An Easy Introduction to Jazz‐Bossa Nova: Top 18 Albums

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

9CD Set

Annotation last modified on 2015-05-21 20:35 UTC.

Tracklist

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▼ CD 1: Laurindo Almeida / Bud Shank: Brazilliance Vol. 1 + Vol. 2
#TitleArtistRatingLength
1Atãbaque
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
recording of:
Atabaque (on 1954-04-22)
writer:
Radamés Gnattali
Laurindo Almeida Quartet2:49
2Amor flamengo
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
Laurindo Almeida Quartet2:57
3Stairway to the Stars
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
recording of:
Stairway to the Stars (on 1954-04-22)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Laurindo Almeida Quartet3:02
4Acércate mas
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
recording of:
Acércate Más (on 1954-04-22)
writer:
Osvaldo Farrés
Laurindo Almeida Quartet3:04
5Terra sêca
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
recording of:
Terra seca (on 1954-04-22)
writer:
Ary Barroso
Laurindo Almeida Quartet3:12
6Speak Low
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
recording of:
Speak Low (One Touch of Venus) (on 1954-04-22)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Laurindo Almeida Quartet2:22
7Inquietaçao
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
recording of:
Inquietacao (on 1954-04-22)
composer:
Ary Barroso
Laurindo Almeida Quartet3:05
8Baa‐too‐kee
recorded in:
Los Angeles, California, United States (on 1954-04-22)
alto saxophone:
Bud Shank (on 1954-04-22)
double bass:
Harry Babasin (on 1954-04-22)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1954-04-22)
guitar:
Laurindo Almeida (on 1954-04-22)
Laurindo Almeida Quartet3:03
9Carinhoso
recorded in:
Los Angeles, California, United States (in 1953-09)
alto saxophone:
Bud Shank (in 1953-09)
double bass:
Harry Babasin (in 1953-09)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (in 1953-09)
guitar:
Laurindo Almeida (in 1953-09)
recording of:
Carinhoso (original instrumental) (in 1953-09)
composer:
Pixinguinha
Laurindo Almeida Quartet3:36
10Tocata
recorded in:
Los Angeles, California, United States (in 1953-09)
alto saxophone:
Bud Shank (in 1953-09)
double bass:
Harry Babasin (in 1953-09)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (in 1953-09)
guitar:
Laurindo Almeida (in 1953-09)
Laurindo Almeida Quartet4:47
11Hazardous
recorded in:
Los Angeles, California, United States (in 1953-09)
alto saxophone:
Bud Shank (in 1953-09)
double bass:
Harry Babasin (in 1953-09)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (in 1953-09)
guitar:
Laurindo Almeida (in 1953-09)
Laurindo Almeida Quartet2:50
12Nonô
recorded in:
Los Angeles, California, United States (in 1953-09)
alto saxophone:
Bud Shank (in 1953-09)
double bass:
Harry Babasin (in 1953-09)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (in 1953-09)
guitar:
Laurindo Almeida (in 1953-09)
Laurindo Almeida Quartet3:01
13Noctambulism
recorded in:
Los Angeles, California, United States (in 1953-09)
alto saxophone:
Bud Shank (in 1953-09)
double bass:
Harry Babasin (in 1953-09)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (in 1953-09)
guitar:
Laurindo Almeida (in 1953-09)
Laurindo Almeida Quartet4:40
14Blue Baião
recorded in:
Los Angeles, California, United States (in 1953-09)
alto saxophone:
Bud Shank (in 1953-09)
double bass:
Harry Babasin (in 1953-09)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (in 1953-09)
guitar:
Laurindo Almeida (in 1953-09)
instrumental recording of:
Baião (in 1953-09)
lyricist:
Humberto Teixeira
composer:
Luiz Gonzaga
Laurindo Almeida Quartet3:19
15Simpático
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet2:56
16Rio Rhapsody
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet3:40
17Nocturno
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet3:33
18Little Girl Blue
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
flute:
Bud Shank (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
instrumental recording of:
Little Girl Blue (in 1958-03)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
Bud Shank Quartet2:41
19Choro in “A”
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet2:33
20Mood Antigua
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores
flute:
Bud Shank (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
