A Tchaikovsky Festival

~ Release by Peter Ilyitch Tchaikovsky (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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11812 Overture
orchestra:
National Symphony Orchestra (unidentified orchestra, supposedly of Canada), Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra), Royal Promenade Orchestra and Slovak National Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alfred Gehardt (conductor), Anton Nanut (conductor), Libor Pešek (conductor), Bystrík Režucha (conductor) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
performer:
Slovak Philharmonic (Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
15:36
2Symphony no. 4 in F minor, op. 36: Andante sostenuto - Moderato con anima
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
17:50
3Symphony no. 4 in F minor, op. 36: Andantino in modo di canzona
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
9:25
4Symphony no. 4 in F minor, op. 36: Scherzo. Pizzicato ostinato: allegro
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
5:51
5Symphony no. 4 in F minor, op. 36: Finale. Allegro con fuoco
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
8:03
6Capriccio italien, op. 45
orchestra:
New Philharmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and New Philharmonic Orchestra of London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
15:32
▼ CD 2
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1Symphony no. 6 in B minor, op. 74 “Pathetique”: Adagio - Allegro non troppo
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
17:54
2Symphony no. 6 in B minor, op. 74 “Pathetique”: Allegro non grazia
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
8:04
3Symphony no. 6 in B minor, op. 74 “Pathetique”: Allegro molto vivace
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
9:02
4Symphony no. 6 in B minor, op. 74 “Pathetique”: Adagio lamentoso - Andante
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
9:10
5Serenade for Strings in C major, op. 48: Piece in Form of a Sonatina: Andante con troppo - Allegro moderato
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
9:22
6Serenade for Strings in C major, op. 48: Waltz. Moderato, tempo di valse
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
3:59
7Serenade for Strings in C major, op. 48: Elegy. Larghetto elegiaco
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
6:38
8Serenade for Strings in C major, op. 48: Finale. Andante - Allegro con spirito
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Serenade for Strings in C major, op. 48: IV. Finale. Tema russo
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
8:11
▼ CD 3
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1Symphony no. 5 in E minor, op. 64: Andante - Allegro con anima
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
14:44
2Symphony no. 5 in E minor, op. 64: Andante cantabile, con alcuna licenza
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
11:47
3Symphony no. 5 in E minor, op. 64: Valse: Allegro moderato
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
5:48
4Symphony no. 5 in E minor, op. 64: Andante maestoso - Allegro vivace
orchestra:
Ljubljana Radio Symphony (name used by Alfred Scholz, may be incorrect) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
12:36
5“Swan Lake” Suite: Scene
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
3:12
6“Swan Lake” Suite: Waltz
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
7:41
7“Swan Lake” Suite: Waltz
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
1:37
8“Swan Lake” Suite: Dramatic Ballet Scene
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
7:58
9“Swan Lake” Suite: Hungarian Dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
2:49
10“Swan Lake” Suite: Spanish Dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:22
11“Swan Lake” Suite: Neopolitan Dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:04
12“Swan Lake” Suite: Mazurka
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
3:46
▼ CD 4
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1“The Nutcracker”, op. 71: Miniature Overture
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
3:10
2“The Nutcracker”, op. 71: March
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
2:32
3“The Nutcracker”, op. 71: Dance of the Sugar-Plum Fairy
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
1:49
4“The Nutcracker”, op. 71: Russian Dance: Trepak
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:06
5“The Nutcracker”, op. 71: Arab Dance
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
2:51
6“The Nutcracker”, op. 71: Chinese Dance
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:11
7“The Nutcracker”, op. 71: Dance of the Mirlitons
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
1:59
8“The Nutcracker”, op. 71: Waltz of the Flowers
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
6:24
9Piano Concerto no. 1 in B-flat minor, op. 23: Allegro non troppo e molto maestoso - Allegro con spirito
piano:
Hans Lang (pianist)
orchestra:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
20:22
10Piano Concerto no. 1 in B-flat minor, op. 23: Andantino semplice - Prestissimo
piano:
Hans Lang (pianist)
orchestra:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
7:00
11Piano Concerto no. 1 in B-flat minor, op. 23: Allegro con fuoco
piano:
Hans Lang (pianist)
orchestra:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
7:29
12Romeo and Juliet: Fantasy Overture
orchestra:
Philarmonia Orchestra of London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
18:04

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ASIN:US: B000003QW7 [info]