Stardust: The Complete Capitol Recordings 1955-1959

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1I'd Rather Have The Blues (The Blues From 'Kiss Me Deadly')
recording of:
I’d Rather Have the Blues Than What I’ve Got (from "Kiss Me Deadly")
writer:
Frank De Vol
2:53
2I Hear Music
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
I Hear Music (Dancing on a Dime) (on 1955-06-07)
lyricist:
Frank Loesser
composer:
Burton Lane
3:04
3My Heart Stood Still [1]
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
My Heart Stood Still (on 1955-06-07)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: File NO Releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
1:41
4My Heart Stood Still [2]
2:44
5I Never Knew
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
recording of:
I Never Knew (on 1955-06-07)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
2:33
6Tea for Two
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
Tea for Two (No, No, Nanette) (on 1955-06-07)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
instrumental recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
2:32
7Nothing Ever Changes My Love For You
recording of:
Nothing Ever Changes My Love for You
writer:
Marvin Fisher and Jack Segal (US songwriter)
2:39
8Breezin' Along with the Breeze
recording of:
Breezin’ Along With the Breeze
writer:
Haven Gillespie (in 1926), Seymour Simons (in 1926) and Richard A. Whiting (in 1926)
2:30
9Someone You Love
2:53
10What Can I Say After I Say I'm Sorry
piano:
Nat King Cole (on 1955-06-11)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-11)
conductor:
Nelson Riddle (on 1955-06-11)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-11)
instrumental cover recording of:
What Can I Say After I Say I’m Sorry? (on 1955-06-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:25
11Takin' a Chance on Love
piano:
Nat King Cole (on 1955-06-11)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-11)
conductor:
Nelson Riddle (on 1955-06-11)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-11)
instrumental cover recording of:
Taking a Chance on Love (on 1955-06-11)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:04
12Don't Blame Me
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Don’t Blame Me (on 1955-07-14)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:03
13It Could Happen to You
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental recording of:
It Could Happen to You (on 1955-07-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
2:47
14I Surrender Dear [1]
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:02
15I Surrender Dear [2]
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
2:58
16Little Girl
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Little Girl (1931 song) (on 1955-07-14)
writer:
Francis Henry (in 1931) and Madeline Hyde (in 1931)
1:49
17Imagination
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18), Eudice Shapiro (Violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Imagination (on 1955-08-18)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:27
18April in Paris
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
April in Paris (on 1955-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:50
19Love Walked In
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Love Walked In (on 1955-08-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:27
20I See Your Face Before Me
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
I See Your Face Before Me (on 1955-08-18)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
2:34
21Stella by Starlight
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Stella by Starlight (on 1955-08-18)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:47
22I Didn't Know What Time It Was
bass:
Charlie Harris (jazz bassist) (on 1955-08-23)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (on 1955-08-23)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-23)
guitar:
John Collins (jazz guitarist) (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (pianist) (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (Clarinet, played with Brubeck) (on 1955-08-23)
trombone:
Joe Howard (american trombone player) (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (Violinist) (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-08-23) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1955-08-23)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:09
23If I Could Be with You (One Hour Tonight)
bass:
Charlie Harris (jazz bassist) (on 1955-08-23)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (on 1955-08-23)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-23)
guitar:
John Collins (jazz guitarist) (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (pianist) (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (Clarinet, played with Brubeck) (on 1955-08-23)
trombone:
Joe Howard (american trombone player) (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (Violinist) (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
If I Could Be With You (One Hour Tonight) (on 1955-08-23)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
instrumental recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
2:40
24Autumn Leaves [English Version]
2:38
25I Get a Kick out of You
bass:
Charlie Harris (jazz bassist) (on 1955-08-23)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (on 1955-08-23)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-23)
guitar:
John Collins (jazz guitarist) (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (pianist) (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (Clarinet, played with Brubeck) (on 1955-08-23)
trombone:
Joe Howard (american trombone player) (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (Violinist) (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
I Get a Kick Out of You (on 1955-08-23)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
3:22
26Intro to: We Are Americans Too
0:46
27We Are Americans Too
2:51
▼ CD 2
#TitleRatingLength
1There Will Never Be Another You
recording of:
There Will Never Be Another You (in 1955-08)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:37
2My Dream Sonata
recording of:
My Dream Sonata
