Tracklist

Medium 1
# Title Artist Rating Length
1 Heidenröslein
Franz Schubert 2:17
2 Der Lindenbaum (Winterreise, D. 911)
Franz Schubert 5:41
3 Auf Flügeln das Gesanges
Felix Mendelssohn 2:46
4 Sehnsucht nach dem Frühling K 596
Wolfgang Amadeus Mozart 2:06
5 Ständchen (Schwanengesang, D.957)
Franz Schubert 3:33
6 Liebesbotschaft (Schwanengesang, D.957)
Franz Schubert 3:04
7 Gretchen am Spinnadre, D.118
Franz Schubert 3:49
8 Wiegenlied D.498
Franz Schubert 3:07
9 Sandmännchen
Johannes Brahms 4:53
10 La Serenata
Francesco Paolo Tosti 3:32
11 O sole mio
Eduardo di Capua 3:24
12 Funiculi, Funicula
Luigi Denza 2:34
13 Torna a Surriento
Ernesto de Curtis 4:30
14 Core 'ngrato
Salvatore Cardillo 3:20
15 Hallelujah!
Georg Friedrich Händel 4:07
16 Jesu, joy of man's desire
Johann Sebastian Bach 3:20
17 Ave Maria
Charles‐François Gounod 2:50
18 Ave Maria Op 52, No. 6
Franz Schubert 3:32

