Classical Themes and Dreams

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Brandenburg Concerto no. 1, BWV 1046: II. Adagio
violin:
Otto Büchner (violinist) and J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:12
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
orchestra:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven411:03
3Impromptu in G-flat major, op. 90 no. 3
piano:
Silvia Čápová (pianist) and Hélène Gàl (pianist, an Alfred Scholz pseudonym)
recording of:
Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert6:39
4Prélude à l’après-midi d’un faune
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonisches Festspielorchester (an Alfred Scholz pseudonym), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:13
5Piano Concerto no. 1 in E-flat major: I. Allegro maestoso
piano:
Josef Bulva (pianist) (in 1986-03)
orchestra:
RTL–Symphonieorchester Luxemburg (Luxembourg Philharmonic Orchestra) (in 1986-03)
conductor:
Daniel Nazareth (conductor and composer) (in 1986-03)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso (in 1986-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt5:27
6Serenade for String Orchestra in E major, op. 22: I. Moderato
orchestra:
Stuttgarter Kammerorchester
conductor:
Martin Sieghart (Austrian conductor and cellist)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák4:31
7Serenade for String Orchestra in E major, op. 22: II. Tempo di Valse
orchestra:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Stuttgarter Kammerorchester
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz and Martin Sieghart (Austrian conductor and cellist)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák6:45
8Brandenburg Concerto no. 2, BWV 1047: Adagio
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach4:28
9Symphony no. 1 in C major: II. Adagio
orchestra:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), London Philharmonic Orchestra (LPO) and Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor:
Louis Ablazzo, Alfred Scholz and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio)
composer:
Georges Bizet (composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet9:56
10Sinfonia from "The Messiah I"
orchestra:
Stuttgart Radio Symphony
conductor:
Garcia Navarro (conductor)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:15