Tracklist

CD 1
# Title Rating Length
1 Sophisticated Lady
2:36
2 Cry Me a River
5 2:50
3 Boy on a Dolphin
2:13
4 ’Round Midnight
2:55
5 Love for Sale
2:39
6 You’d Be So Nice to Come Home To
2:16
7 Blue Moon
2:33
8 Days of Wine and Roses
2:54
9 My Heart Belongs to Daddy
2:43
10 When I Fall in Love
3:23
11 Two Sleepy People
3:16
12 The More I See You
3:03
13 ’S Wonderful
1:35
14 One for My Baby
4:09
15 Moments Like This
2:40
CD 2
# Title Rating Length
1 Fly Me to the Moon
2:36
2 I Love You
1:52
3 Let There Be Love
2:04
4 Mad About the Boy
2:13
5 Sentimental Journey
2:27
6 There Will Never Be Another You
3:17
7 Vaya con Dios
2:41
8 Our Day Will Come
2:22
9 In the Wee Small Hours of the Morning
2:51
10 I’m in the Mood for Love
2:30
11 Goodbye
2:24
12 Easy Street
3:16
13 Ev’ry Time We Say Goodbye
4:25
14 Give a Little Whistle
3:07
15 Black Coffee
2:58
CD 3
# Title Rating Length
1 Call Me Irresponsible
2:50
2 Diamonds Are a Girl’s Best Friend
2:02
3 Hot Toddy
1:52
4 I’ve Got a Crush on You
2:14
5 Baby Won’t You Please Come Home
2:12
6 Bewitched
2:54
7 I Left My Heart in San Francisco
2:49
8 I Should Care
3:19
9 Love Letters
2:53
10 Must Be Catchin’
2:09
11 It Could Happen to You
3:12
12 Memphis in June
2:00
13 If I’m Lucky
2:19
14 I Got It Bad (and That Ain’t Good)
3:58
15 You Made Me Love You
2:16

Credits

CD 1

membranophone:
Colin Bailey (drummer) (track 9)
bass:
Monty Budwig (track 9)
piano:
Russ Freeman (pianist) (track 9)
arranger:
Ernie Freeman (track 8)
Russ Freeman (pianist) (track 9)
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (track 4)
André Previn (tracks 10–12, 14)
composer:
Hoagy Carmichael (track 11)
Hugo Friedhofer (track 3)
Arthur Hamilton (track 2)
Burton Lane (track 15)
Henry Mancini (American composer, conductor and arranger) (track 8)
Thelonious Monk (track 4)
Harry Warren (US composer and lyricist) (track 12)
Cootie Williams (track 4)
Victor Young (track 10)
Cole Porter (tracks 9, 9)
George Gershwin (composer) (1927) (track 13)
Cole Porter (1930) (track 5)
Duke Ellington (American composer, pianist, & jazz bandleader) (1932) (track 1)
Richard Rodgers (1934) (track 7)
Harold Arlen (1943) (track 14)
Cole Porter (1943) (track 6)
conductor:
Ernie Freeman (track 8)
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (track 4)
André Previn (tracks 10–12, 14)
engineer:
David Hassinger (track 8)
Ted Keep (tracks 7, 10–12, 14)
John Kraus (tracks 4, 6, 13)
Bill Putnam (tracks 10–12, 14)
lyricist:
Arthur Hamilton (track 2)
Mack Gordon (track 12)
Bernie Hanighen (track 4)
Edward Heyman (track 10)
Frank Loesser (tracks 11, 15)
Johnny Mercer (track 8)
Mitchell Parish (track 1)
Cole Porter (tracks 9, 9)
Ira Gershwin (1927) (track 13)
Cole Porter (1930) (track 5)
Lorenz Hart (1934) (track 7)
Johnny Mercer (1943) (track 14)
Cole Porter (1943) (track 6)
producer:
Richard Bock (record producer) (track 9)
Snuff Garrett (track 8)
Bobby Troup (tracks 7, 10–14)
Si Waronker (tracks 1, 4, 6)
vocals:
Julie London (tracks 1–2, 4, 6–14)
writer:
Irving Mills (1932) (track 1)
publisher:
Chappell (tracks 9, 9)
Chappell & Co. (tracks 5–6, 9, 9–10, 13)
Chappell & Co., Inc. (tracks 2, 6, 10, 13)
Chappell Music Ltd. (tracks 5, 9, 9–10, 13)
EMI Robbins Catalog Inc. (ASCAP) (track 7)
Famous Music Corporation (tracks 1, 11)
Four Jays Music Co. (track 12)
Harms, Inc. (track 5)
Harwin Music Corporation (aka Harwin-Music Corp.) (track 14)
Intersong U.S.A. (track 10)
Ira Gershwin Music (track 13)
Mills Music, Inc. (track 1)
Peermusic UK (UK publisher) (track 12)
Sony/ATV Harmony (tracks 11, 15)
Sony/ATV Harmony UK (tracks 11, 15)
WB Music Corp. (ASCAP) (track 13)
Warner Bros., Inc. (not for release label use!) (tracks 4, 12)
Warner/Chappell Music Ltd. (1996–present) (track 4)
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) (tracks 2, 4, 6, 10, 13)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (1960-08) (track 4)
arrangements:
’Round Midnight (for saxophone quartet, Müller-Irion) (track 4)
’s Wonderful (for solo piano) (track 13)
cover recording of:
’Round About Midnight (aka “’Round Midnight”) (track 4)
is the basis for:
later translated versions:
Autour de minuit (lyrics translated by Claude Nougaro) (track 4)
Autour de minuit (lyrics translated by Boris Vian) (track 4)
Blå lys (track 7)
Delfiinipoika (track 3)
Noir est ta couleur (Cry Me a River) (track 2)
Pleure (track 2)
Pojke på delfin (track 3)
Wundervoll (track 13)
later versions:
L'air qui balance (track 12)
part of:
An American in Paris (2015 Broadway musical) (track 13)
Funny Face (1927 musical) (track 13)
Sophisticated Ladies (1981 musical) (track 1)
recording of:
Blue Moon (track 7)
Boy on a Dolphin (track 3)
Cry Me a River (track 2)
Love for Sale (track 5)
Moments Like This (from "College Swing") (track 15)
Sophisticated Lady (track 1)
The More I See You (track 12)
Two Sleepy People (from the 1938 film "Thanks for the Memory") (track 11)
When I Fall in Love (track 10)
’s Wonderful (track 13)
referred to in medleys:
Arenature (track 2)
Love Medley (track 5)

CD 2

arranger:
Don Bagley (tracks 6, 14)
Ernie Freeman (tracks 1, 8)
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (tracks 9, 15)
composer:
Noël Coward (track 4)
Mort Garson (track 8)
Alan Rankin Jones (track 12)
David Mann (American songwriter) (track 9)
Jimmy McHugh (songwriter) (track 10)
Buddy Pepper (track 7)
Cole Porter (track 2)
Lionel Rand (track 3)
Larry Russell (Film composer) (track 7)
Harry Warren (US composer and lyricist) (track 6)
Inez James (track 7)
Gordon Jenkins (track 11)
Les Brown (American big band & jazz musician) (1944) (track 5)
Ben Homer (1944) (track 5)
Cole Porter (1944) (track 13)
Sonny Burke (1948) (track 15)
Bart Howard (1954) (track 1)
conductor:
Ernie Freeman (tracks 1, 8)
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (tracks 9, 15)
engineer:
Chuck Britz (tracks 6, 14)
David Hassinger (tracks 1, 8)
Ted Keep (track 4)
John Kraus (tracks 2–3, 5, 9–12, 15)
Joe Sidore (tracks 6, 14)
lyricist:
Noël Coward (track 4)
Alan Rankin Jones (track 12)
Buddy Pepper (track 7)
Cole Porter (track 2)
Larry Russell (Film composer) (track 7)
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (track 10)
Mack Gordon (track 6)
Ian Grant (Lyricist) (track 3)
Bob Hilliard (tracks 8–9)
Inez James (track 7)
Gordon Jenkins (track 11)
Bud Green (1944) (track 5)
Cole Porter (1944) (track 13)
Paul Francis Webster (1948) (track 15)
Bart Howard (1954) (track 1)
orchestra:
producer:
Calvin Carter (tracks 6, 14)
Snuff Garrett (tracks 1, 8)
Bobby Troup (tracks 2, 4, 10, 12)
Si Waronker (tracks 3, 5, 9, 11, 15)
vocals:
Julie London (tracks 1–12, 14–15)
phonographic copyright by:
Liberty Records (1964) (track 1)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it) (track 15)
Bourne Co. (track 9)
Bourne Music Ltd. (track 9)
Chappell & Co. (track 13)
Chappell & Co., Inc. (tracks 2, 13)
Ediciones Musicales Clipper's S.L. (Grupo Clippers) (track 7)
Jarest Music Co. (track 7)
Morley Music Corp. (tracks 5–6)
Peermusic UK (UK publisher) (track 11)
Robert Mellin Ltd. (track 12)
Rytvoc, Inc. (ASCAP) (track 9)
Sondot Music Corp. (track 15)
Southern Music Publishing Co., Inc. (later renamed as Peermusic) (track 11)
Universal Music Corp. (USA, affiliated with ASCAP) (track 11)
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) (track 2)
Webster Music Co. (track 15)
recorded at:
Julie London’s living room (tracks 3, 5, 11)
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (1960-08) (tracks 9, 15)
arrangements:
Ev'ry Time We Say Goodbye (for choir, Bennett) (track 13)
Fly Me to the Moon (Quincy Jones arr.) (track 1)
Goodbye: In Memory of Benny (arr. Bill Douglas, for clarinet and strings) (track 11)
Mad About the Boy (arr Paul Campbell) (track 4)
cover recording of:
Black Coffee (1948 song) (track 15)
Easy Street (track 12)
Fly Me to the Moon (track 1)
Mad About the Boy (track 4)
Our Day Will Come (track 8)
is the basis for:
later translated versions:
Rue d'la Flemme (track 12)
Vaya Con Dios (track 7)
Vaya con Dios (Adaptation in Spanish) (track 7)
later versions:
Terugkiek (track 5)
recording of:
Goodbye (track 11)
I Love You (track 2)
Let There Be Love (track 3)
Vaya con dios (Original) (track 7)