tabla:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet4:07
21The Color of Her Hair
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet2:00
22Lonely
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet3:55
23I Didn’t Know What Time It Was
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1958-03)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Bud Shank Quartet2:49
24Carioca Hills
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
Bud Shank Quartet3:08
▼ CD 2: Stan Getz: Jazz Samba (with Charlie Byrd) + Big Band Bossa Nova (with Gary McFarland)
#TitleArtistRatingLength
1Desafinado
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
trumpet:
Charlie Byrd (on 1962-02-13)
arranger:
Antônio Carlos Jobim and Newton Mendonça
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Stan Getz with Charlie Byrd5:52
2Samba Dees Days
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Charlie Byrd and Neuza Teixeira
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
recording of:
Samba Dees Days (on 1962-02-13)
composer:
Charlie Byrd
Stan Getz with Charlie Byrd3:34
3O pato
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Jayme Silva
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
recording of:
O pato (The Duck) (on 1962-02-13)
writer:
Jayme Silva and Neuza Teixeira
translated version of:
El pato (Spanish version of the Portuguese "O pato")
Stan Getz with Charlie Byrd2:32
4Samba triste
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass and guitar and bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set) and percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Billy Bianco and Baden Powell
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
cover recording of:
Samba triste (on 1962-02-13)
composer:
Billy Blanco and Baden Powell
Stan Getz with Charlie Byrd4:47
5Samba de uma nota só (One Note Samba)
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Antônio Carlos Jobim and Newton Mendonça
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental recording of:
Samba de uma nota só (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
Stan Getz with Charlie Byrd6:13
6É luxo só
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Ary Barroso and Luís Peixoto
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental recording of:
É luxo só (on 1962-02-13)
writer:
Ary Barroso and Luís Peixoto
Stan Getz with Charlie Byrd3:43
7Baía
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Ary Barroso
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental recording of:
Baía (The Three Caballeros) (on 1962-02-13)
lyricist:
Ray Gilbert
composer:
Ary Barroso
version of:
Na baixa do sapateiro
Stan Getz with Charlie Byrd6:42
8Manha de carnaval
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass:
Tommy Williams (jazz bassist) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28), Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Bob Brookmeyer (on 1962-08-28), Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28), Tony Studd (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28), Clark Terry (American swing trumpeter) (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Luiz Bonfá and Gary McFarland
instrumental recording of:
Manhã de Carnaval (on 1962-08-28)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
Stan Getz with Gary McFarland and His Orchestra5:50
9Balanco no samba
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28), Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Gary McFarland
Stan Getz with Gary McFarland and His Orchestra3:00
10Melancólico
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28), Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Gary McFarland
Stan Getz with Gary McFarland and His Orchestra4:44
11Entre amigos (Sympathy Between Friends)
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28), Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Gary McFarland
Stan Getz with Gary McFarland and His Orchestra3:00
12Chega de saudade (No More Blues)
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28) and Arthur Clarke (baritone saxophonist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flugelhorn:
Clark Terry (American swing trumpeter) (on 1962-08-28)
flute:
Jerry Sanfino (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trumpet:
Bernie Glow (on 1962-08-28) and Doc Severinsen (on 1962-08-28)
valve trombone:
