Das Alte Werk - 50 CD Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: C.P.E. Bach: Organ Sonatas
#	Title	Artist	Rating	Length
1	Organ Sonata in A major, H 133: I. Allegro organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in A major for Organ, Wq. 70 no. 1, H. 133: I. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1758) part of: Sonata in A major for Organ, Wq. 70 no. 1, H. 133	Carl Philipp Emanuel Bach		6:44
2	Organ Sonata in A major, H 133: II. Andante con Tenerezza organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in A major for Organ, Wq. 70 no. 1, H. 133: II. Andante con tenerezza (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1758) part of: Sonata in A major for Organ, Wq. 70 no. 1, H. 133	Carl Philipp Emanuel Bach		3:38
3	Organ Sonata in A major, H 133: III. Allegretto organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in A major for Organ, Wq. 70 no. 1, H. 133: III. Allegretto (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1758) part of: Sonata in A major for Organ, Wq. 70 no. 1, H. 133	Carl Philipp Emanuel Bach		3:08
4	Organ Sonata in B flat major, H 134: I. Allegro organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in B-flat major for Organ, Wq. 70 no. 2, H. 134: I. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) part of: Sonata in B-flat major for Organ, Wq. 70 no. 2, H. 134	Carl Philipp Emanuel Bach		3:32
5	Organ Sonata in B flat major, H 134: II. Arioso organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in B-flat major for Organ, Wq. 70 no. 2, H. 134: II. Arioso (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) part of: Sonata in B-flat major for Organ, Wq. 70 no. 2, H. 134	Carl Philipp Emanuel Bach		2:15
6	Organ Sonata in B flat major, H 134: III. Allegro organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in B-flat major for Organ, Wq. 70 no. 2, H. 134: III. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) part of: Sonata in B-flat major for Organ, Wq. 70 no. 2, H. 134	Carl Philipp Emanuel Bach		3:20
7	Organ Sonata in F major, H 84: I. Allegro organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Orgelsonate in F-Dur, Wq 70 No. 3, H 84: I. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) part of: Orgelsonate in F-Dur, Wq. 70 No. 3, H. 84	Carl Philipp Emanuel Bach		4:52
8	Organ Sonata in F major, H 84: II. Largo organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Orgelsonate in F-Dur, Wq 70 No. 3, H 84: II. Largo (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) part of: Orgelsonate in F-Dur, Wq. 70 No. 3, H. 84	Carl Philipp Emanuel Bach		3:36
9	Organ Sonata in F major, H 84: III. Allegretto organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Orgelsonate in F-Dur, Wq 70 No. 3, H 84: III. Allegretto (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) part of: Orgelsonate in F-Dur, Wq. 70 No. 3, H. 84	Carl Philipp Emanuel Bach		5:15
10	Organ Sonata in A minor, H 85: I. Allegro assai organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in A minor for Organ, Wq. 70 no. 4, H. 85: I. Allegro assai (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in A minor for Organ, Wq. 70 no. 4, H. 85	Carl Philipp Emanuel Bach		5:00
11	Organ Sonata in A minor, H 85: II. Adagio organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in A minor for Organ, Wq. 70 no. 4, H. 85: II. Adagio (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in A minor for Organ, Wq. 70 no. 4, H. 85	Carl Philipp Emanuel Bach		3:30
12	Organ Sonata in A minor, H 85: III. Allegro organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in A minor for Organ, Wq. 70 no. 4, H. 85: III. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in A minor for Organ, Wq. 70 no. 4, H. 85	Carl Philipp Emanuel Bach		3:31
13	Organ Sonata in D major, H 86: I. Allegro di molto organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86: I. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86	Carl Philipp Emanuel Bach		4:48
14	Organ Sonata in D major, H 86: II. Adagio é mesto organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86: II. Largo (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86	Carl Philipp Emanuel Bach		3:39
15	Organ Sonata in D major, H 86: III. Allegro organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86: I. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86 recording of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86: III. Allegretto (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in D major for Organ, Wq. 70 no. 5, H. 86	Carl Philipp Emanuel Bach		5:46
16	Organ Sonata in G minor, H 87: I. Allegro moderato organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in G minor for Organ, Wq. 70 no. 6, H. 87: I. Allegro moderato (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in G minor for Organ, Wq. 70 no. 6, H. 87	Carl Philipp Emanuel Bach		4:45
17	Organ Sonata in G minor, H 87: II. Adagio organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in G minor for Organ, Wq. 70 no. 6, H. 87: II. Adagio (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in G minor for Organ, Wq. 70 no. 6, H. 87	Carl Philipp Emanuel Bach		3:09
18	Organ Sonata in G minor, H 87: III. Allegro organ: Herbert Tachezi (in 1978-06) solo organ [Egedacher-Orgel, Pfarrkirche Mariathal, Tirol]: Herbert Tachezi recording of: Sonata in G minor for Organ, Wq. 70 no. 6, H. 87: III. Allegro (in 1978-06) composer: Carl Philipp Emanuel Bach (German classical composer) (in 1755) part of: Sonata in G minor for Organ, Wq. 70 no. 6, H. 87	Carl Philipp Emanuel Bach		4:47

▼ CD 2: J.S. Bach: Die Kunst der Fuge
#	Title	Artist	Rating	Length
1	Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/1) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach	4	3:11
2	Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/2) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		3:12
3	Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/3) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		2:55
4	Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/4) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		5:18
5	Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/5) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		3:16
6	Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4, 'im Stile francese' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/6) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		4:08
7	Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4, 'per Augmentationem et Diminutionem' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/7) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		4:00
8	Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/8) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		6:01
9	Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4, 'alla Duodecima' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/9) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		2:59
10	Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4, 'alla Decima' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/10) version of: Die Kunst der Fuge, BWV 1080: Contrapunctus a 4 part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		4:23
11	Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/11) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		7:10
12	Die Kunst der Fuge, BWV 1080: XII. Canon alla Ottava organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/12,1) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		2:53
13	Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima, 'in Contrapuncto alla Quinta' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/17) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		2:16
14	Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima, 'Contrapuncto alla Terza' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/16) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		4:43
15	Die Kunst der Fuge, BWV 1080: XIV. Canon, 'per Augmentationem in contrario motu' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/14) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		4:30
16	Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'rectus' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/13,1) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		2:51
17	Die Kunst der Fuge, BWV 1080: XIII. Contrapunctus 13 a 3, 'inversus' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/13,2) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		2:58
18	Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'rectus' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/12,1) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		2:52
19	Die Kunst der Fuge, BWV 1080: XII. Contrapunctus 12 a 4, 'inversus' organ: Herbert Tachezi recorded at: St. Johann (Oberneuland) in Bremen, Germany recording of: Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1977) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 1080/12,2) part of: Die Kunst der Fuge, BWV 1080	Johann Sebastian Bach		3:02

▼ CD 3: J.S. Bach: Goldberg Variations
#	Title	Artist	Rating	Length
1	Goldberg Variations, BWV 988: I. Aria recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Aria (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		2:24
2	Goldberg Variations, BWV 988: II. Variation 1 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:31
3	Goldberg Variations, BWV 988: III. Variation 2 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:00
4	Goldberg Variations, BWV 988: IV. Variation 3. Canone all'Unisono recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 3. Canone all Unisuono. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:03
5	Goldberg Variations, BWV 988: V. Variation 4 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		0:35
6	Goldberg Variations, BWV 988: VI. Variation 5 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:01
7	Goldberg Variations, BWV 988: VII. Variation 6. Canone alla Seconda recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 6. Canone alla Seconda. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		0:56
8	Goldberg Variations, BWV 988: VIII. Variation 7. Al tempo di Giga recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:03
9	Goldberg Variations, BWV 988: IX. Variation 8 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 8. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:22
10	Goldberg Variations, BWV 988: X. Variation 9. Canone alla Terza recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 9. Canone alla Terza. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:05
11	Goldberg Variations, BWV 988: XI. Variation 10. Fugetta recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 10. Fughetta. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		0:54
12	Goldberg Variations, BWV 988: XII. Variation 11 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 11. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:26
13	Goldberg Variations, BWV 988: XIII. Variation 12. Canone alla Quarta recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 12. Canone alla Quarta (a 1 Clav.) (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:50
14	Goldberg Variations, BWV 988: XIV. Variation 13 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 13. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		2:52
15	Goldberg Variations, BWV 988: XV. Variation 14 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 14. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:20
16	Goldberg Variations, BWV 988: XVI. Variation 15. Canone alla Quinta recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav. andante (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		2:40
17	Goldberg Variations, BWV 988: XVII. Variation 16. Ouverture recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 16. Ouverture. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:32
18	Goldberg Variations, BWV 988: XVIII. Variation 17 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 17. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:04
19	Goldberg Variations, BWV 988: XIX Variation 18. Canone alla Sesta recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 18. Canone alla Sexta. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		0:46
20	Goldberg Variations, BWV 988: XX. Variation 19 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 19. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		0:55
21	Goldberg Variations, BWV 988: XXI. Variation 20 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 20. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:14
22	Goldberg Variations, BWV 988: XXII. Variation 21. Canone alla Settima recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 21. Canone alla Settima (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		2:07
23	Goldberg Variations, BWV 988: XXIII. Variation 22. Alla breve recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 22. a 1 Clav. alla breve (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		0:48
24	Goldberg Variations, BWV 988: XXIV. Variation 23 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 23. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:22
25	Goldberg Variations, BWV 988: XXV. Variation 24. Canone all'Ottava recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 24. Canone all'Ottava. a 1 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:58
26	Goldberg Variations, BWV 988: XXVI. Variation 25. Adagio recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 25. a 2 Clav. adagio (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		4:22
27	Goldberg Variations, BWV 988: XXVII. Variation 26 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 26. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:10
28	Goldberg Variations, BWV 988: XXVIII. Variation 27. Canone alla Nona recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 27. Canone alla Nona. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:03
29	Goldberg Variations, BWV 988: XXIX. Variation 28 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 28. a 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:30
30	Goldberg Variations, BWV 988: XXX. Variation 29 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 29. a 1 ô vero 2 Clav. (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:09
31	Goldberg Variations, BWV 988: XXXI. Variation 30 recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Variatio 30. a 1 Clav. Quodlibet (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		1:08
32	Goldberg Variations, BWV 988: XXXII. Aria da capo recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) sound engineer: Paul Dery and Dr. Thomas Gallia harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1965-04) recorded at: Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1965-04) recording of: Goldberg-Variationen, BWV 988: Aria da capo (in 1965-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		2:35

▼ CD 4: J.S. Bach: Harpsichord Concertos BWV 1056–1060
#	Title	Artist	Rating	Length
1	Concerto for harpsichord in F minor, BWV 1056: I. Allegro recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1967 until 1968) cello: Dijck Koster (from 1967 until 1968) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) viola: Wim ten Have (Classical viola and viol player) (from 1967 until 1968) violin [violin I]: Marie Leonhardt (from 1967 until 1968) violin [violin II]: Antoinette van den Hombergh (violinist) (from 1967 until 1968) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1967 until 1968) conductor: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro (from 1967 until 1968) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056	Johann Sebastian Bach		3:16
2	Concerto for harpsichord in F minor, BWV 1056: II. Largo recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1967 until 1968) cello: Dijck Koster (from 1967 until 1968) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) viola: Wim ten Have (Classical viola and viol player) (from 1967 until 1968) violin [violin I]: Marie Leonhardt (from 1967 until 1968) violin [violin II]: Antoinette van den Hombergh (violinist) (from 1967 until 1968) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1967 until 1968) conductor: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (from 1967 until 1968) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056	Johann Sebastian Bach		2:17
3	Concerto for harpsichord in F minor, BWV 1056: III. Presto recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1967 until 1968) cello: Dijck Koster (from 1967 until 1968) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) viola: Wim ten Have (Classical viola and viol player) (from 1967 until 1968) violin [violin I]: Marie Leonhardt (from 1967 until 1968) violin [violin II]: Antoinette van den Hombergh (violinist) (from 1967 until 1968) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1967 until 1968) conductor: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto (from 1967 until 1968) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056	Johann Sebastian Bach		4:02
4	Concerto for harpsichord & two recorders in F major, BWV 1057: I. [Allegro] recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1961) bass: Fred Nijenhuis (in 1961) cello: Dijck Koster (in 1961) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recorder: Frans Brüggen (recorder player, baroque flautist, conductor) (in 1961) and Jeanette van Wingerden (recorder) (in 1961) viola: Lodewijk de Boer (Dutch viola player, composer, director) (in 1961) violin [violin I]: Marie Leonhardt (in 1961) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1961) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1961) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recording of: Keyboard Concerto no. 6 in F major, BWV 1057: I: Allegro (in 1961) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Keyboard Concerto no. 6 in F major, BWV 1057	Johann Sebastian Bach		6:54
5	Concerto for harpsichord & two recorders in F major, BWV 1057: II. Andante recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1961) bass: Fred Nijenhuis (in 1961) cello: Dijck Koster (in 1961) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recorder: Frans Brüggen (recorder player, baroque flautist, conductor) (in 1961) and Jeanette van Wingerden (recorder) (in 1961) viola: Lodewijk de Boer (Dutch viola player, composer, director) (in 1961) violin [violin I]: Marie Leonhardt (in 1961) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1961) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1961) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recording of: Keyboard Concerto no. 6 in F major, BWV 1057: II: Andante (in 1961) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Keyboard Concerto no. 6 in F major, BWV 1057	Johann Sebastian Bach		4:07
6	Concerto for harpsichord & two recorders in F major, BWV 1057: III. Allegro assai recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1961) bass: Fred Nijenhuis (in 1961) cello: Dijck Koster (in 1961) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recorder: Frans Brüggen (recorder player, baroque flautist, conductor) (in 1961) and Jeanette van Wingerden (recorder) (in 1961) viola: Lodewijk de Boer (Dutch viola player, composer, director) (in 1961) violin [violin I]: Marie Leonhardt (in 1961) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1961) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1961) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recording of: Keyboard Concerto no. 6 in F major, BWV 1057: III: Allegro assai (in 1961) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Keyboard Concerto no. 6 in F major, BWV 1057	Johann Sebastian Bach		5:15
7	Concerto for harpsichord in G minor, BWV 1058: I. [Allegro] recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (in 1961) cello: Dijck Koster (in 1961) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1961) viola: Wim ten Have (Classical viola and viol player) (in 1961) violin [violin I]: Marie Leonhardt (in 1961) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1961) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1961) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recording of: Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: I. Allegro (in 1961) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058	Johann Sebastian Bach		3:36
8	Concerto for harpsichord in G minor, BWV 1058: II. Andante recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (in 1961) cello: Dijck Koster (in 1961) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1961) viola: Wim ten Have (Classical viola and viol player) (in 1961) violin [violin I]: Marie Leonhardt (in 1961) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1961) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1961) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recording of: Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: II. Andante (in 1961) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058	Johann Sebastian Bach		6:19
9	Concerto for harpsichord in G minor, BWV 1058: III. Allegro assai recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (in 1961) cello: Dijck Koster (in 1961) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1961) viola: Wim ten Have (Classical viola and viol player) (in 1961) violin [violin I]: Marie Leonhardt (in 1961) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1961) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1961) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1961) recording of: Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: I. Allegro (in 1961) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058	Johann Sebastian Bach		3:36
10	Concerto for harpsichord & oboe in D minor, BWV 1059: I. [Allegro] recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (from 1967 until 1968) cello: Dijck Koster (from 1967 until 1968) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) oboe: Cees van der Kraan (from 1967 until 1968) viola: Lodewijk de Boer (Dutch viola player, composer, director) (from 1967 until 1968) and Wim ten Have (Classical viola and viol player) (from 1967 until 1968) violin [violin I]: Marie Leonhardt (from 1967 until 1968) violin [violin II]: Antoinette van den Hombergh (violinist) (from 1967 until 1968) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1967 until 1968) conductor: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) recording of: Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: I. Allegro (from 1967 until 1968) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059	Johann Sebastian Bach		6:04
11	Concerto for harpsichord & oboe in D minor, BWV 1059: II. [Adagio (Cembalo ad libitum)] recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (from 1967 until 1968) cello: Dijck Koster (from 1967 until 1968) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) oboe: Cees van der Kraan (from 1967 until 1968) viola: Lodewijk de Boer (Dutch viola player, composer, director) (from 1967 until 1968) and Wim ten Have (Classical viola and viol player) (from 1967 until 1968) violin [violin I]: Marie Leonhardt (from 1967 until 1968) violin [violin II]: Antoinette van den Hombergh (violinist) (from 1967 until 1968) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1967 until 1968) conductor: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) recording of: Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: II. Adagio (from 1967 until 1968) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059	Johann Sebastian Bach		1:06
12	Concerto for harpsichord & oboe in D minor, BWV 1059: III. [Presto] recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (from 1967 until 1968) cello: Dijck Koster (from 1967 until 1968) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) oboe: Cees van der Kraan (from 1967 until 1968) viola: Lodewijk de Boer (Dutch viola player, composer, director) (from 1967 until 1968) and Wim ten Have (Classical viola and viol player) (from 1967 until 1968) violin [violin I]: Marie Leonhardt (from 1967 until 1968) violin [violin II]: Antoinette van den Hombergh (violinist) (from 1967 until 1968) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1967 until 1968) conductor: Gustav Leonhardt (conductor, harpsichordist) (from 1967 until 1968) recording of: Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: III. Presto (from 1967 until 1968) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059	Johann Sebastian Bach		3:51
13	Concerto for two harpsichords in C minor, BWV 1060: I. Allegro recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (in 1962) cello: Dijck Koster (in 1962) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1962) and Eduard Müller (organist) (in 1962) viola: Lodewijk de Boer (Dutch viola player, composer, director) (in 1962) violin [violin I]: Marie Leonhardt (in 1962) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1962) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1962) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1962) recording of: Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro (in 1962) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto in C minor for Two Harpsichords, BWV 1060	Johann Sebastian Bach		5:02
14	Concerto for two harpsichords in C minor, BWV 1060: II. Largo ovvero Adagio recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (in 1962) cello: Dijck Koster (in 1962) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1962) and Eduard Müller (organist) (in 1962) viola: Lodewijk de Boer (Dutch viola player, composer, director) (in 1962) violin [violin I]: Marie Leonhardt (in 1962) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1962) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1962) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1962) recording of: Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio (in 1962) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto in C minor for Two Harpsichords, BWV 1060	Johann Sebastian Bach		5:09
15	Concerto for two harpsichords in C minor, BWV 1060: III. Allegro recorded in: Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands bass: Fred Nijenhuis (in 1962) cello: Dijck Koster (in 1962) harpsichord: Gustav Leonhardt (conductor, harpsichordist) (in 1962) and Eduard Müller (organist) (in 1962) viola: Lodewijk de Boer (Dutch viola player, composer, director) (in 1962) violin [violin I]: Marie Leonhardt (in 1962) violin [violin II]: Antoinette van den Hombergh (violinist) (in 1962) orchestra: Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1962) conductor: Gustav Leonhardt (conductor, harpsichordist) (in 1962) recording of: Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro (in 1962) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto in C minor for Two Harpsichords, BWV 1060	Johann Sebastian Bach		3:53

▼ CD 5: J.S. Bach: Mass in B minor
#	Title	Artist	Rating	Length
1	Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) chorus master: Hans Gillesberger (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		8:44
2	Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison soprano vocals: Rotraud Hansmann (soprano) (from 1968-04 until 1968-05) and Emiko Iiyama (soprano) (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		6:00
3	Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) chorus master: Hans Gillesberger (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:06
4	Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) chorus master: Hans Gillesberger (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		1:52
5	Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) chorus master: Hans Gillesberger (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:43
6	Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te soprano vocals: Emiko Iiyama (soprano) (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:40
7	Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) chorus master: Hans Gillesberger (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:55
8	Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus soprano vocals: Rotraud Hansmann (soprano) (from 1968-04 until 1968-05) tenor vocals: Kurt Equiluz (tenor) (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:48
9	Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) chorus master: Hans Gillesberger (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:29
10	Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes alto vocals: Helen Watts (contralto) (from 1968-04 until 1968-05) choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:04
11	Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus bass vocals: Max van Egmond (bass-baritone) (from 1968-04 until 1968-05) choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:32
12	Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu choir vocals: Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05) orchestra: Concentus Musicus Wien (from 1968-04 until 1968-05) conductor: Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05) chorus master: Hans Gillesberger (from 1968-04 until 1968-05) recorded at: Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05) recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1968-04 until 1968-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:20