CD 3

arranger:
Don Bagley (tracks 4–5, 15)
Pete King (composer/arranger) (track 12)
Ernie Freeman (tracks 1, 7)
André Previn (track 11)
composer:
George Cory (track 7)
Eddie DeLange (track 13)
James V. Monaco (track 15)
Josef Myrow (track 13)
Leo Robin (track 2)
Jule Styne (track 2)
Jimmy Van Heusen (tracks 1, 1, 11)
Victor Young (track 9)
Edward Heyman (track 9)
George Gershwin (composer) (1928) (track 4)
Richard Rodgers (1940) (track 6)
Duke Ellington (American composer, pianist, & jazz bandleader) (1941) (track 14)
Hoagy Carmichael (1945) (track 12)
conductor:
Pete King (composer/arranger) (track 12)
Ernie Freeman (tracks 1, 7)
André Previn (track 11)
engineer:
Chuck Britz (tracks 4–5, 15)
David Hassinger (tracks 1, 7)
Ted Keep (tracks 3, 11, 13)
John Kraus (track 8)
Bill Putnam (track 11)
Joe Sidore (tracks 4–5, 15)
lyricist:
Sammy Cahn (tracks 1, 1)
Leo Robin (track 2)
Victor Young (track 9)
Johnny Burke (American lyricist, 1908-1964) (track 11)
Douglass Cross (US songwriter) (track 7)
Edward Heyman (track 9)
Joseph McCarthy (songwriter/lyricist) (track 15)
Ira Gershwin (1928) (track 4)
Lorenz Hart (1940) (track 6)
Paul Francis Webster (1941) (track 14)
Paul Francis Webster (1945) (track 12)
producer:
Calvin Carter (tracks 4–5, 15)
Snuff Garrett (tracks 1, 7)
Felix Slatkin (track 2)
Bobby Troup (tracks 3, 8, 11–13)
Si Waronker (track 6)
vocals:
Julie London (tracks 1–8, 11–13, 15)
writer:
Sammy Cahn (track 8)
Ralph Flanagan (Band leader, songwriter) (track 3)
Herb Hendler (track 3)
Axel Stordahl (track 8)
Charles Warfield (track 5)
Paul Weston (track 8)
Clarence Williams (track 5)
publisher:
Chappell & Co. (track 11)
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) (track 2)
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (track 9)
Imagem CV (track 6)
Music Sales Corporation (American copyright holder in both popular and classical music) (track 8)
Redwood Music Ltd. (Carlin) (track 5)
Sony/ATV Harmony (tracks 9, 11)
Sony/ATV Harmony UK (track 11)
Universal MCA Music Publishing (US film music publisher) (track 5)
Universal/MCA Music Ltd. (not for release label use!) (track 5)
WB Music Corp. (ASCAP) (track 4)
WB Music Group (track 6)
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) (track 6)
Almo Music Corporation (1945) (track 12)
Webster Music Co. (1945) (track 12)
was commissioned by:
Peermusic UK (UK publisher) (track 8)
cover recording of:
Love Letters (track 9)
is the basis for:
Fried Bananas (jazz interpretation of "It Could Happen to You") (track 11)
later parody versions:
It Could Happen to You (Sinatra parody) (track 11)
later translated versions:
Je suis mordue (track 14)
ラブ・レター (track 9)
later versions:
En slump (track 6)
part of:
Treasure Girl (1928 musical) (track 4)
Pal Joey (track 6)
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos) (track 2)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (track 6)
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes) (track 2)
Hot Toddy (track 3)
I Should Care (track 8)
If I’m Lucky (track 13)
Memphis in June (track 12)

Release

ASIN: US: B00000GB7V [info]

Release Group

Discogs: https://www.discogs.com/master/562356 [info]