The Frank Sinatra Collection

~ Release by Frank Sinatra (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Nice 'n' Easy
recording of:
Nice ’n’ Easy
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Spence Lew Music and Spirit Two Music Crescendo
2:48
2Cheek to Cheek
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-12-22)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 2)
part of:
Top Hat (1935 film)
3:06
3I'm Gonna Sit Right Down and Write Myself a Letter
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:29
4As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist, writer and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
part of:
Casablanca (original soundtrack of the 1942 American film)
3:17
5Witchcraft
producer:
Dave Cavanaugh
bass:
Joe Comfort (on 1957-05-20)
bass trombone:
George Roberts (american bass trombone) (on 1957-05-20)
cello:
Cy Bernard (on 1957-05-20), Edgar Lustgarten (on 1957-05-20) and Eleanor Slatkin (on 1957-05-20)
drums (drum set):
Frank DeVito (american jazz drummer) (on 1957-05-20)
guitar:
Nick Bonney (guitarist) (on 1957-05-20)
harp:
Kathryn Julye (on 1957-05-20)
piano:
Bill Miller (pianist) (on 1957-05-20)
reeds:
Buddy Collette (on 1957-05-20), Harry Klee (on 1957-05-20), Joe Koch (on 1957-05-20), Wilbur Schwartz (on 1957-05-20) and Warren Webbe (on 1957-05-20)
trombone:
Jim Priddy (on 1957-05-20), Dick Noel (trombone) (on 1957-05-20) and Juan Tizol (on 1957-05-20)
trumpet:
Clarence "Shorty" Sherock (on 1957-05-20), Harry “Sweets” Edison (on 1957-05-20), Conrad Gozzo (on 1957-05-20) and Vito "Mickey" Mangano (on 1957-05-20)
viola:
Maxine Johnson (on 1957-05-20) and Barbara Simons (on 1957-05-20)
violin:
Alex Beller (on 1957-05-20), Harry Bluestone (on 1957-05-20), Robert Cross (violinist) (on 1957-05-20), Walter Edelstein (on 1957-05-20), Ben Gill (on 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1957-05-20), Mischa Russell (violinist) (on 1957-05-20), Marshall Sosson (on 1957-05-20) and Gerald Vinci (American violinist and strings conductor) (on 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
arranger:
Nelson Riddle
publisher:
Morley Music Corp. and Notable Music Company, Inc.
recording of:
Witchcraft (on 1957-05-20)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:54
6I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
43:43
7You Make Me Feel So Young
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:57
8I Can't Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:03
9I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
2:55
10Chicago
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-08-13)
producer:
Dave Cavanaugh, Voyle Gilmore and Bill Miller (US producer at Capitol Records)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recording of:
Chicago (That Toddlin’ Town) (on 1957-08-13)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
2:13
11Come Fly With Me
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック
4.53:20
12The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:17
13(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-13)
reeds:
Plas Johnson (on 1955-09-13)
trumpet:
Harry “Sweets” Edison (on 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (on 1955-09-13)
conductor:
Nelson Riddle (on 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (on 1955-09-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
2:59
14My Funny Valentine
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-11-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
32:32
15Night and Day
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:01
16You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:05
17Dancing in the Dark
recording of:
Dancing in the Dark
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Band Wagon (1953 film)
2:27
18Let's Get Away From It All
recording of:
Let’s Get Away From It All
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
2:12
19Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:23
20One for My Baby
piano:
Bill Miller (pianist)
recording of:
One for My Baby (and One More for the Road) (in 1958)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:23

Credits

Release

copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1986)
phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (from 1986 until 1987)
ASIN:UK: B0000246NO [info]