracks 1–3, 16–17, 19–22)
Richard Farnes (tracks 9–10)
Brian Runnett (organist) (track 14)
Simon Preston (organist, conductor, composer) (1965-05) (tracks 6–7)
Richard Farnes (1985-03) (track 11)
additional composer:
Alan Gray (organist and composer) (track 9)
arranger:
Stephen Cleobury (organist) (tracks 2–3)
Lowell Mason (track 14)
C. H. Trevor (track 6)
Francis Cunningham Woods (tracks 5, 22)
choir vocals:
The Choir of Paisley Abbey (tracks 12–13)
Innsbruck Chorus (track 5)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 3, 8)
Jeremiah Clarke (track 6)
John Bacchus Dykes (track 13)
Sir John Goss (track 9)
Felix Mendelssohn (composer) (track 22)
William Henry Monk (track 12)
Jacques Offenbach (track 18)
Sir John Stainer (track 11)
Richard Wagner (composer) (track 5)
Samuel Wesley (English organist and composer) (track 16)
Jeremiah Clarke (1700) (tracks 7, 21)
Johann Sebastian Bach (German Baroque period composer & musician) (1713 – 1715) (track 1)
George Frideric Handel (German‐British baroque composer) (1717) (track 20)
George Frideric Handel (German‐British baroque composer) (1737-12-26 – 1738-01-09) (track 2)
George Frideric Handel (German‐British baroque composer) (1748) (track 4)
Friedrich Filitz (1847) (track 14)
Charles‐Marie Widor (French organist, composer and teacher) (1879) (track 19)
Sir Hubert Parry (English composer) (1916) (track 15)
conductor:
Stephen Cleobury (organist) (tracks 9–10)
Benjamin Britten (English composer, conductor, and pianist) (track 8)
George Guest (organist and conductor) (track 14)
David Hill (organist and conductor) (track 15)
Eugen Jochum (conductor) (track 23)
Sir Neville Marriner (conductor) (track 4)
George McPhee (tracks 12–13)
Silvio Varviso (conductor) (track 18)
Robert Wagner (conductor) (track 5)
Stephen Cleobury (organist) (1985-03) (track 11)
librettist:
Jules Barbier (track 18)
lyricist:
Henry W. Baker (track 13)
William Blake (English poet, painter, and printmaker) (track 15)
Henry Francis Lyte (track 9)
Joachim Neander (track 10)
Charles Wesley (hymn writer) (track 11)
James Edmeston (1821) (track 14)
orchestra:
producer:
Chris Hazell (1985-03) (track 11)
sound engineer:
Colin Moorfoot (engineer) (1985-03) (track 11)
tenor vocals:
Neil Mackie (tenor) (tracks 12–13)
translator:
Catherine Winkworth (1863) (track 10)
phonographic copyright by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1960) (track 23)
The Decca Record Company Ltd. (not for release label use!) (1964) (tracks 5, 14)
The Decca Record Company Ltd. (not for release label use!) (1965) (tracks 4, 6–7)
The Decca Record Company Ltd. (not for release label use!) (1969) (tracks 8, 12)
The Decca Record Company Ltd. (not for release label use!) (1972) (track 13)
The Decca Record Company Ltd. (not for release label use!) (1979) (tracks 1–3, 16–17, 19–22)
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (1983) (track 18)
The Decca Record Company Ltd. (not for release label use!) (1986) (tracks 9–11)
The Decca Record Company Ltd. (not for release label use!) (1991) (track 15)
publisher:
recorded at:
Westminster Abbey in London, England, United Kingdom (tracks 1–3, 16–17, 19–22)
Westminster Abbey in London, England, United Kingdom (1965-05) (tracks 6–7)
part of:
Das Orgel-Büchlein (number: 17) (track 1)
Bach-Werke-Verzeichnis (number: BWV 615) (track 1)
arrangement of:
Trumpet Tune in D (from The Island Princess, erroneously attributed to Henry Purcell) (track 6)
arrangements:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (for piano, Friedman) (track 8)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro) (catch-all for arrangements) (track 8)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (for piano four hands, Reger) (track 8)
Hornpipe from Water Music (for piano, Grainger) (track 20)
In dir ist Freude, BWV 615, KiV B27/8 (for piano, Busoni) (track 1)
Jerusalem (catch-all for arrangements) (track 15)
Largo from "Xerxes" (for violin, harp, organ and strings, arr. Hellmesberger) (track 2)
Les Contes d’Hoffmann: Barcarolle (catch-all for arrangements) (track 18)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" ("largo"; catch-all for arrangements) (track 2)
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (Serse) (for cello and orchestra) (track 2)
The Arrival of the Queen of Sheba (arranged by Beecham) (track 4)
The Prince of Denmark's March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (tracks 7, 21)
is based on:
Jerusalem (poem by Blake) (track 15)
is the basis for:
Barcarolles (track 18)
Crux fidelis (track 2)
Plenty of Horn (tracks 7, 21)
later parody versions:
later translated versions:
Mīlas nakts (barkorāle no operas "Hofmaņa stāsti") (track 18)
Xerxès HWV 40 : Largo "Bois de lent oubli" (french version) (track 2)
later versions:
Flumpet Voluntary (tracks 7, 21)
Trumpet Prelude (Stokowski orchestration of "Prince of Denmark/Trumpet Voluntary") (tracks 7, 21)
Waiting Just for You (tracks 7, 21)
orchestrations:
Jerusalem (orchestrated by Elgar) (track 15)
The Prince of Denmark’s March (orchestrated by H. Wood) (tracks 7, 21)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order) (track 18)
Suite in D major (tracks 7, 21)
Der Freischütz: Akt III (number) (track 23)
parts:
recording of:
Air and Gavotte (track 16)
Bridal Chorus from “Lohengrin” (for organ, Cunningham Woods) (track 5)
Jerusalem (anthem by Hubert Parry) (track 15)
Jesu, Joy of Man’s Desiring (arr. H.P. Allen) (track 17)
Lead Us, Heavenly Father, Lead Us (Hymn to tune 'Mannheim') (track 14)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 3)
Praise to the Lord (track 10)
The King of Love My Shepherd Is (tune Dominus regit me) (track 13)
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (track 21)
Trumpet Tune (for organ, Trevor) (track 6)
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (1965-05) (track 7)
Love Divine, All Loves Excelling (tune Love Divine) (1985-03) (track 11)
referred to in medleys:
Hooked on Bach (track 8)
Hooked on Classics, Part 3 (tracks 4, 19–20)
Hooked on Romance (track 2)
Relax and Unwind With the Classics (preview) (track 18)

Release

manufactured in:U.K.
liner notes:Drusilla Beyfus (1997)
copyrighted by:Marks and Spencer PLC (1997)
manufactured by:PMDC (UK)
phonographic copyright by:Marks and Spencer PLC (1997)