Tracklist

CD 1
# Title Artist Rating Length
1 Sheep May Safely Graze
Johann Sebastian Bach 4:38
2 Clarinet Concerto in A major, K. 622: II. Adagio (from "Out of Africa")
Wolfgang Amadeus Mozart 6:39
3 Concerto for 2 Mandolins
Antonio Vivaldi 2:50
4 Fantasia on a Theme by Thomas Tallis
Ralph Vaughan Williams 6:12
5 Piano Concerto No. 2 (Brief Encounter)
Сергей Васильевич Рахманинов 4:32
6 Memories of the Alhambra (Sideways)
Francisco Tárrega 3:58
7 Cello Concerto (Hilary & Jackie)
Sir Edward Elgar 5:21
8 The Fellowship (Lord of the Rings)
Howard Shore 5:56
9 The Lark Ascending
Ralph Vaughan Williams 6:26
10 Agnus Dei (Armed Man)
Karl Jenkins 3 3:41
11 Emperor Concerto, Op. 73 (Dead Poets Society)
Ludwig van Beethoven 7:04
12 Violin Concerto No. 1 in G minor, Op. 26
Max Bruch 4:27
13 Voca Me
Robert Prizeman 4:52
14 Nimrod (Elizabeth)
Sir Edward Elgar 3:59
15 Symphony No. 6, Op. 68 "Pastoral"
Ludwig van Beethoven 6:43
CD 2
# Title Artist Rating Length
1 Gabriel's Oboe
Ennio Morricone 2:16
2 Air On A G String
Johann Sebastian Bach 3:35
3 Morning
Edvard Grieg 4:20
4 Balcony Scene Romeo & Juliet
Armstrong, de Vries, Hooper 5:20
5 Canon in D
Johann Pachelbel 5:03
6 Gymnopeadie No.1
Erik Satie 3:36
7 Clair de lune
Claude Debussy 5:14
8 Schindler's List Theme
John Williams 5:06
9 Rhapsody on a Theme of Paganini
Сергей Васильевич Рахманинов 3:03
10 Adagio for Strings
Samuel Barber 3 6:26
11 Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2
Ludwig van Beethoven 3:59
12 Symphony No. 9 "From the New World"
Antonín Dvořák 4:47
13 Romance
Дмитрий Дмитриевич Шостакович 3:17
14 Piano Concerto in A minor, Op. 16
Edvard Grieg 6:34
15 Cavatina
Stanley Myers 3:18
16 I mio babbino caro
Giacomo Puccini 2:09
17 Venue
Gustav Holst 6:14
CD 3
# Title Artist Rating Length
1 Four Seasons, Concerto No.4 in F minor 'Winter'
Antonio Vivaldi 2:13
2 Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik"
Wolfgang Amadeus Mozart 5:48
3 Double Violin Concerto in D minor, BWV 1043
Johann Sebastian Bach 2:37
4 Miserere mei, Deus
Gregorio Allegri 4:35
5 Violin Concerto in E minor, Op. 64
Felix Mendelssohn 4:31
6 Jesu, Joy of Man's Desiring
Johann Sebastian Bach 3:33
7 Pavane
Gabriel Fauré 6:52
8 Dome epais
Léo Delibes 3:31
9 Flute and Harp Concerto in C
Wolfgang Amadeus Mozart 4:01
10 Lascia ch'io pianga
Georg Friedrich Händel 4:37
11 Guitar Concerto in D
Antonio Vivaldi 6:10
12 Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan"
Wolfgang Amadeus Mozart 5:23
13 Pie Jesu
John Rutter 3:35
14 Entr'acte to Act III
Georges Bizet 2:38
15 Piano Concerto No. 1 in E minor, Op. 11
Frédéric Chopin 3:54
16 In Paradisum
Gabriel Fauré 3:49
17 Pathétique Sonata, Op. 13
Ludwig van Beethoven 5:30
18 Intermezzo
Pietro Mascagni 3:41
CD 4
# Title Artist Rating Length
1 Zion hort die Wachter singen
Johann Sebastian Bach 3:30
2 Adagio in G minor
Tomaso Giovanni Albinoni 5:52
3 Keyboard Concerto No.5 in F minor
Johann Sebastian Bach 3:29
4 Confutatis
Karl Jenkins 2:57
5 Dance of the Blessed Spirits
Christoph Willibald Gluck 2:17
6 Water Music, Air from Suite No.1 in F
Georg Friedrich Händel 4:46
7 Fantasia on Greensleeves
Ralph Vaughan Williams 4:42
8 Gnossienne No.1
Erik Satie 3:26
9 The Swan
Camille Saint‐Saëns 3:19
10 The Ashokan Farewell
Jay Ungar & Molly Mason 5:11
11 Cantique de Jean Racine
Gabriel Fauré 5:14
12 Nocturne in C-sharp minor
Frédéric Chopin 4:26
13 Ombra Mai Fu
Georg Friedrich Händel 2:42
14 Concierto de Aranjuez
Joaquín Rodrigo 5 4:48
15 Pie Jesu
