Tracklist

CD 1
# Title Artist Rating Length
1 Brandenburg Concerto no. 1, BWV 1046: II. Adagio
Johann Sebastian Bach 4:12
2 Symphony no. 5 in C minor, op. 67: II. Andante con moto
Ludwig van Beethoven 11:03
3 Impromptu in G-flat major, op. 90 no. 3
Franz Schubert 6:39
4 Prélude à l’après-midi d’un faune
Claude Debussy 10:13
5 Piano Concerto no. 1 in E-flat major: I. Allegro maestoso
Franz Liszt 5:27
6 Serenade for String Orchestra in E major, op. 22: I. Moderato
Antonín Dvořák 4:31
7 Serenade for String Orchestra in E major, op. 22: II. Tempo di Valse
Antonín Dvořák 6:45
8 Brandenburg Concerto no. 2, BWV 1047: Adagio
Johann Sebastian Bach 4:28
9 Symphony no. 1 in C major: II. Adagio
Georges Bizet 9:56
10 Sinfonia from "The Messiah I"
Georg Friedrich Händel 3:15

Credits

CD 1

violin:
J. Brezina (violinist) (tracks 1, 8)
Otto Büchner (violinist) (track 1)
piano:
Silvia Čápová (track 3)
Josef Bulva (1986-03) (track 5)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 8)
George Frideric Handel (German‐British baroque composer) (1741) (track 10)
Ludwig van Beethoven (1804 – 1808) (track 2)
Franz Schubert (Austrian composer Franz Peter Schubert) (1827) (track 3)
Franz Liszt (1830 – 1856) (track 5)
Georges Bizet (French romantic composer) (1855-10 – 1855-11) (track 9)
Antonín Dvořák (composer) (1875-05-03 – 1875-05-14) (tracks 6–7)
Claude Debussy (1891 – 1894-09) (track 4)
conductor:
Louis Ablazzo (track 9)
Simon Addison (probably an Alfred Scholz pseudonym) (track 8)
Karel Brazda (an Alfred Scholz pseudonym) (tracks 1, 8)
Eugen Duvier (conductor, an Alfred Scholz pseudonym) (tracks 1, 8)
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)) (track 1)
Milan Horvat (Croatian conductor, 1919-2014) (track 7)
Reinhardt Lutz (track 7)
Francesco Macci (an Alfred Scholz pseudonym) (tracks 1, 8)
Heribert Münchner (conductor, an Alfred Scholz pseudonym) (tracks 1, 8)
Anton Nanut (conductor) (track 2)
Garcia Navarro (conductor) (track 10)
Alfred Scholz (tracks 4, 9)
Martin Sieghart (Austrian conductor and cellist) (tracks 6–7)
Viktor Zimmerman (an Alfred Scholz pseudonym) (track 9)
Gabor Ötvös (tracks 1, 8)
Daniel Nazareth (1986-03) (track 5)
dedicated to:
Raymond Bonheur (track 4)
orchestra:
Camerata Labacensis (tracks 1, 8)
Camerata Romana (an Alfred Scholz pseudonym) (tracks 1, 8)
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) (track 8)
Hamburger Symphoniker (tracks 1, 8)
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related) (track 7)
International Concert Orchestra (an Alfred Scholz pseudonym) (track 9)
London Festival Orchestra (Alfred Scholz pseudonym) (track 9)
Musici di San Marco (an Alfred Scholz pseudonym) (tracks 1, 8)
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) (track 7)
Philharmonia Slavonia (an Alfred Scholz pseudonym) (tracks 1, 8)
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) (tracks 4, 9)
Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) (track 7)
Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra) (track 2)
Südwest-Studioorchester (an Alfred Scholz pseudonym) (tracks 1, 8)
revised by:
Antonín Dvořák (composer) (1878) (tracks 6–7)
premiered at:
[concert] (1894-12-22) (track 4)
phonographic copyright by:
Mediaphon (NOT for release label use! Mediaphon-Musikproduktion und Verlag GmbH) (1993) (track 7)
publisher:
Eugène Fromont (1895-10) (track 4)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (track 4)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (track 4)
arrangements:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (catch all for arrangements) (track 1)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (catch-all for arrangements) (track 8)
Extract from “The Afternoon of a Faun” (for violin and piano, Heifetz) (track 4)
Impromptu in G major, D. 899 no. 3 (for violin and piano, arr. Heifetz) (track 3)
Impromptu in G-flat major, S. 565b no. 2 (edited by Liszt) (track 3)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (track 4)
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (track 4)
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for two pianos, Ravel) (track 4)
Prélude à l’après-midi d’un faune, L. 86, CD 87 (catch-all for arrangements) (track 4)
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for two pianos, Debussy) (track 4)
Symphony no. 5 in C minor, op. 67: II. Andante con moto (for brass, Frackenpohl) (track 2)
is the basis for:
Salve Regina (track 3)
later versions:
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (movement) (tracks 6–7)
recording of: