Messiah

~ Release by Handel arr. Mozart; Handel and Haydn Society, Andrew Parrott (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#	Title	Artist	Rating	Length
1	Messiah: Part I: Overture orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 1. Sinfonia. Grave - Allegro moderato composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 1. Symphony part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		3:57
2	Messiah: Part I: Recitative: Comfort ye... solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 2a. Arioso (Tenor): Tröste dich, mein Volk composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		3:01
3	Messiah: Part I: Aria: Ev'ry valley... solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 2b. Arie (Tenor): Alle Tale macht hoch erhaben composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		3:30
4	Messiah: Part I: Chorus: And the glory of the Lord shall be revealed... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 3. Chor: Denn die Herrlichkeit Gottes composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		2:47
5	Messiah: Part I: Recitative: Thus saith the Lord of Hosts... solo bass vocals: Brett Polegato (bass-baritone) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 4a. Rezitativ (Baß): So spricht der Herr, Gott Zebaoth composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		1:23
6	Messiah: Part I: Aria: But who may abide the day of His coming... solo bass vocals: Brett Polegato (bass-baritone) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 4b. Arie (Alt): Doch wer wird ertragen den Tag seiner Ankunft composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		4:25
7	Messiah: Part I: Soloists and Chorus: And He shall purify the sons of Levi... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) solo soprano vocals: Karina Gauvin (soprano) solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 5a. Chor: Und er wird reinigen und läutern das Volk des Bundes composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		2:38
8	Messiah: Part I: Recitative: Behold, a Virgin shall conceive... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel and Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 5b. Rezitativ (Alt): Denn sieh, der Verheißene des Herrn erscheint composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		0:24
9	Messiah: Part I: Aria: O thou that tellest good tidings to Zion... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 6a. Arie (Alt): O du, die Wonne verkündet in Zion composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		4:16
10	Messiah: Part I: Chorus: O thou that tellest good tidings to Zion... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) partial recording of: Der Messias: 6b. Chor: O du, die Wonne verkündet in Zion composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		1:50
11	Messiah: Part I: Recitative: For behold, darkness shall cover the earth... solo bass vocals: Brett Polegato (bass-baritone) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 7a. Rezitativ (Baß): Denn blick auf: Finsternis deckt alle Welt composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		1:59
12	Messiah: Part I: Aria: The people that walked in darkness have seen a great light... solo bass vocals: Brett Polegato (bass-baritone) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 7b. Arie (Baß): Das Volk, das da wandelt im Dunkel composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		3:54
13	Messiah: Part I: Soloists and Chorus: For unto us a Child is born... solo bass vocals: Brett Polegato (bass-baritone) solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) solo soprano vocals: Karina Gauvin (soprano) solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 8. Chor: Denn es ist uns ein Kind geboren composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		4:05
14	Messiah: Part I: Pifa orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 9a. Hirtenmusik. Larghetto e mezzo piano composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		3:10
15	Messiah: Part I: Recitative: There were shepherds abiding in the field... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 9b. Rezitativ (Sopran): Es waren Hirten beisammen auf dem Felde composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		0:27
16	Messiah: Part I: Recitative: And the angel said unto them... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel and Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 10. Rezitativ (Sopran): Und sieh, der Engel des Herrn composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		0:34
17	Messiah: Part I: Recitative: And suddenly there was with the angel... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 11. Rezitativ (Sopran): Und alsobald war da bei dem Engel composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		0:16
18	Messiah: Part I: Chorus: Glory to God in the highest... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 12. Chor: Ehre sei Gott in der Höhe composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		1:59
19	Messiah: Part I: Aria: Rejoice greatly, O daughter of Zion!... solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 13a. Arie (Sopran): Erwach, frohlocke, o Tochter von Zion composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		4:14
20	Messiah: Part I: Recitative: Then shall the eyes of the blind be open'd... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel and Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 13b. Rezitativ (Alt): Dann wird das Auge des Blinden sich auftun composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		0:29
21	Messiah: Part I: Aria: He shall feed his flock like a shepherd... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 14. Duett (Sopran, Alt): Er weidet seine Herde composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		5:15
22	Messiah: Part I: Soloists and Chorus: His yoke is easy... solo bass vocals: Brett Polegato (bass-baritone) solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) solo soprano vocals: Karina Gauvin (soprano) solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 15. Chor: Sein Joch ist sanft composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” part of: Der Messias: Part I (arr. W.A. Mozart)	Handel arr. Mozart		2:31
23	Messiah: Part II: Chorus: Behold the Lamb of God... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 16. Chor: Seht an das Gotteslamm composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		3:10
24	Messiah: Part II: Aria: He was despised and rejected of men... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 17. Arie (Alt): Er ward verschmähet und verachtet composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		11:23

▼ CD 2
#	Title	Artist	Rating	Length
1	Messiah: Part II: Chorus: Surely He hath borne our griefs... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 18. Chor: Wahrlich, er trug unsre Qual composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		2:08
2	Messiah: Part II: Chrous: And with His stripes we are healed... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 19. Chor: Durch seine Wunden sind wir geheilet composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		1:56
3	Messiah: Part II: Chorus: All we like sheep, have gone astray... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 20. Chor: Der Herde gleich, vom Hirten fern composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		4:01
4	Messiah: Part II: Recitative: All they that see Him... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 21. Rezitativ (Tenor): Und alle, die ihn sehen, sprechen ihm Hohn composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		0:41
5	Messiah: Part II: Chorus: He trusted in God that He would deliver Him... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 22. Chor: Er trauete Gott, dass er würd’ erretten ihn composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		2:25
6	Messiah: Part II: Recitative: Thy rebuke hath broken His heart... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 23a. Rezitativ (Tenor): Diese Schmach brach ihm sein Herz composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		1:29
7	Messiah: Part II: Aria: Behold, and see if there be any sorrow... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 23b. Arioso (Tenor): Schau hin und sieh composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		1:22
8	Messiah: Part II: Recitative: He was cut off out of the land of the living... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 24a. Rezitativ (Tenor): Er ist dahin aus dem Lande des Lebens composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		0:18
9	Messiah: Part II: Aria: But thou didst not leave His soul in hell... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 24b. Arie (Tenor): Doch du ließest ihn im Grabe nicht composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		2:40
10	Messiah: Part II: Chorus: Lift up your heads... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 25a. Chor: Hoch tut euch auf composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		3:06
11	Messiah: Part II: Recitative: Unto wich of the angels said He at any time... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel and Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 25b. Rezitativ (Tenor): Zu welchen von den Engeln composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		0:19
12	Messiah: Part II: Chorus: The Lord gave the word... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 26. Chor: Der Herr gab das Wort composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		1:10
13	Messiah: Part II: Aria: How beautiful are the feet... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 27. Arie (Sopran): Wie lieblich ist der Boten Schritt composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		2:28
14	Messiah: Part II: Chorus: Their sound is gone out into all lands... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 28. Chor: Ihr Schall gehet aus in jedes Land composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		1:24
15	Messiah: Part II: Aria: Why do the nations so furiously rage together... solo bass vocals: Brett Polegato (bass-baritone) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		4:48
16	Messiah: Part II: Chorus: Let us break their bonds asunder... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 30a. Chor: Brecht entzwei die Ketten alle composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		1:53
17	Messiah: Part II: Recitative and Aria: He that dwelleth... - Thou shalt break them... solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 30b. Rezitativ (Tenor): Der da wohnet im Himmel composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) part of: Der Messias: Part II (arr. W.A. Mozart) recording of: Der Messias: 31. Arie (Tenor): Du zerschlägst sie mit dem eisernen Zepter composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		2:17
18	Messiah: Part II: Chorus: Hallelujah... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 32. Chor: Halleluja composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” part of: Der Messias: Part II (arr. W.A. Mozart)	Handel arr. Mozart		4:09
19	Messiah: Part III: Aria: I know that my Redeemer liveth... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 33. Arie (Sopran): Ich weiß, daß mein Erlöser lebet composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		6:37
20	Messiah: Part III: Chorus: Since by man came death... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 34. Chor: Wie durch Einen der Tod composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		2:04
21	Messiah: Part III: Recitative: Behold I tell you a mystery... solo bass vocals: Brett Polegato (bass-baritone) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 35a. Rezitativ (Baß): Vernehmt, ich künd’ ein Geheimnis an composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		0:31
22	Messiah: Part III: Aria: The trumpet shall sound... solo bass vocals: Brett Polegato (bass-baritone) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 35b. Arie (Baß): Sie schallt, die Posaun’ composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		2:18
23	Messiah: Part III: Recitative: Then shall be brought to pass... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Handel and Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 35c. Rezitativ (Alt): Dann wird erfüllt, was da geschrieben stehet composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		0:16
24	Messiah: Part III: Duet: O Death, where is thy sting?... solo mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) solo tenor vocals: John Elwes (tenor) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 36. Duet: O Tod, wo ist dein Pfeil composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		2:02
25	Messiah: Part III: Chorus: But thanks be to God... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 37a. Chorus: Doch Dank dir, Dank sei dir, Gott composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		2:18
26	Messiah: Part III: Recitative: If God be for us... solo soprano vocals: Karina Gauvin (soprano) orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 37b. Recitative acc.: Wenn Gott ist für uns composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		1:08
27	Messiah: Part III: Chorus: Worth is the Lamb that was slain... orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 38a. Chor: Würdig ist das Lamm composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) version of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		3:27
28	Messiah: Part III: Chorus: Amen orchestra: Handel & Haydn Society conductor: Andrew Parrott (conductor) recording of: Der Messias: 38b. Chor: Amen composer: George Frideric Handel (German‐British baroque composer) arranger: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Der Messias: Part III (arr. W.A. Mozart)	Handel arr. Mozart		4:00

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ASIN:	US: B00004TVAD [info]
discography entry:	http://messiah-guide.com/parrott2.html [info]

Messiah

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