Bob Brookmeyer (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Antônio Carlos Jobim, Gary McFarland and Vinicius de Moraes (O poetinha)
instrumental recording of:
Chega de saudade (on 1962-08-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
Stan Getz with Gary McFarland and His Orchestra4:12
13Noite triste (Night Sadness)
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28) and Arthur Clarke (baritone saxophonist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flugelhorn:
Clark Terry (American swing trumpeter) (on 1962-08-28)
flute:
Jerry Sanfino (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trumpet:
Bernie Glow (on 1962-08-28) and Doc Severinsen (on 1962-08-28)
valve trombone:
Bob Brookmeyer (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Gary McFarland
Stan Getz with Gary McFarland and His Orchestra4:58
14Samba de uma nota só (One Note Samba)
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28) and Arthur Clarke (baritone saxophonist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flugelhorn:
Clark Terry (American swing trumpeter) (on 1962-08-28)
flute:
Jerry Sanfino (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trumpet:
Bernie Glow (on 1962-08-28) and Doc Severinsen (on 1962-08-28)
valve trombone:
Bob Brookmeyer (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Antônio Carlos Jobim, Gary McFarland and Newton Mendonça
instrumental recording of:
Samba de uma nota só (on 1962-08-28)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
Stan Getz with Gary McFarland and His Orchestra3:28
15Bim bom
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28) and Arthur Clarke (baritone saxophonist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flugelhorn:
Clark Terry (American swing trumpeter) (on 1962-08-28)
flute:
Jerry Sanfino (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trumpet:
Bernie Glow (on 1962-08-28) and Doc Severinsen (on 1962-08-28)
valve trombone:
Bob Brookmeyer (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Gary McFarland
instrumental recording of:
Bim bom (on 1962-08-28)
lyricist and composer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer)
Stan Getz with Gary McFarland and His Orchestra4:33
16Desafinado (single edited version)
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Antônio Carlos Jobim and Newton Mendonça
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Stan Getz with Charlie Byrd2:03
17Theme From “Dr. Kildare” (Three Stars Will Shine Tonight)
recorded in:
New York, New York, United States (on 1962-06-15, on 1962-07-15)
tenor saxophone:
Stan Getz (in 1962)
recording of:
Theme From “Dr. Kildare” (Three Stars Will Shine Tonight) (in 1962)
lyricist:
Hal Winn
composer:
Jerry Goldsmith (American score composer) and Pete Rugolo
part of:
Dr. Kildare (American TV series 1961–1966)
Stan Getz2:29
▼ CD 3: Zoot Sims: New Beat Bossa Nova Vol. 1 + Vol. 2
#TitleArtistRatingLength
1Recado bossa nova, Part 1
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell (on 1962-08-28) and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims2:38
2Recado bossa nova, Part 2
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin (on 1962-08-28)
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell (on 1962-08-28) and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims3:00
3Cano canoe
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin (on 1962-08-28)
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell (on 1962-08-28) and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims5:39
4Cantando a orquestra
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin (on 1962-08-28)
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell (on 1962-08-28) and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims4:11
5Ciume
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin (on 1962-08-28)
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell (on 1962-08-28) and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims4:15
6María ninguém
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin (on 1962-08-28)
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell (on 1962-08-28) and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims2:40
7Sem saudades de vocé
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin (on 1962-08-28)
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell (on 1962-08-28) and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims6:04
8Barquinho de papel
