Coffee Cantata BWV 211 / Peasant Cantata BWV 212

~ Release by Johann Sebastian Bach; Christopher Hogwood, Academy of Ancient Music (see all versions of this release, 3 available)

Annotation

London-branded version of the Decca release.

Annotation last modified on 2014-11-14 01:16 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Cantata BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativ: "Schweigt stille, plaudert nicht", Arie: "Hat man nicht mit seinen Kindern"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Rogers Covey‐Crump (tenor)
vocals:
David Thomas (British operatic bass)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (in 1986-09)
engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo "Schweigt stille, plaudert nicht" (Erzähler) by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:08
2Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (in 1986-09)
soprano vocals:
Emma Kirkby (soprano) (in 1986-09)
vocals:
David Thomas (British operatic bass)
orchestra:
Academy of Ancient Music (in 1986-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1986-09)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1987)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (in 1986-09)
engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria "Ei, wie schmeckt der Coffee süße" (Liesgen) by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:09
3Cantata BWV 211 "Schweigt stille, plaudert nicht": III. Arie: "Mädchen, die von harten Sinnen"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass)
soprano vocals:
Emma Kirkby (soprano)
vocals:
David Thomas (British operatic bass)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (in 1986-09)
engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:50
4Cantata BWV 211 "Schweigt stille, plaudert nicht": IV. Arie: "Heute noch"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Rogers Covey‐Crump (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (in 1986-09)
engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach7:07
5Cantata BWV 211 "Schweigt stille, plaudert nicht": V. Terzett: "Die Katze läßt das Mausen nicht"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass)
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Rogers Covey‐Crump (tenor)
vocals:
David Thomas (British operatic bass)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
balance engineer:
John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (in 1986-09)
engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:24
6Cantata BWV 212 "Mer hahn en neue Oberkeet": I. Sinfonia
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:03
7Cantata BWV 212 "Mer hahn en neue Oberkeet": II. Arie: "Mer hahn en neue Oberkeet"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:19
8Cantata BWV 212 "Mer hahn en neue Oberkeet": III. Duett: "Ach, es schmeckt doch gar zu gut"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:20
9Cantata BWV 212 "Mer hahn en neue Oberkeet": IV. Arie: "Ach, Herr Schösser, geht nicht gar zu schlimm"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:35
10Cantata BWV 212 "Mer hahn en neue Oberkeet": V. Arie: "Unser trefflicher lieber Kammerherr"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:06
11Cantata BWV 212 "Mer hahn en neue Oberkeet": VI. Arie: "Das ist galant"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:52
12Cantata BWV 212 "Mer hahn en neue Oberkeet": VII. Arie: "Fünfzig Taler bares Geld"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld" by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:09
13Cantata BWV 212 "Mer hahn en neue Oberkeet": IX. Arie: "Klein-Zschocher müsse"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse" by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:51
14Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:58
15Cantata BWV 212 "Mer hahn en neue Oberkeet": XI. Arie: "Gib, Schöne"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:48
16Cantata BWV 212 "Mer hahn en neue Oberkeet": XII. Arie: "Dein Wachstum sei feste"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:58
17Cantata BWV 212 "Mer hahn en neue Oberkeet": XIII. Arie: "Und daß ihr's alle wißt"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:13
18Cantata BWV 212 "Mer hahn en neue Oberkeet": XIV. Duett: "Wir gehn' nun, wo der Tudelsack"
producer:
Peter Wadland
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer)
recorded at and engineered at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:05

Credits