The Complete Columbia Album Collection

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Annotation

67CD boxset

Annotation last modified on 2016-01-15 22:57 UTC.

Tracklist

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1▼CD: Alban Berg - Wozzeck (Act I)
#TitleArtistRatingLength
1Wozzeck: Act 1, Scene 1. "Langsam, Wozzeck, langsam!"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
tenor vocals:
Albert Weikenmeier (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 1, Scene 1, Langsam, Wozzeck, langsam! (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
Alban Berg9:04
2Wozzeck: Act 1, Scene 2. "Du, der Platz ist verflucht!"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 1, Scene 2; 'Du, der Platz ist verflucht!' (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
Alban Berg7:34
3Wozzeck: Act 1, Scene 3. "Tschin Bum, Tschin Bum, Bum, Bum, Bum!"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
contralto vocals:
Ingeborg Lasser (in 1966-01)
soprano vocals:
Isabel Strauss (soprano) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 1, Scene 3, Tschin Bum, Tschin Bum, Bum, Bum, Bum! (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
Alban Berg8:40
4Wozzeck: Act 1, Scene 4. "Was erleb'ich, Wozzeck?"
bass vocals:
Carl Doench (light bass-baritone) (in 1966-01)
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 1, Scene 4, Was erleb' ich, Wozzeck? (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
Alban Berg7:48
5Wozzeck: Act 1, Scene 5. "Geh'einmal vor Dich hin!"
soprano vocals:
Isabel Strauss (soprano) (in 1966-01)
tenor vocals:
Fritz Uhl (tenor) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 1, Scene 5, Geh' einmal vor Dich hin! (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 1
Alban Berg2:58
2▼CD: Alban Berg - Wozzeck (Act II, Act III)
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1Wozzeck: Act 2, Scene 1. "Was die Steine glänzen?"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
soprano vocals:
Isabel Strauss (soprano) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 2, Scene 1, Was die Steine glänzen? (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 2
Alban Berg5:38
2Wozzeck: Act 2, Scene 2. "Wohin so eilig, geehrtester Herr Sargnagei?"
bass vocals:
Carl Doench (light bass-baritone) (in 1966-01)
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
tenor vocals:
Albert Weikenmeier (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 2, Scene 2, Wohin so eilig, geehrtester Herr Sargnagel? (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 2
Alban Berg10:07
3Wozzeck: Act 2, Scene 3. "Guten Tag, Franz"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
soprano vocals:
Isabel Strauss (soprano) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 2, Scene 3, Guten Tag, Franz (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 2
Alban Berg4:40
4Wozzeck: Act 2, Scene 4. "Ich hab'ein Hemdlein an, das ist nicht mein"
baritone vocals:
Raymond Steffner (in 1966-01)
bass vocals:
Walter Poduschka (in 1966-01)
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
choir vocals:
Chœur de l’Opéra de Paris (Paris National Opera Chorus) (in 1966-01)
tenor vocals:
Gérard Dunan (French tenor) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
chorus master:
Jean Laforge (choral conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 2, Scene 4, Ich hab' ein Hemdlein an, das is nicht mein.. (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 2
Alban Berg10:30
5Wozzeck: Act 2, Scene 5. "Andres! Andres! Ich kann nicht schlafen"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
choir vocals:
Chœur de l’Opéra de Paris (Paris National Opera Chorus) (in 1966-01)
tenor vocals:
Fritz Uhl (tenor) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
chorus master:
Jean Laforge (choral conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 2, Scene 5, Andres! Andres! Ich kann nicht schlafen (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 2
Alban Berg4:28
6Wozzeck: Act 3, Scene 1. "Und ist kein Betrug in seinem Munce erfunden worden"
soprano vocals:
Isabel Strauss (soprano) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 3, Scene 1, 'Und ist kein Betrug in seinem Munde erfunden worden'.. (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 3
Alban Berg5:00
7Wozzeck: Act 3, Scene 2. "Dort links geht's in die Stadt"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
soprano vocals:
Isabel Strauss (soprano) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 3, Scene 2, Dort links geht's in die Stadt (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 3
Alban Berg5:15
8Wozzeck: Act 3, Scene 3. "Tanzt Alle; tanzt nur zu, springt, schwitzt un stinkt"
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
choir vocals:
Chœur de l’Opéra de Paris (Paris National Opera Chorus) (in 1966-01)
contralto vocals:
Ingeborg Lasser (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
chorus master:
Jean Laforge (choral conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 3, Scene 3, Tanzt Alle; tanzt nur zu, springt, schwitzt und stinkt (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 3
Alban Berg3:01
9Wozzeck: Act 3, Scene 4. "Das Messer? Wo ist das Messer?"