recorded in:
New York, New York, United States (on 1962-08-28)
alto saxophone:
Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
clarinet:
Ron Odrich (on 1962-08-28), Gene Quill (on 1962-08-28) and Phil Woods (US jazz woodwind player) (on 1962-08-28)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-08-28)
drums (drum set):
Sol Gubin (on 1962-08-28)
flute:
Ron Odrich (on 1962-08-28) and Spencer Sinatra (on 1962-08-28)
guitar:
Kenny Burrell and Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion:
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-08-28) and Ted Sommer (on 1962-08-28)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1962-08-28)
Zoot Sims2:56
9Bernie’s Tune
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
instrumental recording of:
Bernie’s Tune (in 1962-11)
lyricist:
Jerry Leiber and Mike Stoller
composer:
Bernie Miller (jazz composer)
publisher:
Atlantic Music Corp. (BMI)
Zoot Sims3:02
10Poquito cantando
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
Zoot Sims2:34
11Tickle toe
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
recording of:
Tickle Toe (in 1962-11)
composer:
Lester Young (saxophonist)
Zoot Sims2:41
12Lonesome Road
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
instrumental recording of:
Lonesome Road (in 1962-11)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Nathaniel Shilkret Music Corp. and Paramount Music Corporation
Zoot Sims4:24
13Instant Samba
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
Zoot Sims2:29
14They Call the Wind Maria
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
instrumental recording of:
They Call the Wind Maria (Paint Your Wagon) (in 1962-11)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Paint Your Wagon (full musical)
Zoot Sims3:00
15Lover Come Back to Me
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
instrumental recording of:
Lover, Come Back to Me (The New Moon) (in 1962-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Zoot Sims5:04
16Nature Boy
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
instrumental recording of:
Nature Boy (in 1962-11)
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Zoot Sims3:06
17Reaching for the Moon
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
instrumental recording of:
Reaching for the Moon (in 1962-11)
lyricist and composer:
Irving Berlin (in 1930)
publisher:
Williamson Music Company
Zoot Sims2:55
18Don’t Fool With Love
clarinet:
Sol Schlinger (saxophone, jazz) (in 1962-11)
double bass:
Milt Hinton (in 1962-11)
guitar:
Barry Galbraith (in 1962-11) and Jim Hall (US jazz guitarist, composer & arranger) (in 1962-11)
percussion:
Sol Gubin (in 1962-11), Tommy Lopez (in 1962-11), Willie Rodriguez (Latin jazz drummer and percussionist) (in 1962-11) and Ted Sommer (in 1962-11)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-11)
woodwind:
Phil Bodner (Woodwind player) (in 1962-11), Ron Odrich (in 1962-11), Jerry Sanfino (in 1962-11) and Spencer Sinatra (in 1962-11)
Zoot Sims3:20
19I Got Rhythm
engineer:
Frank Laico
producer:
Jack Lewis (jazz producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962-10)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-10)
trumpet:
Marky Markowitz (in 1962-10)
vocals:
Vi Velasco (in 1962-10)
arranger:
Manny Albam
orchestrator:
Zoot Sims (US jazz saxophonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1962-10)
recording of:
I Got Rhythm (in 1962-10)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Zoot Sims4:10
20Recado Bossa Nova
engineer:
Frank Laico
producer:
Jack Lewis (jazz producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962-10)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-10)
trumpet:
Marky Markowitz (in 1962-10)
vocals:
Vi Velasco (in 1962-10)
arranger:
Manny Albam
orchestrator:
Zoot Sims (US jazz saxophonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1962-10)
Zoot Sims2:12
21Don’t Fool With Love
engineer:
Frank Laico
producer:
Jack Lewis (jazz producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962-10)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-10)
trumpet:
Marky Markowitz (in 1962-10)
vocals:
Vi Velasco (in 1962-10)
arranger:
Al Cohn
orchestrator:
Zoot Sims (US jazz saxophonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1962-10)
Zoot Sims2:15
22You and I
engineer:
Frank Laico
producer:
Jack Lewis (jazz producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962-10)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-10)
trumpet:
Marky Markowitz (in 1962-10)
vocals:
Vi Velasco (in 1962-10)
arranger:
Al Cohn
orchestrator:
Zoot Sims (US jazz saxophonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1962-10)
Zoot Sims2:50
23Zing Went the Strings of My Heart
engineer:
Frank Laico
producer:
Jack Lewis (jazz producer)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962-10)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (in 1962-10)
trumpet:
Marky Markowitz (in 1962-10)
vocals:
Vi Velasco (in 1962-10)
arranger:
Manny Albam
orchestrator:
Zoot Sims (US jazz saxophonist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1962-10)
recording of:
Zing! Went the Strings of My Heart (in 1962-10)
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Zoot Sims2:36
▼ CD 4: Coleman Hawkins: Desafinado / Quincy Jones: Big Band Bossa Nova
#TitleArtistRatingLength
1Desafinado
recording engineer:
Rudy van Gelder (on 1962-09-17)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-17)
percussion:
Eddie Locke (on 1962-09-17) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-17)
tenor saxophone:
Coleman Hawkins (on 1962-09-17)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-09-17)
instrumental recording of:
Desafinado (on 1962-09-17)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Coleman Hawkins5:50
2I’m Looking Over a Four Leaf Clover
recording engineer:
Rudy van Gelder (on 1962-09-12)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-12)
percussion:
Eddie Locke (on 1962-09-12) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-12)
tenor saxophone:
Coleman Hawkins (on 1962-09-12)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-09-12)
instrumental recording of:
I’m Looking Over a Four Leaf Clover (on 1962-09-12)
writer:
Mort Dixon (in 1927)
composer:
Harry M. Woods (American 1920/30s songwriter) (in 1927)
Coleman Hawkins2:53
3Samba para Bean
recording engineer:
Rudy van Gelder (on 1962-09-12)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-12)
percussion:
Eddie Locke (on 1962-09-12) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-12)
tenor saxophone:
Coleman Hawkins (on 1962-09-12)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-09-12)
Coleman Hawkins5:29
4I Remember You
recording engineer:
Rudy van Gelder (on 1962-09-12)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-12)
percussion:
Eddie Locke (on 1962-09-12) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-12)
tenor saxophone:
Coleman Hawkins (on 1962-09-12)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-09-12)
instrumental recording of:
I Remember You (on 1962-09-12)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
Coleman Hawkins3:59
5One Note Samba (Samba de una nota só)
recording engineer:
Rudy van Gelder (on 1962-09-12)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-12)
percussion:
Eddie Locke (on 1962-09-12) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-12)
tenor saxophone:
Coleman Hawkins (on 1962-09-12)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-09-12)
instrumental recording of:
Samba de uma nota só (on 1962-09-12)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
Coleman Hawkins6:01
6O pato (The Duck)
recording engineer:
Rudy van Gelder (on 1962-09-17)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-17)
percussion:
Eddie Locke (on 1962-09-17) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-17)
tenor saxophone:
Coleman Hawkins (on 1962-09-17)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-09-17)
instrumental recording of:
O pato (The Duck) (on 1962-09-17)
writer:
Jayme Silva and Neuza Teixeira
translated version of:
El pato (Spanish version of the Portuguese "O pato")
Coleman Hawkins4:12
7Um abraço no Bonfá (An Embrace to Bonfa)
recording engineer:
Rudy van Gelder (on 1962-09-17)
producer:
Bob Thiele (producer & songwriter)
bass:
Major Holley (on 1962-09-17)
percussion:
Eddie Locke (on 1962-09-17) and Willie Rodriguez (Latin jazz drummer and percussionist) (on 1962-09-17)
tenor saxophone:
Coleman Hawkins (on 1962-09-17)
arranger:
Manny Albam
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-09-17)
recording of:
Um abraço no Bonfá (on 1962-09-17)
composer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer)
Coleman Hawkins4:53
8Stumpy Bossa Nova
tenor saxophone:
Coleman Hawkins (on 1962-09-17)
Coleman Hawkins2:31
9Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones and His Orchestra42:48
10Boogie Bossa Nova (Boogie Stop Shuffle)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Boogie Stop Shuffle (from 1962-08 until 1962-09)
composer:
Charles Mingus
Quincy Jones and His Orchestra2:45
11Desafinado
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-08)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
instrumental recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
cover recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
instrumental cover recording of:
Desafinado
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Quincy Jones and His Orchestra2:57
12Manha de carnaval (Morning of the Carnaval)
recording engineer:
Phil Ramone (on 1962-09-04)
producer:
Quincy Jones
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1962-09-04)
double bass:
Chris White (jazz bassist) (on 1962-09-04)
drums (drum set):
Rudy Collins (drums) (on 1962-09-04)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-04)
tenor saxophone:
Paul Gonsalves (on 1962-09-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-04)
conductor:
Quincy Jones (on 1962-09-04)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Manhã de Carnaval (on 1962-09-04)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
Quincy Jones and His Orchestra2:58
13Se é tarde, me perdoa (Forgive me, I’m Late)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-13)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
composer:
Ronaldo Bôscoli and Carlos Lyra
cover recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
composer:
Ronaldo Bôscoli and Carlos Lyra
instrumental cover recording of:
Se é tarde me perdoa
composer:
Ronaldo Bôscoli and Carlos Lyra
Quincy Jones and His Orchestra4:25
14On the Street Where You Live
recording engineer:
Phil Ramone (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-07)
drums (drum set):
Rudy Collins (drums) (on 1962-09-07)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-07)
tenor saxophone:
Paul Gonsalves (on 1962-09-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-07)
conductor:
Quincy Jones (on 1962-09-07)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
On the Street Where You Live (My Fair Lady) (on 1962-09-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones and His Orchestra2:36
15Samba de una nota só (One Note Samba)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
instrumental recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
cover recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
instrumental cover recording of:
Samba de uma nota só
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
Quincy Jones and His Orchestra2:05
16Lalo bossa nova
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
recording of:
Lalo's Bossa Nova (from 1962-08 until 1962-09)
composer:
Lalo Schifrin (pianist & composer)
instrumental cover recording of:
Lalo's Bossa Nova
composer:
Lalo Schifrin (pianist & composer)
Quincy Jones and His Orchestra3:13
17Serenata
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Serenata (Instrumental) (from 1962-08 until 1962-09)
composer:
Leroy Anderson (until 1947-02-12)
instrumental cover recording of:
Serenata
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (Instrumental)
Quincy Jones and His Orchestra3:22
18Chega de saudade (No More Blues)
recording engineer:
Phil Ramone (on 1962-09-08)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-08)
drums (drum set):
Rudy Collins (drums) (on 1962-09-08)
flute:
Rahsaan Roland Kirk (on 1962-09-08)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-08)
tenor saxophone:
Paul Gonsalves (on 1962-09-08)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-08)
conductor:
Quincy Jones (on 1962-09-08)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Chega de saudade (on 1962-09-08)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
Quincy Jones and His Orchestra5:39
19A Taste of Honey
instrumental recording of:
A Taste of Honey (from 1962-08 until 1962-09)
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
Quincy Jones and His Orchestra2:57
▼ CD 5: The Dave Brubeck Quartet: Bossa Nova USA
#TitleArtistRatingLength
1Bossa Nova U.S.A.
recorded in:
New York, New York, United States (on 1962-10-25)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-10-25)
double bass:
Eugene Wright (bass) (on 1962-10-25)
drums (drum set):
Joe Morello (on 1962-10-25)