Credits

Medium 1

engineered in:
Wien, Austria (1981-09) (track 1)
premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 16)
recorded in:
Dresden, Sachsen, Germany (1958) (track 2)
London, England, United Kingdom (1980-07) (tracks 11–14)
Wien, Austria (1981-09) (tracks 4, 9)
London, England, United Kingdom (1982-07) (track 8)
Berlin, Germany (1982-09) (tracks 5–6)
Wien, Austria (1983-04) (tracks 15–17)
Netherlands (1983-11) (track 10)
London, England, United Kingdom (1984-04) (track 7)
London, England, United Kingdom (1984-06) (track 3)
piano:
Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) (1958) (track 2)
Dalton Baldwin (1982-07) (track 8)
Alfred Brendel (1982-09) (tracks 5–6)
Rudolf Jansen (1983-11) (track 10)
Phillip Moll (pianist) (1984-04) (track 7)
baritone vocals:
Dietrich Fischer‐Dieskau (1982-09) (tracks 5–6)
choir vocals:
Chorus Viennensis (track 16)
Wiener Sängerknaben (1981-09) (tracks 1, 9)
Wiener Sängerknaben (1983-04) (tracks 15–16)
St Paul’s Cathedral Choir (London) (1984-06) (tracks 3, 18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 17)
Johannes Brahms (track 9)
Luigi Denza (track 12)
Wolfgang Amadeus Mozart (classical composer) (track 4)
Franz Schubert (Austrian composer Franz Peter Schubert) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 16)
George Frideric Handel (German‐British baroque composer) (1741) (track 15)
Franz Schubert (Austrian composer Franz Peter Schubert) (1815-08-19) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (1816-11) (track 8)
Franz Schubert (Austrian composer Franz Peter Schubert) (1825) (track 18)
Franz Schubert (Austrian composer Franz Peter Schubert) (1827-02) (track 2)
Franz Schubert (Austrian composer Franz Peter Schubert) (1828) (tracks 5–6)
Felix Mendelssohn (1836) (track 3)
Charles‐François Gounod (French composer) (1853) (track 17)
Eduardo di Capua (1898) (track 11)
Ernesto de Curtis (1902) (track 13)
Salvatore Cardillo (Italian-American composer) (1911) (track 14)
conductor:
Edoardo Müller (1980-07) (tracks 11–14)
Uwe Christian Harrer (1981-09) (track 1)
Barry Rose (organist / choirmaster) (1984-06) (tracks 3, 18)
dedicated to:
Jules Diaz de Soria (track 10)
lyricist:
Giovanni Alfredo Cesareo (Italian librettist) (track 10)
Heinrich Heine (German poet) (track 3)
Wilhelm Müller (track 2)
Ludwig Rellstab (tracks 5–6)
Sir Walter Scott (19th-century Scottish author) (track 18)
Peppino Turco (track 12)
[anonymous] (Special Purpose Artist) (track 17)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 8)
Giovanni Capurro (1898) (track 11)
Ricardo Cordiferro (1911) (track 14)
orchestra:
Wiener Symphoniker (track 16)
English Chamber Orchestra (1980-07) (tracks 11–14)
English Chamber Orchestra (1984-06) (tracks 3, 18)
performer:
José Carreras (1980-07) (tracks 11–14)
José Carreras (1983-04) (track 17)
Kiri Te Kanawa (1984-06) (track 3)
soprano vocals:
Elly Ameling (1982-07) (track 8)
Elly Ameling (1983-11) (track 10)
Jessye Norman (1984-04) (track 7)
Kiri Te Kanawa (1984-06) (track 18)
tenor vocals:
Peter Schreier (tenor) (1958) (track 2)
translator:
Adam Storck (track 18)
vocals:
Wiener Sängerknaben (1981-09) (track 4)
publisher:
part of:
Köchelverzeichnis (original numbering) (number: 596) (track 4)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 596) (track 4)
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 16)
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch all for arrangements) (track 3)
Ave Maria (for handbell ensemble) (track 18)
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (track 17)
Ave Maria (for piano, Tilling) (track 18)
Ave Maria (for violin and piano, arr. Wilhelmj) (track 18)
Ave Maria (Ellens dritter Gesang), S. 557d (for solo piano, Liszt, first version) (track 18)
Der Lindenbaum, D. 911 Nr. 5 (for flute and piano, Böhm) (track 2)
Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria" (catch-all for arrangements) (track 18)
Ellens dritter Gesang (Ave Maria), S. 558 Nr. 12 (for solo piano, Liszt, second version) (track 18)
Funiculì, funiculà (for band, Reed) (track 12)
Gretchen am Spinnrade, S. 558 Nr. 8 (for piano solo, Liszt) (track 7)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 16)
Jesu, Joy of Man's Desiring (for band, Reed) (track 16)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 16)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 16)
Jesus bleibet meine Freude (for organ, Duruflé) (track 16)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 16)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 16)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 16)
On Wings of Song, op. 34 no. 2 (for violin and piano, arr. Achron) (track 3)
On Wings of Song, op. 34 no. 2 (for string quartet, arr. Paul Cassidy) (track 3)
Schwanengesang, D. 957: I. Liebesbotschaft (for guitar solo, Mertz) (track 6)
Schwanengesang, D. 957: IV. Ständchen (for guitar solo, Mertz) (track 5)
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements) (track 5)
Schwanengesang, S. 560: No. 10. Liebesbotschaft (for solo piano, Liszt) (track 6)
Schwanengesang, S. 560: No. 7. Ständchen (for solo piano, Liszt) (track 5)
Serenade (Leise flehen meine Lieder, D. 957) (for violin and orchestra, arr. Stephens) (track 5)
Ständchen, D. 957 Nr. 4 (for flute and piano, Böhm) (track 5)
Ständchen, D. 957 no. 4 (arr. Mischa Elman for violin and piano) (track 5)
Ständchen, S. 560 no. 7/a (for solo piano, Liszt) (track 5)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 16)
Three Songs from Schwanengesang: Liebesbotschaft (for cello octet, Birchall) (track 6)
Three Songs from Schwanengesang: Ständchen (for cello octet, Birchall) (track 5)
Torna a Surriento (catch-all for arrangements) (track 13)
Wiegenlied, D. 498 (for violin and piano, Elman) (track 8)
Wiegenlied, D. 498 (catch-all for arrangements) (track 8)
Winterreise, S. 561: Nr. 7 bis. Der Lindenbaum (for solo piano, Liszt - alternative passages) (track 2)
Winterreise, S. 561: Nr. 7. Der Lindenbaum (for solo piano, Liszt) (track 2)
シューベルトのセレナーデ (translated) (track 5)
フニクリ・フニクラ (recording included in "Philharmony" by 細野晴臣) (translated) (track 12)
野ばら (translated) (track 1)
is based on:
is the basis for:
Ave Maria 2001 (track 18)
Ave María (Pallavicini's text) (track 18)
Ecos (track 16)
Lady Lynda (track 16)
Puff von Barcelona (track 12)
There's No Tomorrow (track 11)
Till My Love Comes to Me (from the 1954 Doris Day and Frank Sinatra album "Young at Heart") (track 3)
雪の夜 (track 17)
later parody versions:
later translated versions:
Ave Maria (Italian translation of "Ave Maria" by Bach/Gounod) (track 17)
Ave Maria (Japanese translation of Bach/Gounod's "Ave Maria") (track 17)
Het zandmannetje (track 9)
Mana saule (track 11)
Surrender (track 13)
おにのパンツ (track 12)
later versions:
Ave Maria (Schubert's Ave Maria: Latin "Ave Maria" text sung to the tune of 'Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria"') (track 18)
Ave Maria (arr. Ann and Nancy Wilson) (track 18)
Ave Maria (Schubert's, in English, from "Fantasia") (track 18)
Gretchen am Spinnrade, D. 118 (orchestrated by Reger) (track 7)
Heavenly Father (track 18)
It’s Now or Never (track 11)
orchestrations:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan) (track 17)
Gretchen am Spinnrade, S. 375 no. 2 (orchestrated by Liszt) (track 7)
Gretchen am Spinnrade, op. 2, D. 118 (orchestrated by Ljova) (track 7)
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 16)
Schwanengesang, D. 957: IV. Ständchen (orchestrated by Offenbach) (track 5)
Ständchen, D. 957 no. 4 (orch. Felix Mottl) (track 5)
part of:
Schwanengesang, D. 957 (tracks 5–6)
6 Gesänge, op. 34 (track 3)
recording of:
La Serenata (track 10)
Core ’ngrato (1980-07) (track 14)
Funiculì, funiculà (1980-07) (track 12)
Torna a Surriento (1980-07) (track 13)
’O sole mio (1980-07) (track 11)
Heidenröslein, D. 257 (1981-09) (track 1)
Wiegenlied, D. 498 (1982-07) (track 8)
Ave Maria (Bach/Gounod) (1983-04) (track 17)
Gretchen am Spinnrade, D. 118 (1984-04) (track 7)
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work) (1984-06) (track 18)
referred to in medleys:
Hooked on Bach (track 17)
Hooked on a Song (tracks 11–12)
J.S. Bachelor Party (track 16)
Spaghetti mix (track 11)