lyricist:
Mack David (American lyricist and songwriter)
composer:
Jimmy Van Heusen
3:25
3Let's Fall in Love
recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2:47
4Love Is a Many Splendored Thing
bass:
Charlie Harris (jazz bassist) (on 1955-08-25)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-25)
cello:
Victor Gottlieb (on 1955-08-25), Kurt Reher (on 1955-08-25) and Joseph Saxon (on 1955-08-25)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-25)
French horn:
Jack Cave (on 1955-08-25) and Vincent DeRosa (on 1955-08-25)
guitar:
John Collins (jazz guitarist) (on 1955-08-25)
harp:
Kathryn Julye (on 1955-08-25)
piano:
Nat King Cole (on 1955-08-25) and Bill Miller (pianist) (on 1955-08-25)
reeds:
Harry Klee (on 1955-08-25), Wilbur Schwartz (on 1955-08-25) and Champ Webb (on 1955-08-25)
trombone:
Ed Kusby (on 1955-08-25)
valve trombone:
Juan Tizol (on 1955-08-25)
viola:
Alvin Dinkin (on 1955-08-25) and Stanley Spiegelman (on 1955-08-25)
violin:
Victor Bay (on 1955-08-25), Alex Beller (on 1955-08-25), Erno Neufeld (on 1955-08-25), Nathan Ross (on 1955-08-25), Paul Shure (on 1955-08-25), Felix Slatkin (on 1955-08-25), Marshall Sosson (on 1955-08-25) and Gerald Vinci (American violinist and strings conductor) (on 1955-08-25)
vocals:
Nat King Cole (on 1955-08-25)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-25)
conductor:
Nelson Riddle (on 1955-08-25)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-08-25)
cover recording of:
Love Is a Many‐Splendored Thing (on 1955-08-25)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 28)
2:40
5Ask Me
2:55
6Just One of Those Things
alto saxophone:
Wilbur Schwartz (on 1955-08-27) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-27)
baritone saxophone:
Chuck Gentry (on 1955-08-27)
bass:
Charlie Harris (jazz bassist) (on 1955-08-27)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-27)
guitar:
John Collins (jazz guitarist) (on 1955-08-27)
piano:
Nat King Cole (on 1955-08-27) and Bill Miller (pianist) (on 1955-08-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1955-08-27) and Buck Skalak (on 1955-08-27)
trombone:
Murray McEachern (on 1955-08-27) and Dick Noel (trombone) (on 1955-08-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1955-08-27), Manny Klein (on 1955-08-27), Ray Linn (on 1955-08-27) and Vito N. Mangano (on 1955-08-27)
valve trombone:
Juan Tizol (on 1955-08-27)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-27)
conductor:
Nelson Riddle (on 1955-08-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-08-27)
instrumental cover recording of:
Just One of Those Things (on 1955-08-27)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:07
7I Want to Be Happy
alto saxophone:
Wilbur Schwartz (on 1955-08-27) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-27)
baritone saxophone:
Chuck Gentry (on 1955-08-27)
bass:
Charlie Harris (jazz bassist) (on 1955-08-27)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-27)
guitar:
John Collins (jazz guitarist) (on 1955-08-27)
piano:
Nat King Cole (on 1955-08-27) and Bill Miller (pianist) (on 1955-08-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1955-08-27) and Buck Skalak (on 1955-08-27)
trombone:
Murray McEachern (on 1955-08-27) and Dick Noel (trombone) (on 1955-08-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1955-08-27), Manny Klein (on 1955-08-27), Ray Linn (on 1955-08-27) and Vito N. Mangano (on 1955-08-27)
valve trombone:
Juan Tizol (on 1955-08-27)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-27)
conductor:
Nelson Riddle (on 1955-08-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-08-27) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-27)
instrumental cover recording of:
I Want to Be Happy (No, No, Nanette) (on 1955-08-27)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
1:45
8You Are My Sunshine
2:28
9Up Pops Love
2:31
10Take Me Back to Toyland
2:53
11Love Me As Though There Were No Tomorrow
recording of:
Love Me as Though There Were No Tomorrow
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
2:34
12Too Young to Go Steady
recording of:
Too Young to Go Steady
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Harold Adamson Music
2:54
13Dreams Can Tell a Lie
recording of:
Dreams Can Tell a Lie (1956 song)
writer:
Howard Barnes, Harold Cornelius and Dominic John (songwriter, aka Dominic John)
2:59
14Back in My Arms
3:03
15Mr. Juke Box
2:32
16Dame Crazy
2:38
17I Just Found out About Love
recording of:
I Just Found Out About Love
writer:
Harold Adamson and Jimmy McHugh (songwriter)
2:45
18I Got Love
2:11
19My Personal Possession
2:57
20Stay
2:26
21Believe
2:22
22That's All There Is to That
recording of:
That’s All There Is to That
composer:
Clyde Otis (American songwriter and record producer) and Kelly Owens (Organist)
2:18
23Night Lights
recording of:
Night Lights
lyricist:
Sammy Gallop
2:48
24The Shadows
2:32
25To the Ends of the Earth
recording of:
To the Ends of the Earth
writer:
Joe Sherman and Noel Sherman
2:18
26I Promise You
3:04
27The Way I Love You
2:51
28Never Let Me Go [From Film 'Scarlet Hour']
2:57
▼ CD 3
#TitleRatingLength
1Unfair
producer:
Lee Gillette
conductor:
Nelson Riddle
arranger:
Nelson Riddle
2:03
2Make Me
2:42
3Sometimes I Wonder
3:09
4Once Before
3:13
5I'm Willing to Share This with You
2:51
6I Need a Plan
2:34
7The Story's Old
2:28
8You Can Depend on Me
3:52
9Candy
3:52
10Sweet Lorraine
double bass:
Charlie Harris (jazz bassist) (on 1956-08-15)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-08-15)
guitar:
John Collins (jazz guitarist) (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
trumpet:
Harry Edison (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-15) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Sweet Lorraine (on 1956-08-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
4:35
11It's Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
3:06
12(Get Your Kicks On) Route 66
cover recording of:
(Get Your Kicks on) Route 66 (on 1956-08-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Burke-Van Heusen, Inc. (on 1946-04-22)
3:41
13Don't Let It Go to Your Head
3:11
14You're Looking at Me
recording of:
You’re Looking at Me
lyricist and composer:
Bobby Troup
4:14
15You're Looking At Me [Alt.]
