Cantatas, BWV 14, 16–18

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 14 “Wär Gott nicht mit uns diese Zeit”: I. Coro “Wär Gott nicht mit uns diese Zeit”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": I. Coro "Wär Gott nicht mit uns diese Zeit" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach5:08
2Kantate, BWV 14 “Wär Gott nicht mit uns diese Zeit”: II. Aria (Soprano) “Unsre Stärke heißt zu schwach”
soprano vocals:
Krisztina Laki (soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": II. Aria (Soprano) "Unsre Stärke heißt zu schwach" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach4:33
3Kantate, BWV 14 “Wär Gott nicht mit uns diese Zeit”: III. Recitativo (Tenore) “Ja, hätt es Gott nur zugegeben”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": III. Recitativo (Tenore) "Ja, hätt es Gott nur zugegeben" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach0:44
4Kantate, BWV 14 “Wär Gott nicht mit uns diese Zeit”: IV. Aria (Basso) “Gott, bei deinem starken Schützen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": IV. Aria (Basso) "Gott, bei deinem starken Schützen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach3:47
5Kantate, BWV 14 “Wär Gott nicht mit uns diese Zeit”: V. Choral “Gott Lob und Dank, der nicht zugab”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": V. Choral "Gott Lob und Dank, der nicht zugab" (in 1984-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 330)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach1:07
6Kantate, BWV 16 “Herr Gott, dich loben wir”: I. Coro “Herr Gott, dich loben wir”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-10)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": I. Coro "Herr Gott, dich loben wir" (from 1981-03 until 1981-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach2:23
7Kantate, BWV 16 “Herr Gott, dich loben wir”: II. Recitativo (Basso) “So stimmen wir bei dieser frohen Zeit”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-10)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (from 1981-03 until 1981-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:23
8Kantate, BWV 16 “Herr Gott, dich loben wir”: III. Aria (Basso) e Coro “Laßt uns jauchzen, lasst uns freuen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-10)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (from 1981-03 until 1981-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach3:49
9Kantate, BWV 16 “Herr Gott, dich loben wir”: IV. Recitativo (Alto) “Ach treuer Hort”
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-10)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (from 1981-03 until 1981-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:49
10Kantate, BWV 16 “Herr Gott, dich loben wir”: V. Aria (Tenore) “Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-10)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (from 1981-03 until 1981-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach6:48
11Kantate, BWV 16 “Herr Gott, dich loben wir”: VI. Choral “All solch dein Güt wir preisen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-10)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": VI. Choral "All solch dein Güt wir preisen" (from 1981-03 until 1981-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 125)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:20
12Kantate, BWV 17 “Wer Dank opfert, der preiset mich”: Teil I, I. Coro “Wer Dank opfert, der preiset mich”
choir vocals:
Gächinger Kantorei Stuttgart (from 1982-02 until 1982-10)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1982-02 until 1982-10)
conductor:
Helmuth Rilling (conductor) (from 1982-02 until 1982-10)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach4:45
13Kantate, BWV 17 “Wer Dank opfert, der preiset mich”: Teil I, II. Recitativo (Alto) “Er muß die ganze Welt ein stummer Zeuge werden”
alto vocals:
Gabriele Schreckenbach (contralto) (from 1982-02 until 1982-10)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1982-02 until 1982-10)
conductor:
Helmuth Rilling (conductor) (from 1982-02 until 1982-10)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, II. Recitativo (Alto) "Er muß die ganze Welt ein stummer Zeuge werden" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:10
14Kantate, BWV 17 “Wer Dank opfert, der preiset mich”: Teil I, III. Aria (Soprano) “Herr, deine Güte reicht, so weit der Himmel ist”
soprano vocals:
Arleen Augér (soprano) (from 1982-02 until 1982-10)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1982-02 until 1982-10)
conductor:
Helmuth Rilling (conductor) (from 1982-02 until 1982-10)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, III. Aria (Soprano) "Herr, deine Güte reicht, so weit der Himmel ist" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach3:31
15Kantate, BWV 17 “Wer Dank opfert, der preiset mich”: Teil II, IV. Recitativo (Tenore) “Einer aber unter ihnen”
tenor vocals:
Adalbert Kraus (tenor) (from 1982-02 until 1982-10)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1982-02 until 1982-10)
conductor:
Helmuth Rilling (conductor) (from 1982-02 until 1982-10)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, IV. Recitativo (Tenore) "Einer aber unter ihnen" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach0:55
16Kantate, BWV 17 “Wer Dank opfert, der preiset mich”: Teil II, V. Aria (Tenore) “Welch Übermaß der Güte”
tenor vocals:
Adalbert Kraus (tenor) (from 1982-02 until 1982-10)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1982-02 until 1982-10)
conductor:
Helmuth Rilling (conductor) (from 1982-02 until 1982-10)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, V. Aria (Tenore) "Welch Übermaß der Güte" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach3:36
17Kantate, BWV 17 “Wer Dank opfert, der preiset mich”: Teil II, VI. Recitativo (Basso) “Sieh meinen Willen an”
bass vocals:
Walter Heldwein (from 1982-02 until 1982-10)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1982-02 until 1982-10)
conductor:
Helmuth Rilling (conductor) (from 1982-02 until 1982-10)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VI. Recitativo (Basso) "Sieh meinen Willen an" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:31
18Kantate, BWV 17 “Wer Dank opfert, der preiset mich”: Teil II, VII. Choral “Wie sich ein Vat’r erbarmet”
choir vocals:
Gächinger Kantorei Stuttgart (from 1982-02 until 1982-10)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1982-02 until 1982-10)
conductor:
Helmuth Rilling (conductor) (from 1982-02 until 1982-10)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VII. Choral "Wie sich ein Vat'r erbarmet" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Gramann (in 1530)
part of:
Breitkopf 389 Choralgesänge (number: 271)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:54
19Kantate, BWV 18 “Gleichwie der Regen und Schnee vom Himmel fällt”: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach4:04
20Kantate, BWV 18 “Gleichwie der Regen und Schnee vom Himmel fällt”: II. Recitativo (Basso) “Gleichwie der Regen und Schnee”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach1:15
21Kantate, BWV 18 “Gleichwie der Regen und Schnee vom Himmel fällt”: III. Recitativo (Tenore, Basso, Coro) “Mein Gott, hier wird mein Herze sein”
bass vocals:
Wolfgang Schöne (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach6:08
22Kantate, BWV 18 “Gleichwie der Regen und Schnee vom Himmel fällt”: IV. Aria (Soprano) “Mein Seelenschatz ist Gottes Wort”
soprano vocals:
Eva Csapó (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach3:02
23Kantate, BWV 18 “Gleichwie der Regen und Schnee vom Himmel fällt”: V. Chorale “Ich bitt, o Gott, aus Herzensgrund”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1975-01)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (in 1975-01)
lyricist:
Lazarus Spengler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
librettist:
Salomon Franck
part of:
Breitkopf 389 Choralgesänge (number: 73)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
Johann Sebastian Bach1:16

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 5) (order: 5)