Carmen (1964 studio cast, remastered 2014)

~ Release by Georges Bizet; Maria Callas, Nicolai Gedda, Andréa Guiot, Robert Massard, Chœurs René Duclos, Orchestre du Théâtre National de l'Opéra de Paris, Georges Prêtre (see all versions of this release, 15 available)

Tracklist

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▼ Hybrid SACD 1
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1Carmen: Prélude
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Prélude (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:15
2Carmen: Act I. "Sur la place"
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet7:22
3Carmen: Act I. "Avec la garde montante"
producer:
Michel Glotz
baritone vocals [Moralès]:
Claude Calès (French baritone) (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:54
4Carmen: Act I. "C'est bien là, n'est-ce pas"
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 3b Récit « C’est bien là, n’est-ce pas » (Zuniga, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:13
5Carmen: Act I. "La cloche a sonné…"" / ""Dans l'air, nous suivons des yeux la fumée"
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Dans l'air, nous suivons des yeux la fumée » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte I
Georges Bizet4:33
6Carmen: Act I. "Quand je vous aimerai…?" / "L'amour est un oiseau rebelle"
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœurs d’enfants Jean Pesneaud (from 1964-07-06 until 1964-07-20) and Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:22
7Carmen: Act I. "Carmen ! sur tes pas nous nous pressons tous !"
producer:
Michel Glotz
choir vocals:
Chœurs d’enfants Jean Pesneaud (from 1964-07-06 until 1964-07-20) and Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:28
8Carmen: Act I. "Quels regards ! Quelle effronterie !"
producer:
Michel Glotz
soprano vocals [Micaëla]:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 6b Récit « Quels regards ! Quelle effronterie ! » (Don José, Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet0:56
9Carmen: Act I. "Parle-moi de ma mère !"
producer:
Michel Glotz
soprano vocals [Micaëla]:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet8:56
10Carmen: Act I. "Reste là, maintenant, pendant que je lirai"
producer:
Michel Glotz
soprano vocals [Micaëla]:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 7b Récit « Reste là, maintenant, pendant que je lirai » (Don José, Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:31
11Carmen: Act I. "Que se passe-t-il donc là-bas ?" / "Au secours ! Au secours !"
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:00
12Carmen: Act I. "Mon officier, c'était une querelle"
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 9 Chanson « Mon officier, c’était une querelle » (Don José, Zuniga) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:44
13Carmen: Act I. "Près des remparts de Séville"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:31
14Carmen: Act I. "Voici l'ordre ; partez"
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:59
15Carmen: Act I. Entr'acte
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:40
16Carmen: Act II. "Les tringles des sistres tintaient"
producer:
Michel Glotz
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:20
17Carmen: Act II. "Messieurs, Pastia me dit"
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 12b Récit « Messieurs, Pastia me dit… » (Frasquita, Zuniga, Carmen, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet0:57
18Carmen: Act II. "Vivat ! vivat le toréro !"
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:09
19Carmen: Act II. "Votre toast, je peux vous le rendre"
producer:
Michel Glotz
bass-baritone vocals [Escamillo]:
Robert Massard (baritone) (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:49
20Carmen: Act II. "La belle, un mot"
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
bass-baritone vocals [Escamillo]:
Robert Massard (baritone) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. Dialogue « Messieurs les officiers, je vous en prie » / « La belle, un mot » / « Le Dancaïre et le Remendado ont à vous parler » (Pastia, Zuniga, Escamillo, Carmen, chœur, Frasquita, Le Dancaïre) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:34
21Carmen: Act II. "Eh bien ! vite, quelles nouvelles ?" / "Nous avons en tête une affaire !"
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Jacques Pruvost (French tenor vocalist) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 15 Récit "Eh bien ! Vite, quelles nouvelles ? » (Frasquita, Le Dancaïre, Mercédès, Le Remendado, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet54:47
▼ Hybrid SACD 2
#TitleArtistRatingLength
1Carmen: Act II. "Mais qui donc attends-tu ?"
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Jacques Pruvost (French tenor vocalist) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 15 Récit : « Mais qui donc attends-tu ? » (Le Dancaïre, Le Remendado, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet0:27
2Carmen: Act II. "Halte là !"
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Jacques Pruvost (French tenor vocalist) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:32
3Carmen: Act II. "Enfin c'est toi !" / "Tout doux, Monsieur, tout doux"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 16b Récit « Enfin c’est toi ! » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:51
4Carmen: Act II. "La fleur que tu m'avais jetée" / "Non, tu ne m'aimes pas"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet7:48
5Carmen: Act II. "Holà ! Carmen ! Holà ! Holà !"
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Maurice Maievski (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:54
6Carmen: Act II. Entr'acte
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:00
7Carmen: Act III. "Écoute, écoute, compagnon, écoute"
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Maurice Maievski (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:01
8Carmen: Act III. "Reposons-nous une heure ici, mes camarades"
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. Récitative « Reposons‐nous une heure ici » (Le Dancaïre, Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet2:15
9Carmen: Act III. "Mêlons ! Coupons !"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet6:50
10Carmen: Act III. "Eh bien ?"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. Récitative « Eh bien ? … » (Carmen, Le Dancaïre, Frasquita) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:37
11Carmen: Act III. "Quant au douanier, c'est notre affaire"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Frasquita, Mercédès, Carmen, Le Dancaïre, Le Remendado, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet2:49
12Carmen: Act III. "C'est des contrebandiers le refuge ordinaire" / "Je dis que rien ne m'épouvante"
producer:
Michel Glotz
soprano vocals [Micaëla]:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:49
13Carmen: Act III. "Je ne me trompe pas… c'est lui sur ce rocher"
producer:
Michel Glotz
soprano vocals [Micaëla]:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:28
14Carmen: Act III. "Quelques lignes plus bas…" / "Holà, holà ! José !"
producer:
Michel Glotz
baritone vocals [Le Dancaïre]:
Jean‐Paul Vauquelin (from 1964-07-06 until 1964-07-20)
bass-baritone vocals [Escamillo]:
Robert Massard (baritone) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Micaëla]:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
tenor vocals [Le Remendado]:
Jacques Pruvost (French tenor vocalist) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet11:29
15Carmen: Act III. Entr'acte
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:02
16Carmen: Act IV. "A deux cuartos ! A deux cuartos !"
producer:
Michel Glotz
bass vocals [Zuniga]:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet1:55
17Carmen: Act IV. "Les voici ! voici la quadrille !"
producer:
Michel Glotz
bass-baritone vocals [Escamillo]:
Robert Massard (baritone) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet6:52
18Carmen: Act IV. "C'est toi !" / "Carmen, il est temps encore" / "Viva ! la course est belle !"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet8:44