piano:
Dave Brubeck (on 1962-10-25)
recording of:
Bossa Nova U.S.A. (on 1962-10-25)
composer:
Dave Brubeck
The Dave Brubeck Quartet52:28
2Vento fresco
recorded in:
New York, New York, United States (on 1962-01-03)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-01-03)
double bass:
Eugene Wright (bass) (on 1962-01-03)
drums (drum set):
Joe Morello (on 1962-01-03)
piano:
Dave Brubeck (on 1962-01-03)
recording of:
Vento fresco (Cool Wind) (on 1962-01-03)
composer:
Dave Brubeck
The Dave Brubeck Quartet3:35
3Trolley Song
recorded in:
New York, New York, United States (on 1962-07-05)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-07-05)
double bass:
Eugene Wright (bass) (on 1962-07-05)
drums (drum set):
Joe Morello (on 1962-07-05)
piano:
Dave Brubeck (on 1962-07-05)
instrumental cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1962-07-05)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
The Dave Brubeck Quartet3:08
4Theme for June
recorded in:
New York, New York, United States (on 1962-07-12)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-07-12)
double bass:
Eugene Wright (bass) (on 1962-07-12)
drums (drum set):
Joe Morello (on 1962-07-12)
piano:
Dave Brubeck (on 1962-07-12)
recording of:
Theme for June (on 1962-07-12)
composer:
Howard Brubeck
The Dave Brubeck Quartet4:19
5Coraçao sensivel (Tender Heart)
recorded in:
New York, New York, United States (on 1962-01-03)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-01-03)
double bass:
Eugene Wright (bass) (on 1962-01-03)
drums (drum set):
Joe Morello (on 1962-01-03)
piano:
Dave Brubeck (on 1962-01-03)
recording of:
Coracao sensivel (Tender Heart) (on 1962-01-03)
composer:
Teo Macero
The Dave Brubeck Quartet4:18
6Irmao amigo (Brother Friend)
recorded in:
New York, New York, United States (on 1962-01-03)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-01-03)
double bass:
Eugene Wright (bass) (on 1962-01-03)
drums (drum set):
Joe Morello (on 1962-01-03)
piano:
Dave Brubeck (on 1962-01-03)
recording of:
Irmao amigo (Brother Friend) (on 1962-01-03)
composer:
Dave Brubeck
The Dave Brubeck Quartet3:25
7There’ll Be No Tomorrow
recorded in:
New York, New York, United States (on 1962-07-12)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-07-12)
double bass:
Eugene Wright (bass) (on 1962-07-12)
drums (drum set):
Joe Morello (on 1962-07-12)
piano:
Dave Brubeck (on 1962-07-12)
recording of:
There'll Be No Tomorrow (on 1962-07-12)
composer:
Dave Brubeck and Iola Brubeck
The Dave Brubeck Quartet5:45
8Cantiga Nova Swing
recorded in:
New York, New York, United States (on 1962-01-03)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-01-03)
double bass:
Eugene Wright (bass) (on 1962-01-03)
drums (drum set):
Joe Morello (on 1962-01-03)
piano:
Dave Brubeck (on 1962-01-03)
recording of:
Cantiga nova swing (on 1962-01-03)
composer:
Dave Brubeck
The Dave Brubeck Quartet2:51
9Lamento
recorded in:
New York, New York, United States (on 1962-01-03)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-01-03)
double bass:
Eugene Wright (bass) (on 1962-01-03)
drums (drum set):
Joe Morello (on 1962-01-03)
piano:
Dave Brubeck (on 1962-01-03)
recording of:
Lamento (on 1962-01-03)
composer:
Dave Brubeck
The Dave Brubeck Quartet4:48
10This Can’t Be Love
recorded in:
New York, New York, United States (on 1962-07-05)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1962-07-05)
double bass:
Eugene Wright (bass) (on 1962-07-05)
drums (drum set):
Joe Morello (on 1962-07-05)
piano:
Dave Brubeck (on 1962-07-05)
instrumental cover recording of:
This Can’t Be Love (on 1962-07-05)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
The Dave Brubeck Quartet6:52
11The Most Beautiful Girl in the World
The Dave Brubeck Quartet5:22
12Over and Over Again
The Dave Brubeck Quartet4:05
13Little Girl Blue
The Dave Brubeck Quartet5:34
14Fatha
The Dave Brubeck Quartet3:50
15My Romance
The Dave Brubeck Quartet6:54
16Why Can’t I?
The Dave Brubeck Quartet6:56
17The Circus on Parade
The Dave Brubeck Quartet3:15
▶ CD 6: Bud Shank / Clare Fischer feat. Joe Pass: Bossa Nova Jazz Samba + Brasamba!
▶ CD 7: Dizzy Gillespie: Dizzy on the French Rivierea + New Wave!
▶ CD 8: Antonio Carlos Jobim - The Greatest Bossa Nova Composer Vol.1 + Vol.2
▶ CD 9: João Gilberto: The Warm World of João Gilberto + Brazil’s Brilliant João Gilberto + The Boss of the Bossa Nova

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