bass vocals:
Carl Doench (light bass-baritone) (in 1966-01)
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1966-01)
tenor vocals:
Albert Weikenmeier (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 3, Scene 4, Das Messer? Wo ist das Messer? (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 3
Alban Berg4:49
10Wozzeck: Act 3, Scene 5. Orchester-Epilog "Ringel, Ringel, Rozenkranz, Ringelreih'n"
choir vocals:
Chœur de l’Opéra de Paris (Paris National Opera Chorus) (in 1966-01)
orchestra:
Orchestre de l’Opéra de Paris (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
chorus master:
Jean Laforge (choral conductor) (in 1966-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1966)
recording of:
Wozzeck: Act 3, Scene 5, Ringel, Ringel, Rosenkranz, Ringelreih'n (in 1966-01)
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 3
Alban Berg5:15
3▼CD: Olivier Messiaen - Et expecto resurrectionem mortuorum / Couleurs de la cité céleste
#TitleArtistRatingLength
1Et expecto resurrectionem mortuorum: Des profondeurs de l'abîme, je crie vers toi, Seigneur: Seigneur, écoute ma voix !
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: I. Des profondeurs de l'abîme, je cris vers toi, Seigneur: Seigneur, écoute ma voix ! (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen3:51
2Et expecto resurrectionem mortuorum: Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: II. Le Christ, ressucité des morts, ne meurt plus; la mort n’a plus su lui d’empire (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen5:31
3Et expecto resurrectionem mortuorum: L'heure vient où les morts entendront la voix du Fils de Dieu...
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: III. L’heure vient où les morts entendront la voix du fils de Dieu (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen5:15
4Et expecto resurrectionem mortuorum: Ils ressusciteront, glorieux, avec un nom nouveau -- dans le concert joyeux des étoiles et les acclamations des fils du ciel
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: IV. Ils ressusciteront, glorieux, avec un nom noveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen8:48
5Et expecto resurrectionem mortuorum: Et j'entendis la voix d'une foule immense...
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: V. Et j’entendis la voix d’une foule immense (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen6:52
6Couleurs de la cité céleste
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Couleurs de la cité céleste, I/46 (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (from 1963 until 1964)
Olivier Messiaen17:08
4▼CD: Claude Debussy - Boulez Conducts Debussy (La Mer / Prélude / Jeux)
#TitleArtistRatingLength
1La mer: I. De l'aube a midi sur la mer
producer:
Thomas Z. Shepard
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-12-19 until 1966-12-21)
conductor:
Pierre Boulez (composer and conductor) (from 1966-12-19 until 1966-12-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1966-12-19 until 1966-12-21)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1966-12-19 until 1966-12-21)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:50
2La mer: II. Jeux de vagues
producer:
Thomas Z. Shepard
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-12-19 until 1966-12-21)
conductor:
Pierre Boulez (composer and conductor) (from 1966-12-19 until 1966-12-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1966-12-19 until 1966-12-21)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1966-12-19 until 1966-12-21)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:19
3La mer: III. Dialogue du vent et de la mer
producer:
Thomas Z. Shepard
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-12-19 until 1966-12-21)
conductor:
Pierre Boulez (composer and conductor) (from 1966-12-19 until 1966-12-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1966-12-19 until 1966-12-21)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1966-12-19 until 1966-12-21)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:39
4Prélude à l'après-midi d'un faune
producer:
Thomas Z. Shepard
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-12-19 until 1966-12-21)
conductor:
Pierre Boulez (composer and conductor) (from 1966-12-19 until 1966-12-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1966-12-19 until 1966-12-21)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1966-12-19 until 1966-12-21)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:45
5Jeux
producer:
Thomas Z. Shepard
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1966-12-19 until 1966-12-21)
conductor:
Pierre Boulez (composer and conductor) (from 1966-12-19 until 1966-12-21)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1966-12-19 until 1966-12-21)
recording of:
Jeux, L. 126, CD 133 (for orchestra) (from 1966-12-19 until 1966-12-21)
composer:
Claude Debussy (French composer) (from 1912-08 until 1913-04)
dedicated to:
Madame Jacques Durand
premiered at:
[concert] (1913-05-15)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 126) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 133)
Claude Debussy17:04
5▼CD: Hector Berlioz - Symphonie fantastique, op. 14
#TitleArtistRatingLength
1Symphonie fantastique, op. 14: I. Rêveries – Passions. Largo . Allegro agitato e appassionato assai
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz13:46
2Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:35
3Symphonie fantastique, op. 14: III. Scène aux champs. Adagio
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:05
4Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:10
5Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Larghetto – Allegro –
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
partial recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz3:52
6Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Dies irae –
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
partial recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz2:13
7Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Ronde du Sabbat –
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
partial recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz3:15
8Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Dies irae et Ronde du Sabbat ensemble
recorded in:
London (Greater London), England, United Kingdom (from 1967-10-24 until 1967-10-25)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1967-10-24 until 1967-10-25)
conductor:
Pierre Boulez (composer and conductor) (from 1967-10-24 until 1967-10-25)
partial recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1967-10-24 until 1967-10-25)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz2:01
6▼CD: Hector Berlioz - Lélio, ou Le Retour à la vie, op. 14b
#TitleArtistRatingLength
1Lélio, op.14b: Monologue: Dieu! Je vis encore
spoken vocals:
Jean‐Louis Barrault (French actor, director and mime)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: Ia. Narration : « Dieu ! Je vis encore » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz2:13
2Lélio, op.14b: Le pêcheur
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: I. Le Pêcheur « L'onde frémit, l'onde s'agite » (Horatio)
lyricist:
Hector Berlioz (French composer)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz5:55
3Lélio, op.14b: Monologue: Etrange persistance
spoken vocals:
Jean‐Louis Barrault (French actor, director and mime)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IIa. Narration « Étrange persistance » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz2:31
4Lélio, op.14b: Chorus of shadows: Froid et mort
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: II. Chœur d'ombres « Froid de la mort » (Chœur)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz6:22
5Lélio, op.14b: monologue: Ô Shakespeare
spoken vocals:
Jean‐Louis Barrault (French actor, director and mime)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IIIa. Narration « Ô Shakespeare » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz3:03
6Lélio, op.14b: Bandits' song for bariton and mal chorus: j'aurais cent ans
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: III. Chanson de brigands « J’aurais cent ans » (Le Capitaine, Chœur)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz4:20
7Lélio, op.14b: Monologue: Comme mon esprit flotte
spoken vocals:
Jean‐Louis Barrault (French actor, director and mime)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IVa. Narration « Comme mon esprit flotte incertain ! » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz1:17
8Lélio, op.14b: Song of happiness: Ô mon bonheur
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: IV. Chant de bonheur « Ô mon bonheur » (La voix imaginaire de Lélio)
lyricist:
Hector Berlioz (French composer)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz5:19
9Lélio, op.14b: Monologue: Oh! que ne puis je la trouver
spoken vocals:
Jean‐Louis Barrault (French actor, director and mime)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: Va. Narration « Oh ! que ne puis‐je la trouver » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz1:07
10Lélio, op.14b: The Aeolian harp: Souvenirs
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: V. La Harpe éolienne – Souvenirs
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz2:52
11Lélio, op.14b: Monologue: Mais pourquoi m'abandonner
spoken vocals:
Jean‐Louis Barrault (French actor, director and mime)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VIa. Narration « Mais pourquoi m’abandonner » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz4:02
12Lélio, op.14b: Fantasia on Shakespeare's tempest: Miranda! Miranda!