▶ CD 6: J.S. Bach: Mass in B minor

▶ CD 7: J.S. Bach: Brandenburg Concertos 1–3

▶ CD 8: J.S. Bach: Brandenburg Concertos 4–6

▶ CD 9: J.S. Bach: Cantatas BWV 67, 108 & 127

▶ CD 10: Double Concertos by J.S. Bach and his Sons

▶ CD 11: J.S. Bach: Orchestral Suites 1 & 2

▶ CD 12: J.S. Bach: “Jagdkantate” & “Bauernkantate”

▶ CD 13: J.S. Bach: Matthäus-Passion (Highlights)

▶ CD 14: Biber: Sonatae, Ballettae, Battalia, Sonata “die Pauern Kirchfahrt”

▶ CD 15: Clementi: Keyboard Sonatas

▶ CD 16: Corelli · Manfredini · Torelli · Vivaldi: Christmas Concertos

▶ CD 17: Dall'Abaco: Concerti

▶ CD 18: Handel: Concerti grossi, op.3

▶ CD 19: Handel: Ode for St Cecilia’s Day

▶ CD 20: Handel: Organ Concertos, op.7

▶ CD 21: Handel: Water Music · Organ Concertos HWV 295 & HWV 304

▶ CD 22: Haydn: Harmoniemesse · Te Deum Cantata “Qual dubbio ormai”

▶ CD 23: Jerusalem: Matins for the Virgin of Guadaloupe (1764)

▶ CD 24: Mendelssohn: String Symphonies 8–10

▶ CD 25: Monteverdi: Madrigali concertati

▶ CD 26: Monteverdi: L'Orfeo (Highlights)

▶ CD 27: Monteverdi: Vespro della Beata Vergine (1610)

▶ CD 28: Monteverdi: Vespro della Beata Vergine (1610)

▶ CD 29: Mozart: “Credo” Mass, K257 · Litaniae de venerabili altaris sacramento, K243

▶ CD 30: Purcell: Dido and Aeneas

▶ CD 31: Salieri · Steffan: Fortepiano Concertos

▶ CD 32: Schütz: Die Sieben Worte unsers lieben Erlösers · Lukas-Passion

▶ CD 33: Telemann: Musique de table (Tafelmusik) (Production III)

▶ CD 34: Telemann: Overtures & Concertos

▶ CD 35: Vanhal: Symphonies

▶ CD 36: Victoria: Sacred Music

▶ CD 37: Vivaldi: Concerti op.10

▶ CD 38: Vivaldi: 4 Seasons · Concertos RV 454 & 332

▶ CD 39: Zelenka: Hipocondrie à 7 · Ouverture à 7 · Trio Sonata for 2 oboes and bassoon

▶ CD 40: Ars Britannica - Old Hall Manuscript · Madrigals

▶ CD 41: Italian Recorder Sonatas

▶ CD 42: Baroque Music for Cello

▶ CD 43: English Consort & Keyboard Music

▶ CD 44: English Music of the 17th Century

▶ CD 45: English Part Songs & Lute Songs

▶ CD 46: Komödiantische Musik des Barock

▶ CD 47: Music at the Court of Mannheim

▶ CD 48: J. Bull: Music for Harpsichord

▶ CD 49: Musica da camera a Napoli

▶ CD 50: Songs of the Baroque Era

▶ CD 51: Vanitas vanitatum — Rome 1650

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ASIN:	US: B00EDXIIF4 [info]
discography entry:	http://www.warnerclassics.com/release/3929226,0825646438525/erato-teldec-and-das-alte-werk-50cd-boxsets-das-alte-werk-50-cd-collection [info]
Allmusic:	https://www.allmusic.com/album/release/mr0004020748 [info]

Das Alte Werk - 50 CD Collection

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