Summertime

~ Release by Isata Kanneh‐Mason (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Summertime
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Grand Fantasy on Porgy and Bess: Summertime
composer:
Earl Wild (pianist, composer and conductor)
part of:
Grand Fantasy on Porgy and Bess (arr. for piano, Earl Wild)
George Gershwin / Earl Wild3:29
2I Got Rhythm
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
7 Virtuoso Études: I Got Rhythm
composer:
Earl Wild (pianist, composer and conductor) (in 1973)
is based on:
I Got Rhythm
part of:
7 Virtuoso Études
George Gershwin / Earl Wild2:13
3Nocturne (Homage to John Field), op. 33
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Nocturne, op. 33: Moderato
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1959)
part of:
Works of Samuel Barber by opus number (number: op. 33)
Samuel Barber3:27
4Piano Sonata in E-flat minor, op. 26: I. Allegro energico
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Sonata for Piano, op. 26: I. Allegro energico - Un poco meno mosso - Tempo I
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (from 1947 until 1949-06)
part of:
Sonata for Piano, op. 26
Samuel Barber7:08
5Piano Sonata in E-flat minor, op. 26: II. Allegro vivace e leggero
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Sonata for Piano, op. 26: II. Allegro vivace e leggero
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (from 1947 until 1949-06)
part of:
Sonata for Piano, op. 26
Samuel Barber2:06
6Piano Sonata in E-flat minor, op. 26: III. Adagio mesto
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Sonata for Piano, op. 26: III. Adagio mesto
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (from 1947 until 1949-06)
part of:
Sonata for Piano, op. 26
Samuel Barber5:24
7Piano Sonata in E-flat minor, op. 26: IV. Fuga. Allegro con spirito
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Sonata for Piano, op. 26: IV. Fuga. Allegro con spirito
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (from 1947 until 1949-06)
part of:
Sonata for Piano, op. 26
Samuel Barber4:37
8The Man I Love
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
The Man I Love (for solo piano, transcr. by Percy Grainger)
composer:
George Gershwin (composer)
piano arranger:
Percy Grainger
arrangement of:
The Man I Love
George Gershwin arr. Percy Grainger3:16
9Three Preludes: 1. Allegro ben ritmato e deciso
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
composer:
George Gershwin (composer) (in 1926)
part of:
Three Preludes (original for piano)
George Gershwin1:35
10Three Preludes: 2. Andante con moto e poco rubato
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
composer:
George Gershwin (composer) (in 1926)
part of:
Three Preludes (original for piano)
George Gershwin3:38
11Three Preludes: 3. Allegro ben ritmato e deciso
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
composer:
George Gershwin (composer) (in 1926)
part of:
Three Preludes (original for piano)
George Gershwin1:19
12By the Still Waters, op. 114
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
By the Still Waters, op. 114
composer:
Amy Beach (composer and pianist) (in 1925)
part of:
Works of Amy Beach by opus number (number: op. 114)
Amy Beach3:07
13The Cat and the Mouse
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
The Cat and the Mouse
composer:
Aaron Copland (composer) (in 1920)
Aaron Copland4:10
14Impromptu no. 2 in B minor
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Impromptu no. 2 in B minor
composer:
Samuel Coleridge-Taylor (composer, conductor)
Samuel Coleridge-Taylor4:36
15Deep River
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Deep River, op. 59 no. 10
composer:
Samuel Coleridge-Taylor (composer, conductor) (in 1905)
part of:
24 Negro Melodies, op. 59
Samuel Coleridge-Taylor6:17
16The Bamboula
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
The Bamboula, op. 59 no. 8
composer:
Samuel Coleridge-Taylor (composer, conductor) (in 1905)
part of:
24 Negro Melodies, op. 59
Samuel Coleridge-Taylor2:26
17Sometimes I Feel Like a Motherless Child
recording engineer:
Philip Siney (sound engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor)
piano:
Isata Kanneh‐Mason
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2020-11-04 until 2021-03-01)
recording of:
Sometimes I Feel Like a Motherless Child, op. 59 no. 22
composer:
Samuel Coleridge-Taylor (composer, conductor) (in 1905)
part of:
24 Negro Melodies, op. 59
Samuel Coleridge-Taylor4:01

Credits

Release group

artist & repertoire support:Joanne Baines