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VI. Fantaisie sur La Tempête de Shakespeare « Miranda ! » (Chœur)
composer:
Hector Berlioz (French composer) (in 1831)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz13:59
13Lélio, op.14b: Monologue: Assez pour aujourd'hui
spoken vocals:
Jean‐Louis Barrault (French actor, director and mime)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Lélio, ou Le Retour à la vie, op. 14b: VII. Coda « Assez pour aujourd’hui ! » (Lélio)
composer:
Hector Berlioz (French composer)
part of:
Lélio, ou Le Retour à la vie, op. 14b (Lélio, or the Return to Life, op. 14b)
Hector Berlioz1:35
7▼CD
#TitleArtistRatingLength
1Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1967)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:59
2Music for Strings, Percussion and Celesta, Sz 106: II. Allegro - Vivo - Vivace
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1967)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:31
3Music for Strings, Percussion and Celesta, Sz 106: III. Adagio - Allegretto
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1967)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:44
4Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto - Vivacissimo
orchestra:
BBC Symphony Orchestra (in 1967)
conductor:
Pierre Boulez (composer and conductor) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1967)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1967)
composer:
Béla Bartók (composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók6:46
5The Firebird Suite: I. Introduction, The Enchanted Garden of Kashchei and Dance of the Firebird
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre: 1. Introduction — Jardin enchanté de Kachtcheï et danse de l’oiseau de feu (The Firebird Suite (1911): 1. Introduction – Kashchei's Enchanted Garden – Dance of the Firebird, 1911 suite)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre (The Firebird Suite (1911), 1911 orchestral suite)
Igor Stravinsky6:24
6The Firebird Suite: II. The Firebird's Entreaties
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre: 2. Supplications de l’oiseau de feu (The Firebird Suite (1911): 2. Supplication of the Firebird, 1911 suite)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre (The Firebird Suite (1911), 1911 orchestral suite)
Igor Stravinsky4:38
7The Firebird Suite: III. The Princesses' Game with the Golden Apples
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre: 3. Jeu des princesses avec les pommes d’or (The Firebird Suite (1911): 3. The Princesses’ Game with Apples, 1911 suite)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre (The Firebird Suite (1911), 1911 orchestral suite)
Igor Stravinsky2:39
8The Firebird Suite: IV. The Princesses' Round
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre: 4. Ronde des princesses (The Firebird Suite (1911): 4. The Princesses’ Khorovod (Rondo, round dance), 1911 suite)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre (The Firebird Suite (1911), 1911 orchestral suite)
Igor Stravinsky4:46
9The Firebird Suite: V. Infernal dance of Kaschchei's Subjects
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre: 5. Danse infernale de tous les sujets de Kachtcheï (The Firebird Suite (1911): 5. Infernal dance of all Kashchei's Subjects, 1911 suite)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
L’Oiseau de feu: Suite, tirée du conte dansé pour Orchestre (The Firebird Suite (1911), 1911 orchestral suite)
Igor Stravinsky4:14
8▼CD
#TitleArtistRatingLength
1Chamber Concerto for Piano and Violin: I. Thema Scherzoso Con Variationi: 1. Motto
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni: Motto
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: I. Thema scherzoso con variazioni
Alban Berg0:28
2Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 2. Thema scherzoso
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni: Thema scherzoso
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: I. Thema scherzoso con variazioni
Alban Berg1:15
3Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 3. Variation I
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni: Variation I
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: I. Thema scherzoso con variazioni
Alban Berg1:32
4Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 4. Variation II. Langsames Walzertempo
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni: Variation II: Langsames walzertempo
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: I. Thema scherzoso con variazioni
Alban Berg1:11
5Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 5. Variation III. Kräftig bewegt
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni: Variation III: Kräftig bewegt
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: I. Thema scherzoso con variazioni
Alban Berg1:08
6Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 6. Variation IV. Sehr rasch
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni: Variation IV: Sehr rasch
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: I. Thema scherzoso con variazioni
Alban Berg0:43
7Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 7. Variation V. Tempo primo
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni: Variation V: (Tempo primo)
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: I. Thema scherzoso con variazioni
Alban Berg1:29
8Chamber Concerto for Piano and Violin: II. Adagio
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: II. Adagio
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg13:07
9Chamber Concerto for Piano and Violin: III. Rondo ritmico con introduzione: 1.Introduzione
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: III. Rondo ritmico con introduzione: Introduzione: Introduzione
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: III. Rondo ritmico con introduzione
Alban Berg2:46
10Chamber Concerto for Piano and Violin: III. Rondo ritmico con introduzione: 2. Rondo ritmico
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: III. Rondo ritmico con introduzione: Introduzione: Rondo ritmico
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: III. Rondo ritmico con introduzione
Alban Berg5:38
11Chamber Concerto for Piano and Violin: III. Rondo ritmico con introduzione: 3. Coda
piano:
Daniel Barenboim (pianist and conductor)
violin:
Saschko Gawriloff (violinist)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Chamber Concerto: III. Rondo ritmico con introduzione: Introduzione: Coda
composer:
Alban Berg (Austrian composer) (from 1923 until 1925)
part of:
Chamber Concerto: III. Rondo ritmico con introduzione
Alban Berg1:33
12Three Orchestral Pieces, op. 6: I. Präludium. Langsam
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Drei Orchesterstücke, op. 6: I. Präludium (Three Pieces for Orchestra, op. 6: I. Prelude)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Alban Berg5:21
13Three Orchestral Pieces, op. 6: II. Reigen. Anfangs etwas zögernd, leicht beschwingt
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Drei Orchesterstücke, op. 6: II. Reigen (Three Pieces for Orchestra, op. 6: II. Round Dance)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Alban Berg5:36
14Three Orchestral Pieces, op. 6: III. Marsch. Mäßiges Marschtempo
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Drei Orchesterstücke, op. 6: III. Marsch (Three Pieces for Orchestra, op. 6: III. March)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Alban Berg9:27
15Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg: I. Seele, wie bist du schöner, tiefer, nach Schneestürmen
Alban Berg2:49
16Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg: II. Sahst du nach dem Gewitterregen den Wald?