Andrew Lloyd Webber 2:52
16 Meditation
Jules Massenet 5:07
17 Piano Concerto No.2 in F
Дмитрий Дмитриевич Шостакович 6:11
18 Symphony No. 5 in C-sharp minor
Gustav Mahler 3:09
19 My Heart Will Go On
James Horner 4:20

Credits

CD 1

premiered in:
Moskva, Russia (1900-12-15) (track 5)
clarinet:
Sabine Meyer (clarinetist) (track 2)
violin:
Hugh Bean (violinist) (track 9)
Yehudi Menuhin (track 12)
cello:
Jacqueline du Pré (1965-08-19) (track 7)
trumpet:
Paul Beniston (Trumper) (2000-07-24) (track 10)
organ:
Ian Watson (conductor and keyboardist) (track 1)
guitar:
piano:
Cécile Ousset (track 5)
bass clarinet:
Sabine Meyer (clarinetist) (1990) (track 2)
harp:
Julia Thornton (track 11)
arranger:
Craig Leon (track 11)
balance engineer:
Stuart Eltham (engineer) (track 1)
Michael Gray (sound engineer) (track 14)
Christopher Parker (classical recording and balance engineer, active from 1950s) (1965-08-19) (track 7)
choir vocals:
National Youth Choir of Great Britain (2000-08-11) (track 10)
chorus master:
Michael C. Brewer (conductor) (2000) (track 10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 1)
Karl Jenkins (Welsh musician & composer) (track 10)
Howard Shore (track 8)
Francisco Tárrega (track 6)
Wolfgang Amadeus Mozart (classical composer) (1791-09-28 – 1791-10-07) (track 2)
Ludwig van Beethoven (1808) (track 15)
Ludwig van Beethoven (1809) (track 11)
Max Bruch (1866 – 1867) (track 12)
Edward Elgar (1899) (track 14)
Ralph Vaughan Williams (1910) (track 4)
Ralph Vaughan Williams (1914) (track 9)
Edward Elgar (1918 – 1919) (track 7)
conductor:
Sir Adrian Boult (tracks 4, 9)
Riccardo Muti (track 15)
Nic Raine (track 8)
Simon Rattle (track 5)
Walter Süsskind (track 12)
Sir John Barbirolli (1965-08-19) (track 7)
Sir Adrian Boult (1970-08-04 – 1970-08-06) (track 14)
Sir Neville Marriner (1983-06-27 – 1983-06-28) (track 1)
Hans Vonk (1990) (track 2)
Karl Jenkins (Welsh musician & composer) (2000-07-24) (track 10)
Michael C. Brewer (conductor) (2000-08-11) (track 10)
dedicated to:
Augustus J. Jaeger (track 14)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (track 7)
instruments:
Paul Beniston (Trumper) (track 10)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 9, 12)
London Symphony Orchestra (1965-08-19) (track 7)
London Symphony Orchestra (1970-08-04 – 1970-08-06) (track 14)
Academy of St Martin in the Fields (1983-06-27 – 1983-06-28) (track 1)
Staatskapelle Dresden (1990) (track 2)
London Philharmonic Orchestra (2000-07-24) (track 10)
orchestrator:
performer:
Irena Grafenauer (flautist) (track 1)
producer:
Christopher Bishop (conductor/producer) (track 14)
John Fraser (UK producer) (track 1)
publisher:
premiered at:
[concert] (1921-06-14) (track 9)
phonographic copyright by:
Warner Classics (1971) (track 14)
Warner Classics (2002) (track 14)
publisher:
Universal Music Publishing (Use ONLY if no country-specific information is available) (track 8)
premiered at:
Queen’s Hall in London, England, United Kingdom (1921-06-14) (track 9)
recorded at:
Kingsway Hall in London, England, United Kingdom (1965-08-19) (track 7)
Kingsway Hall in London, England, United Kingdom (1970-08-04 – 1970-08-06) (track 14)
arrangement of:
The Lark Ascending (for violin and piano) (track 9)
arrangements:
Fantasia on a Theme by Thomas Tallis (for two pianos) (track 4)
Viola Concerto: III. Adagio (arr. Lionel Tertis) (track 7)
is based on:
is the basis for:
All by Myself (track 5)
Preghiera (track 5)
Sanctus (based on "Nimrod" from Variations on an Original Theme ('Enigma'), op. 36) (track 14)
