Fly Me to the Moon

~ Release by James Moody & Kenny Barron (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Fly Me to the Moon
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
piano:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
instrumental recording of:
Fly Me to the Moon (on 1963-09-16)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
4:43
2Dizzy
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
piano:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
3:41
3Autumn Leaves
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
piano:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1963-09-16)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
6:03
4Ole
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
organ:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
4:43
5Sonymoon for Two
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
piano:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
recording of:
Sonnymoon for Two (on 1963-09-16)
composer:
Sonny Rollins
4:51
6I've Grown Accustomed to Your Face
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
organ:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1963-09-16)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
3:09
7Zanzibar
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
piano:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
recording of:
Zanzibar (on 1963-09-16)
composer:
Esmond Edwards
4:00
8Please Send Me Someone to Love
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
instrumental recording of:
Please Send Me Someone to Love (on 1963-09-16)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
5:41
9Sassy Lady
engineer:
Ron Malo
bass:
Ernest Outlaw (on 1962-01-30)
drums (drum set):
Marshall Thompson (drums) (on 1962-01-30)
piano:
Kenny Barron (on 1962-01-30)
trombone:
John Avant (on 1962-01-30)
trumpet:
Paul Serrano (on 1962-01-30)
woodwind:
James Moody (jazz saxophonist) (on 1962-01-30)
arranger:
Tom McIntosh
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1962-01-30)
4:47
10Ally, Parts 1, 2, 3
engineer:
Ron Malo
bass:
Ernest Outlaw (on 1962-01-30)
drums (drum set):
Marshall Thompson (drums) (on 1962-01-30)
piano:
Kenny Barron (on 1962-01-30)
trombone:
John Avant (on 1962-01-30)
trumpet:
Paul Serrano (on 1962-01-30)
woodwind:
James Moody (jazz saxophonist) (on 1962-01-30)
arranger:
Tom McIntosh
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1962-01-30)
7:47
11Spastic
engineer:
Ron Malo
bass:
Ernest Outlaw (on 1962-01-30)
drums (drum set):
Marshall Thompson (drums) (on 1962-01-30)
piano:
Kenny Barron (on 1962-01-30)
trombone:
John Avant (on 1962-01-30)
trumpet:
Paul Serrano (on 1962-01-30)
woodwind:
James Moody (jazz saxophonist) (on 1962-01-30)
arranger:
Tom McIntosh
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1962-01-30)
3:09
12Minuet in G
engineer:
Ron Malo
bass:
Ernest Outlaw (on 1962-01-30)
drums (drum set):
Marshall Thompson (drums) (on 1962-01-30)
piano:
Kenny Barron (on 1962-01-30)
trombone:
John Avant (on 1962-01-30)
trumpet:
Paul Serrano (on 1962-01-30)
woodwind:
James Moody (jazz saxophonist) (on 1962-01-30)
arranger:
Tom McIntosh
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1962-01-30)
3:13
13Cup Bearers
engineer:
Ron Malo
bass:
Ernest Outlaw (on 1962-01-30)
drums (drum set):
Marshall Thompson (drums) (on 1962-01-30)
piano:
Kenny Barron (on 1962-01-30)
trombone:
John Avant (on 1962-01-30)
trumpet:
Paul Serrano (on 1962-01-30)
woodwind:
James Moody (jazz saxophonist) (on 1962-01-30)
arranger:
Tom McIntosh
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1962-01-30)
6:53
14The Day After
engineer:
Ron Malo
bass:
Ernest Outlaw (on 1962-01-30)
drums (drum set):
Marshall Thompson (drums) (on 1962-01-30)
piano:
Kenny Barron (on 1962-01-30)
trombone:
John Avant (on 1962-01-30)
trumpet:
Paul Serrano (on 1962-01-30)
woodwind:
James Moody (jazz saxophonist) (on 1962-01-30)
arranger:
Tom McIntosh
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1962-01-30)
5:29
15Pleyel D'Jaime
engineer:
Ron Malo
bass:
Ernest Outlaw (on 1962-01-30)
drums (drum set):
Marshall Thompson (drums) (on 1962-01-30)
piano:
Kenny Barron (on 1962-01-30)
trombone:
John Avant (on 1962-01-30)
trumpet:
Paul Serrano (on 1962-01-30)
woodwind:
James Moody (jazz saxophonist) (on 1962-01-30)
arranger:
Tom McIntosh
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1962-01-30)
2:52

Credits

Release

ASIN:DE: B000OLHFCQ [info]