As You Like It

~ Release by Patrick Doyle (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Kabuki Attack
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Kabuki Attack
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
6:48
2Brothers Fight
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Brothers Fight
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:19
3Niece!
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Niece!
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:14
4Too Late a Week
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Too Late a Week
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:08
5The Forest of Arden
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
The Forest of Arden
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:13
6Roynish Clown
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Roynish Clown
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:37
7Under the Greenwood Tree
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Under the Greenwood Tree
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Patrick Doyle (Scottish score composer)
2:36
8Eat No More
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Eat No More
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:05
9Blow Blow
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Blow Blow
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Patrick Doyle (Scottish score composer)
2:23
10Thy Brother
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Thy Brother
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:58
11Trip Audrey
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Trip Audrey
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:25
12Fake Wedding
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Fake Wedding
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:35
13Lion Attack
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Lion Attack
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:37
14Celia & Oliver
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Celia & Oliver
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:46
15I Love Aliena
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
I Love Aliena
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:05
16Tomorrow
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Tomorrow
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:16
17Weddings
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Weddings
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
5:16
18A Lover & His Lass
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
A Lover & His Lass
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Patrick Doyle (Scottish score composer)
2:51
19Violin Romance
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Maggie Rodford
editor:
Chris Benstead
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air Edel Studios in London (Greater London), England, United Kingdom
recording of:
Violin Romance
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
5:02