Sanctus Dei (track 14)
The Globalist (track 14)
Étude (Mike Oldfield instrumental) (track 6)
later parody versions:
later versions:
Nimrod (track 14)
part of:
The Armed Man: A Mass for Peace (the complete work) (track 10)
Cello Concerto in E minor, op. 85 (movement) (track 7)
partial recording of:
The Lark Ascending (for violin and orchestra) (track 9)
recording of:
Main Theme (The Lord of the Rings) (track 8)
The Armed Man: A Mass for Peace: Agnus Dei (2000-07-24 – 2000-08-11) (track 10)
referred to in medleys:
Hooked on Romance (track 2)

CD 2

violin:
Tasmin Little (track 13)
Tasmin Little (1994) (track 8)
oboe:
Carlo Romano (track 1)
guitar:
Manuel Barrueco (track 15)
Steve Morse (American guitarist) (track 15)
piano:
Piers Lane (Australian classical pianist, b. 1958) (track 13)
Moura Lympany (pianist) (track 11)
Anne Queffélec (track 6)
Cécile Ousset (1984-05-03 – 1984-05-04) (track 9)
assistant engineer:
Steve Price (recording engineer) (track 1)
balance engineer:
Michael Sheady (engineer) (1984-05-03 – 1984-05-04) (track 9)
John Kurlander (engineer) (1995-03) (track 7)
choir vocals:
London Voices (track 1)
chorus master:
David Bedford (track 1)
composer:
Nellee Hooper (track 4)
Ennio Morricone (track 1)
Stanley Myers (track 15)
Giacomo Puccini (Italian composer) (track 16)
Marius de Vries (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 2)
Ludwig van Beethoven (1801) (track 11)
Edvard Grieg (1868) (track 14)
Edvard Grieg (1875) (track 3)
Erik Satie (French composer) (1888-02 – 1888-04) (track 6)
Claude Debussy (1890 – 1905) (track 7)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 12)
Gustav Holst (1914 – 1916) (track 17)
Sergei Rachmaninoff (1934-07-03 – 1934-08-18) (track 9)
Samuel Barber (1936) (track 10)
John Williams (soundtrack composer & conductor) (1993) (track 8)
conductor:
Ennio Morricone (track 1)
Sir Adrian Boult (track 17)
Hymisher Greenburg (probably a pseudonym of Alfred Sholtz) (track 14)
Mariss Jansons (Latvian conductor) (track 12)
Sir Neville Marriner (tracks 2–3)
Eugene Ormandy (1957) (track 10)
Simon Rattle (1984-05-03 – 1984-05-04) (track 9)
Iain Sutherland (British conductor) (1994) (track 8)
Wolfgang Sawallisch (1995-03) (track 7)
Antonio Pappano (1999) (track 16)
editor:
Matthew Cocker (editor) (track 7)
engineer:
Dick Lewzey (track 1)
Christopher Parker (classical recording and balance engineer, active from 1950s) (track 2)
librettist:
Giovacchino Forzano (track 16)
Henrik Ibsen (1867) (track 3)
orchestra:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) (track 14)
New World Symphony (track 8)
The Philadelphia Orchestra (1957) (track 10)
City of Birmingham Symphony Orchestra (1984-05-03 – 1984-05-04) (track 9)
New World Philharmonic (1994) (track 8)
Philadelphia Orchestra (1995-03) (track 7)
London Symphony Orchestra (1999) (track 16)
orchestrator:
Ennio Morricone (tracks 1, 1)
Craig Armstrong (Scottish film score composer) (track 4)
Leopold Stokowski (track 7)
Samuel Barber (1938) (track 10)
performer:
Incantation (plays traditional tribal and other South American music) (track 1)
producer:
Christopher Bishop (conductor/producer) (track 2)
John Fraser (UK producer) (track 7)
John Fraser (UK producer) (1984-05-03 – 1984-05-04) (track 9)
soprano vocals:
Angela Gheorghiu (Romanian soprano) (1999) (track 16)
premiered at:
[radio broadcast] (1938-11-05) (track 10)
phonographic copyright by:
Virgin Records Ltd. (not for release label use!) (1986) (track 1)