recording of:
You’re Looking at Me
lyricist and composer:
Bobby Troup
4:12
16Just You, Just Me
recording of:
Just You, Just Me
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
3:02
17I Was a Little Too Lonely (And You Were a Little Too Late)
3:01
18How Little We Know
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-19)
bass:
Charlie Harris (jazz bassist) (on 1956-09-19)
bass trombone:
George Roberts (american bass trombone) (on 1956-09-19)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-19)
guitar:
John Collins (jazz guitarist) (on 1956-09-19)
harp:
Kathryn Julye (on 1956-09-19)
percussion:
Louis Singer (percussionist) (on 1956-09-19)
piano:
Jimmy Rowles (on 1956-09-19)
saxophone:
Joe Koch (on 1956-09-19), Irving "Babe" Russin (on 1956-09-19), Wilbur Schwartz (on 1956-09-19) and Buck Skalak (on 1956-09-19)
trombone:
Joe Howard (american trombone player) (on 1956-09-19) and Jimmy Priddy (on 1956-09-19)
trumpet:
Conrad Gozzo (on 1956-09-19), Cappy Lewis (on 1956-09-19), Vito N. Mangano (on 1956-09-19) and Shorty Sherock (on 1956-09-19)
valve trombone:
Juan Tizol (on 1956-09-19)
vocals:
Nat King Cole (on 1956-09-19)
orchestra:
Nelson Riddle and His Orchestra (on 1956-09-19)
conductor:
Nelson Riddle (on 1956-09-19)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-09-19)
cover recording of:
How Little We Know (on 1956-09-19)
writer:
Hoagy Carmichael and Johnny Mercer
3:46
19Should I?
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-19)
bass:
Charlie Harris (jazz bassist) (on 1956-09-19)
bass trombone:
George Roberts (american bass trombone) (on 1956-09-19)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-19)
guitar:
John Collins (jazz guitarist) (on 1956-09-19)
harp:
Kathryn Julye (on 1956-09-19)
percussion:
Louis Singer (percussionist) (on 1956-09-19)
piano:
Jimmy Rowles (on 1956-09-19)
saxophone:
Joe Koch (on 1956-09-19), Irving "Babe" Russin (on 1956-09-19), Wilbur Schwartz (on 1956-09-19) and Buck Skalak (on 1956-09-19)
trombone:
Joe Howard (american trombone player) (on 1956-09-19) and Jimmy Priddy (on 1956-09-19)
trumpet:
Conrad Gozzo (on 1956-09-19), Cappy Lewis (on 1956-09-19), Vito N. Mangano (on 1956-09-19) and Shorty Sherock (on 1956-09-19)
valve trombone:
Juan Tizol (on 1956-09-19)
vocals:
Nat King Cole (on 1956-09-19)
orchestra:
Nelson Riddle and His Orchestra (on 1956-09-19)
conductor:
Nelson Riddle (on 1956-09-19)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-09-19)
cover recording of:
Should I (on 1956-09-19)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
2:06
20Ballerina
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-19)
bass:
Charlie Harris (jazz bassist) (on 1956-09-19)
bass trombone:
George Roberts (american bass trombone) (on 1956-09-19)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-19)
guitar:
John Collins (jazz guitarist) (on 1956-09-19)
harp:
Kathryn Julye (on 1956-09-19)
percussion:
Louis Singer (percussionist) (on 1956-09-19)
piano:
Jimmy Rowles (on 1956-09-19)
saxophone:
Joe Koch (on 1956-09-19), Irving "Babe" Russin (on 1956-09-19), Wilbur Schwartz (on 1956-09-19) and Buck Skalak (on 1956-09-19)
trombone:
Joe Howard (american trombone player) (on 1956-09-19) and Jimmy Priddy (on 1956-09-19)
trumpet:
Conrad Gozzo (on 1956-09-19), Cappy Lewis (on 1956-09-19), Vito N. Mangano (on 1956-09-19) and Shorty Sherock (on 1956-09-19)
valve trombone:
Juan Tizol (on 1956-09-19)
vocals:
Nat King Cole (on 1956-09-19)
orchestra:
Nelson Riddle and His Orchestra (on 1956-09-19)
conductor:
Nelson Riddle (on 1956-09-19)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-09-19)
cover recording of:
Ballerina (on 1956-09-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
2:51
21Caravan
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:44
22Lonely One
3:47
23Blame It on My Youth
4:09
24What Is There to Say
3:35
▶ CD 4
▶ CD 5
▶ CD 6
▶ CD 7
▶ CD 8
▶ CD 9
▶ CD 10
▶ CD 11