# | Title | Rating | Length |
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1 | I Can Love You Better- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1997)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- I Can Love You Better (from 1997-03 until 1997-08)
- writer:
- Pamela Brown Hayes and Kostas
- publisher:
- Universal–Songs of PolyGram International, Inc.
| 5 | 3:54 |
2 | Wide Open Spaces- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- Wide Open Spaces (from 1997-03 until 1997-08)
- lyricist and composer:
- Susan Gibson
- publisher:
- Pie-Eyed Music (in 1997)
| 5 | 3:44 |
3 | Loving Arms- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- cover recording of:
- Loving Arms (from 1997-03 until 1997-08)
- lyricist and composer:
- Tom Jans
- publisher:
- Almo Music Corp. and Rondor Music (London) Ltd.
| 5 | 3:38 |
4 | There’s Your Trouble- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- There’s Your Trouble (from 1997-03 until 1997-08)
- writer:
- Mark Selby and Tia Sillers
| 4.65 | 3:13 |
5 | You Were Mine- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- You Were Mine (from 1997-03 until 1997-08)
- writer:
- Emily Erwin and Martie Seidel
| 3 | 3:38 |
6 | Never Say Die- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- Never Say Die (from 1997-03 until 1997-08)
- writer:
- George Ducas and Radney Foster
| 4 | 3:57 |
7 | Tonight the Heartache’s on Me- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- cover recording of:
- Tonight the Heartache's on Me (from 1997-03 until 1997-08)
- writer:
- Bob Morrison (in 1994), Johnny MacRae (in 1994) and Mary W. Francis (in 1994)
| 4 | 3:26 |
8 | Let ’er Rip- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- Let 'er Rip (from 1997-03 until 1997-08)
- writer:
- Billy Crain and Sandy Ramos
| 4 | 2:51 |
9 | Once You’ve Loved Somebody- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- Once You've Loved Somebody (from 1997-03 until 1997-08)
- writer:
- Thom McHugh and Bruce Miller
| 5 | 3:29 |
10 | I’ll Take Care of You- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- I'll Take Care of You (from 1997-03 until 1997-08)
- lyricist and composer:
- John David Souther
| 5 | 3:40 |
11 | Am I the Only One (Who’s Ever Felt This Way)- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- cover recording of:
- Am I the Only One (Who's Ever Felt This Way) (from 1997-03 until 1997-08)
- lyricist and composer:
- Maria McKee
| 4 | 3:26 |
12 | Give It Up or Let Me Go- assistant recording engineer:
- Tony Castle
- recording engineer:
- Billy Sherrill
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Mark Ralston
- mixer:
- Chuck Ainlay
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Bobby Charles, Jr., Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Tommy Nash, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines and Tony Paoletta
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1997)
- recorded at:
- Westwood Studio
- mixed at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- cover recording of:
- Give It Up (or Let Me Go) (from 1997-03 until 1997-08)
- lyricist and composer:
- Bonnie Raitt
- publisher:
- Kokomo Music
| 4 | 4:56 |