publisher:
Chester Music Ltd. (track 8)
EMI Music Publishing (do not use as a release label!) (track 15)
Melankolic (track 4)
Robbins Music Corp. (track 15)
Universal/MCA Music (music publisher; do not use as release label!) (track 8)
Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (track 4)
recorded at:
arrangement of:
arrangements:
"O mio babbino caro" from Gianni Schicchi (for piano, Mikhashoff) (track 16)
Adagio for Strings (Lee Jackson arrangement) (track 10)
Adagio for Strings (arr. John O'Reilly for woodwind band) (track 10)
Adagio for Strings (for organ, Strickland) (track 10)
Adagio for Strings (arr. Lucien Cailliet for clarinet choir) (track 10)
Adagio for Strings (catch-all for arrangements) (track 10)
Agnus Dei (arr. Samuel Barber for chorus) (track 10)
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 2)
Air in D, BWV 1068 (arr. Heimer Sjöblom for organ) (track 2)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 2)
Air on the G String (for cello and orchestra, arr. Cullen) (track 2)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 2)
Cavatina (catch-all for arrangements) (track 15)
Gianni Schicchi: "O mio babbino caro" (catch-all for arrangements) (track 16)
Gymnopédie Nº 1 (simplified piano arrangement by Hans-Günter Heumann) (track 6)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 2)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 2)
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (catch-all for arrangements) (track 3)
Peer Gynt, op. 23: Morgenstemning (for cello and piano, arr. Goltermann) (track 3)
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (track 6)
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (for violin and piano, Kreisler) (track 9)
Solo Amore (track 2)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (catch-all for arrangements) (track 12)
The Planets, op. 32: II. Venus, the Bringer of Peace (for brass quintet and organ) (track 17)
Theme from Schindler's List (for brass band, Smith) (track 8)
Venus, The Bringer of Peace (Arranged for organ) (track 17)
宇宙めぐり (track 17)
is the basis for:
A New World (track 12)
Bach Aire (track 2)
Dov’è l’amore (track 10)
Drifting, Dreaming (track 6)
E Sarà Così (song based on "Rhapsody on a theme of Paganini") (track 9)
Goin’ Home (track 12)
Mephistopheles (track 11)
Moonlight (The Piano Guys) (track 11)
Más allá (track 12)
Nella fantasia (track 1)
Overture (track 11)
Peer Gynt "Morning Mood" (excerpt) (Stan LePard adaptation) (track 3)
Sweetest Love (track 2)
What Is Eternal (track 11)
原野是我家 (track 15)
夕陽下 (track 12)
月光 (Mondscheinsonate+drumloops) (track 11)
later translated versions:
私のお父さん (track 16)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 12)
He Was Beautiful (track 15)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 12)
Trois Gymnopedies (first movement) (Gary Numan version) (track 6)
orchestration of:
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 2)
Gymnopédie no. 1: Lent et douloureux (orchestrated by Lenehan & Kennedy) (track 6)
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy) (track 6)
Moonlight Sonata (orch. Stokowski) (track 11)
part of:
Gianni Schicchi (track 16)
The Mission (track 1)
Gymnopédies (track 6)
The Planets Suite for Orchestra, op. 32 (with "Pluto" by Colin Matthews) (track 17)
The Planets, op. 32 (original version) (track 17)
Peer Gynt, op. 23 (track 3)
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra) (track 9)
partial recording of:
recording of:
Balcony Scene (William Shakespeare’s Romeo + Juliet) (track 4)
Cavatina (theme from The Deer Hunter) (track 15)
Gabriel’s Oboe (The Mission) (track 1)
Romance from The Gadfly Suite (for violin and piano) (track 13)
Adagio for Strings (1957) (track 10)
Main Theme (Schindler’s List) (1994) (track 8)
Clair de lune from Suite bergamasque (orch. Stokowski) (1995-03) (track 7)
referred to in medleys:
Hooked on Romance (tracks 2, 11)

CD 3

violin:
Christian Ferras (track 3)
Yehudi Menuhin (tracks 3, 5)
Yehudi Menuhin (1979-12) (track 1)
flute:
James Galway (flautist) (track 9)
Gareth Morris (British flautist) (track 7)
organ:
John Wells (concert organist and composer) (track 16)
piano:
Martha Argerich (track 15)
Stephen Hough (pianist) (track 12)
harpsichord:
Paul Crocker (harpsichord) (1979-12) (track 1)
harp:
Fritz Helmis (track 9)
arranger:
Harry van Hoof (track 9)
balance engineer:
Neville Boyling (engineer) (tracks 7, 16)
baritone vocals [baritone]:
John Carol Case (English baritone) (track 16)
choir vocals:
chorus master:
Stephen Cleobury (track 13)
composer:
Gregorio Allegri (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (track 6)
Georges Bizet (French romantic composer) (tracks 14, 14)
Léo Delibes (track 8)
Gabriel Fauré (French composer) (track 7)
Antonio Vivaldi (1723) (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1778-04) (track 9)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 12, 12, 12)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 2)
Ludwig van Beethoven (1798) (track 17)
Fryderyk Chopin (composer) (1830-04 – 1830-09) (track 15)
Felix Mendelssohn (1838 – 1844-09-16) (track 5)
Gabriel Fauré (French composer) (1886 – 1900) (track 16)
Pietro Mascagni (1888) (track 18)
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (1985) (track 13)
conductor:
Yehudi Menuhin (track 3)
Charles Dutoit (track 15)
Efrem Kurtz (track 5)
Riccardo Muti (track 18)
Seiji Ozawa (conductor) (track 14)
Bryden Thomson (track 12)
David Willcocks (tracks 6–7, 16)
Alain Lombard (1970) (track 8)
Alberto Lysy (1979-12) (track 1)
dedicated to:
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (track 2)
librettist:
Philippe Gille (track 8)
Edmond Gondinet (track 8)
lyricist:
Robert Bridges (poet) (track 6)
mezzo-soprano vocals:
Danielle Millet (1970) (track 8)
orchestra:
Hallé Orchestra (track 12)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 5, 7, 16, 18)
Camerata Lysy Gstaad (1979-12) (track 1)
producer:
Christopher Bishop (conductor/producer) (tracks 2, 7, 16)
revised by:
Felix Mendelssohn (1845) (track 5)
soprano vocals:
Mady Mesplé (1970) (track 8)
treble vocals:
Edward Saklatvala (tenor) (track 13)
treble vocals [treble]:
Robert Chilcott (track 16)
publisher:
Éditions Durand (1947–present) (track 16)
recorded at:
edit of:
sampled by:
part of:
Works of Ludwig van Beethoven by opus number (number: op. 13) (track 17)
Köchelverzeichnis (original numbering) (number: 467) (track 12)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 467) (track 12)
arrangement of:
Pavane, op. 50 (for piano and chorus) (track 7)
arrangements:
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 3)
Concerto for Piano no. 21 in C major, K. 467 (catch-all for arrangements) (track 12)
Romance (for solo piano, Balakirev, from Chopin's Piano Concerto no. 1) (track 15)
is based on:
Carmen: Acte II. Entr’acte (intermission between Acts II & III) (track 14)
is the basis for:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana) (track 18)