Alban Berg1:01
17Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg: III. Über die Grenzen des All blicktest du sinnend hinaus
Alban Berg1:32
18Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg: IV. Nichts ist gekommen, nichts wird kommen für meine Seele
Alban Berg1:28
19Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg: V. Hier ist Friede
Alban Berg4:04
9▼CD
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1Images (Pour Orchestre): I. Gigues
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1967-11-17)
conductor:
Pierre Boulez (composer and conductor) (on 1967-11-17)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-11-17)
recording of:
Images pour orchestre, L. 122, CD 118: I. Gigues (on 1967-11-17)
composer:
Claude Debussy (French composer) (in 1912)
publisher:
Durand et Cie (1909–1947) (in 1913-12)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:38
2Images (pour orchestre): II. Ibéria: 1. Par les rues et par les chemins
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1967-11-17)
conductor:
Pierre Boulez (composer and conductor) (on 1967-11-17)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-11-17)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (on 1967-11-17)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:08
3Images (pour orchestre): II. Ibéria: 2. Les Parfums de la nuit
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1967-11-17)
conductor:
Pierre Boulez (composer and conductor) (on 1967-11-17)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-11-17)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (on 1967-11-17)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy8:11
4Images (pour orchestre): II. Ibéria: 3. Le Matin d’un jour de fête
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1967-11-17)
conductor:
Pierre Boulez (composer and conductor) (on 1967-11-17)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-11-17)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (on 1967-11-17)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy4:24
5Images (pour orchestre): III. Rondes de printemps
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1967-11-17)
conductor:
Pierre Boulez (composer and conductor) (on 1967-11-17)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-11-17)
recording of:
Images pour orchestre, L. 122, CD 118: III. Rondes de printemps (on 1967-11-17)
composer:
Claude Debussy (French composer) (from 1905 until 1909)
premiered at:
[concert] (1910-03-02)
publisher:
Durand et Cie (1909–1947) (in 1910-04)
premiered at:
Salle Gaveau in Paris, Île-de-France, France (on 1910-03-02)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy8:09
6Deux danses: I. Danse sacrée
producer:
Thomas Z. Shepard
harp:
Alice Chalifoux (harpist) (on 1967-11-17)
orchestra:
The Cleveland Orchestra (on 1967-11-17)
conductor:
Pierre Boulez (composer and conductor) (on 1967-11-17)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-11-17)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée (on 1967-11-17)
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy5:09
7Deux danses: II. Danse profane
producer:
Thomas Z. Shepard
harp:
Alice Chalifoux (harpist) (on 1967-11-17)
orchestra:
The Cleveland Orchestra (on 1967-11-17)
conductor:
Pierre Boulez (composer and conductor) (on 1967-11-17)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-11-17)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse profane (on 1967-11-17)
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy5:00
10▼CD
#TitleArtistRatingLength
1Le Sacre du printemps: Première partie. I. Introduction. Lento
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:36
2Le Sacre du printemps: Première partie. II. Les Augures printaniers (Danses des adolescentes)
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:20
3Le Sacre du printemps: Première partie. III. Jeu du rapt
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:26
4Le Sacre du printemps: Première partie. IV. Rondes printanières
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:53
5Le Sacre du printemps: Première partie. V. Jeux des cités rivales
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:59
6Le Sacre du printemps: Première partie. VI. Cortège du sage
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
engineered at:
Severance Hall in Cleveland, Ohio, United States
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:43
7Le Sacre du printemps: Première partie. VII. Adoration de la terre (Le Sage)
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:21
8Le Sacre du printemps: Première partie. VIII. Danse de la terre
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:20
9Le Sacre du printemps: Deuxième partie. IX. Introduction. Largo
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:07
10Le Sacre du printemps: Deuxième partie. X. Cercles mystérieux des adolescentes
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:18
11Le Sacre du printemps: Deuxième partie. XI. Glorification de l'Élue
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:32
12Le Sacre du printemps: Deuxième partie. XII. Évocation des ancêtres
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:36
13Le Sacre du printemps: Deuxième partie. XIII. Action rituelle des ancêtres
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:42
14Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue)
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:38
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