Beethoven (track 17)
Carmen Suite no. 1: II. Aragonaise (based on Carmen: Entr’acte between Acts III and IV) (track 14)
Child of the Night (track 8)
Night Enchanted (track 8)
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni) (track 18)
Sex'n fax (tracks 12, 12)
Sonata (track 17)
Song Sung Blue (track 12)
The Silent League (track 17)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 4)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 4)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 4)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 4)
こころ (track 17)
part of:
Violinkonzert in e-Moll, op. 64 (movement) (track 5)
Carmen Suite no. 1 (track 14)
Requiem (track 13)
Lakmé: Acte I (track 8)
Requiem, op. 48 (track 16)
Carmen : Acte III (track 14)
partial recording of:
parts:
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (track 14)
Carmen Suite no. 1: III. Intermezzo (based on Carmen: Entr’acte between Acts II and III) (track 14)
Miserere mei, Deus (track 4)
Pavane, op. 50 (catch-all for arrangements and unknown versions) (track 7)
referred to in medleys:
translated version of:

CD 4

premiered in:
Leipzig, Sachsen, Germany (1731-11-25) (track 1)
violin:
Hans Kalafusz (track 16)
cello:
Han‐Na Chang (track 9)
classical guitar:
Julian Bream (track 14)
piano:
Michael Houstoun (track 17)
Andrei Gavrilov (1987) (track 3)
Anne Queffélec (1988) (track 8)
harp:
Aline Brewer (track 9)
alto vocals:
Gérard Lesne (track 13)
arranger:
Chris Hazell (track 9)
James Shearman (track 19)
Ralph Greaves (1934) (tracks 7, 7)
choir vocals:
South German Madrigal Choir (1967-07-15 – 1967-07-20) (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 3)
Remo Giazotto (track 2)
George Frideric Handel (German‐British baroque composer) (track 13)
James Horner (track 19)
Andrew Lloyd Webber (English composer and impresario of musical theatre) (track 15)
Johann Sebastian Bach (German Baroque period composer & musician) (1731) (track 1)
George Frideric Handel (German‐British baroque composer) (1737-12-26 – 1738-01-09) (track 13)
Gabriel Fauré (French composer) (1865) (track 11)
Erik Satie (French composer) (1890) (track 8)
Jules Massenet (1894) (track 16)
Gustav Mahler (1901 – 1902) (track 18)
Ralph Vaughan Williams (1924 – 1928) (track 7)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 14)
Jay Ungar (1982) (track 10)
conductor:
David Abel (track 19)
Sir John Barbirolli (tracks 7, 18)
Paul Gambill (track 10)
Sir Neville Marriner (tracks 2, 16)
Riccardo Muti (track 5)
Simon Rattle (track 14)
Leonard Slatkin (track 9)
Wolfgang Gönnenwein (conductor) (1967-07-15 – 1967-07-20) (track 1)
Sir Neville Marriner (1987) (track 3)
countertenor vocals:
Gérard Lesne (track 13)
dedicated to:
César Franck (Belgian-born French composer) (track 11)
instruments:
lyricist:
Will Jennings (track 19)
Andrew Lloyd Webber (English composer and impresario of musical theatre) (track 15)
Jean Racine (librettist) (track 11)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 5, 9, 18)
Sinfonia of London (British session orchestra) (track 7)
Orchestra (Special Purpose Artist - Do not add releases here, if possible.) (track 19)
Consortium Musicum (1967-07-15 – 1967-07-20) (track 1)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 2)
solo cello:
Han‐Na Chang (track 9)
soprano vocals:
Jane Gilchrist (track 15)
publisher:
EMI Music Publishing (do not use as a release label!) (track 19)
Fox Film Music Corporation (BMI) (track 19)
MCA Music Ltd. (track 15)
Ricordi London (Casa Ricordi sublabel for Classical music) (track 2)
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (track 19)
The Really Useful Group Ltd. (not for release label use!) (track 15)
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (track 19)
Oxford University Press (1936) (track 7)
edit of:
arrangement of:
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 9)
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 18)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 18)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 2)
Adagio of the Sky (track 2)
Ballet des ombres heureuses (for solo piano, Friedman) (track 5)
Cantique de Jean Racine, op. 11 (catch-all for arrangements and unknown versions) (track 11)
Cantique de Jean Racine, op. 11 (for choir and orchestra (without organ)) (track 11)
Cold is Being (track 2)
Concerto for Flute in A minor, BWV1056: II. Largo (arrangement of keyboard concerto) (track 3)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 14)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 14)
Gnossienne No. 1 (catch all for arrangements) (track 8)
Gnossienne Nº 1 (simplified piano arrangement by Hans-Günter Heumann) (track 8)
Im Abendrot (track 18)
Largo from "Xerxes" (for violin, harp, organ and strings, arr. Hellmesberger) (track 13)
Meditation from Thaïs (catch-all for arrangements) (track 16)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 16)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 16)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 16)
My Heart Will Go On (arr. Adrian Williams for small orchestra) (track 19)
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (track 5)
Mélodie de Gluck (Dance of the Blessed Spirits, arr. Sgambati for solo piano) (track 5)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 5)
Pie Jesu from "Requiem" (for brass, Pearson) (track 15)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 13)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 18)
instrumental recording of:
My Heart Will Go On (track 19)
is based on:
Greensleeves (track 7)
Lovely Joan (traditional English folk song) (track 7)
Sir John in Love (track 7)
is the basis for:
Adagio (track 2)
Anytime, Anywhere (track 2)
Battle of Trees (track 8)
Crux fidelis (track 13)
Il canto del cigno (The Song of the Swan) (track 9)
later parody versions:
Free Delivery (track 19)
later translated parody versions:
Titanic (track 19)
later translated versions:
Il mio cuore va (Italian translation of 'My Heart Will Go On') (track 19)
Xerxès HWV 40 : Largo "Bois de lent oubli" (french version) (track 13)
later versions:
Ashokan Farewell (track 10)
orchestrations:
Arioso form Keyboard Concerto no. 5 in F minor, BWV 1056 (Stokowski orchestration) (track 3)
Trois gnossiennes: No. 1 (orchestrated by Corp) (track 8)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (track 5)
Thaïs: Acte II (track 16)
Trois Gnossiennes (track 8)
Concierto de Aranjuez (movement) (track 14)
Symphony no. 5 (movement) (track 18)
Requiem (track 15)
partial recording of:
recording of:
Ashokan Farewell (track 10)
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (track 11)
Gnossienne No. 1 (track 8)
Le Carnaval des animaux: XIII. Le Cygne (catch-all for unknown arrangement) (track 9)
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (track 5)
Pie Jesu (track 15)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 13)
referred to in medleys:
Hooked on Romance (track 13)

Release

ASIN: UK: B0009S4WK2 [info]