Annotation

Undated release on 2 CDs, with a publication date of 1972 (presumably the date of the 3 LP set on vinyl).

On disc 1 label: 417 364-2
On disc 2 label: 417 365-2

Annotation last modified on 2022-10-16 19:17 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Les Contes d’Hoffmann : Prologue. « Glou ! glou ! glou ! je suis le vin ! » (Chœur, La Muse, Lindorf, Andrès)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 1 Introduction « Glou, glou, glou ! Je suis la bière » (Chœur des esprits invisibles)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach3:49
2Les Contes d’Hoffmann : Prologue. « Dans les rôles d’amoureux langoureux » (Lindorf)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:29
3Les Contes d’Hoffmann : Prologue. « Allons, allons mes enfants ! Préparez cette salle » (Luther, les étudiants, Hermann, Nathanaël)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
baritone vocals:
Paul Guigue (french baritone)
bass vocals:
Paul Guigue (french baritone) and Roland Jacques
choir vocals:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne and Chorale du Brassus
tenor vocals:
Pedro di Proenza
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
balance engineer:
James Lock (engineer)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Allons, allons mes enfants ! Préparez cette salle » (Luther, Etudiants, Hermann, Nathanaël)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 3 « L'entr'acte commence » … « Drig, drig, drig, maître Luther » (Nathanaël, Hermann, les étudiants, Luther) (Chœur des étudiants)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:41
4Les Contes d’Hoffmann : Prologue. « Eh! Luther ! Ma grosse tonne » (Nathanaël, Hermann, les étudiants, Lindorf, Luther, Hoffmann, Nicklausse)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Guigue (french baritone) and Roland Jacques
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Pedro di Proenza and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Eh ! Luther ! Ma grosse tonne » (Nathanaël, Hermann, Etudiants, Lindorf, Luther, Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:35
5Les Contes d’Hoffmann : Prologue. « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
additional tenor vocals [Nathanael]:
Pedro di Proenza (in 1972-06)
choir vocals:
Chœur de la Suisse Romande (in 1972-06), Choeur du Brassus (in 1972-06) and Chœur Pro Arte de Lausanne (in 1972-06)
tenor vocals [Hoffmann]:
Plácido Domingo (tenor) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
chorus master:
André Charlet (in 1972-06)
balance engineer:
James Lock (engineer)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach5:29
6Les Contes d’Hoffmann : Prologue. « Peuh ! cette bière est détestable ! » (Hoffmann, les étudiants, Nicklausse, Nathanaël, Lindorf)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Pedro di Proenza and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Peuh ! cette bière est détestable ! » (Hoffmann, Nathanaël, Hermann, Étudiants, Nicklausse, Lindorf)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach1:29
7Les Contes d’Hoffmann : Prologue. « Et par où votre diablerie » (Hoffmann, Lindorf, Nicklausse, les étudiants, Nathanaël, Hermann)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Guigue (french baritone)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Pedro di Proenza and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Et par où votre diablerie » (Hoffmann, Lindorf, Nicklausse, Etudiants, Nathanaël, Hermann)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach6:18
8Les Contes d’Hoffmann : Prologue: Entr’acte / « Là, là, là ! Encore cette boucle à friser » (Spalanzani, Cochenille, Hoffmann)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. « Là ! dors en paix » (Spalanzani, Hoffmann, Cochenille)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
recording of:
Les Contes d’Hoffmann : Acte II. Entr’acte (Menuet)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:04
9Les Contes d’Hoffmann : Acte I. « Allons ! Courage et confiance » (Hoffmann)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (engineer)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Allons ! courage et confiance » … « Ah ! vivre deux » (Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:26
10Les Contes d’Hoffmann : Acte I. « Pardieu ! J’étais bien sûr de te trouver ici ! » (Nicklausse, Hoffmann, Coppélius)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach4:25
11Les Contes d’Hoffmann : Acte I. « J’ai des yeux, de vrais yeux » (Coppélius, Hoffmann, Nicklausse, Spalanzani, Cochenille)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. No 7 Récit et trio « C’est moi, Coppélius » … « J’ai des yeux, de vrais yeux » (Coppélius, Nicklausse, Hoffmann)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:47
12Les Contes d’Hoffmann : Acte I. « Non, aucun hôte, vraiment » (Les invités, Spalanzani, Nicklausse, Hoffmann, Cochenille, Une voix de basse, Olympia)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. No 8 Chœurs, scène et couplets « Non, aucun hôte vraiment » (Spalanzani, Nicklausse, Hoffmann, Cochenille, une voix de basse, Olympia, les invitès)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach4:57
13Les Contes d’Hoffmann : Acte I. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach7:11
14Les Contes d’Hoffmann : Acte I. Récit et romance “Ils se sont éloignés enfin!” (Hoffmann, Olympia)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
tenor vocals:
Plácido Domingo (tenor) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:38
15Les Contes d’Hoffmann : Acte I. « Tu me fuis ? qu’ai‐je fait ? » (Hoffmann, Nicklausse, Coppélius)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. No 10 Finale « Tu me fuis ? qu'ai-je fait ? » (Hoffmann, Nicklausse, Coppélius)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:02
16Les Contes d’Hoffmann : Acte I. « Voici les valseurs ! » (Spalanzani, Cochenille, Hoffmann, Olympia, Les invités, Nicklausse, Coppélius)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne and Chorale du Brassus
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
balance engineer:
James Lock (engineer)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Voici les valseurs ! » (Spalanzani, Cochenille, Hoffmann, Olympia, Les invités, Nicklausse, Coppélius)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:12
17Les Contes d’Hoffmann : Acte II. « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, Les invités, Hoffmann, Schlemil)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
André Neury
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals [Nicklausse]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals and soprano vocals [Giulietta]:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:51
18Les Contes d’Hoffmann : Acte II. « Amis ! l’amour tendre et rêveur » (Hoffmann, Les invités, Schlemil, Pitichinaccio, Giulietta, Un laquais)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
André Neury
choir vocals:
Chœur de la Suisse Romande
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
vocals:
Jean Valaisan
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "Amis ! l'Amour tendre et rêveur" (Hoffmann, Les invités, Schlemil, Pitichinaccio, Giulietta, Un laquais)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:48
19Les Contes d’Hoffmann : Acte II. « Au jeu, au jeu, messieurs ! » (Giulietta, les invités, Hoffmann, Nicklausse, Dapertutto)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "Au jeu, au jeu, messieurs !" (Giulietta, Les invités, Hoffmann, Nicklausse, Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:22
CD 2
#TitleArtistRatingLength
1Les Contes d’Hoffmann : Acte II. « Scintille, diamant » (Dapertutto, Giulietta, Hoffmann, Schlemil)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
André Neury
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals [Nicklausse]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals and soprano vocals [Giulietta]:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:52
2Les Contes d’Hoffmann : Acte II. « A nous trois, mes maîtres ! » (Dapertutto, Nicklausse, Hoffmann, Giulietta)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "A nous trois, mes maîtres !" (Dapertutto, Nicklausse, Hoffmann, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach1:30
3Les Contes d’Hoffmann : Acte II. « Malheureux, tu ne comprends donc pas » (Giulietta, Hoffmann, Dapertutto)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. Duo "Malheureux, tu ne comprends donc pas" – "Ô dieu, de quelle ivresse" (Giulietta, Hoffmann, Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach7:20
4Les Contes d’Hoffmann : Acte II. « Que vais‐je faire ? Quel est ce breuvage ? » (Hoffmann, Pitichinaccio, Giulietta, Choeur, Dapertutto)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte III. “Que vais-je faire ? Quel est ce breuvage ?” (Hoffmann, Pitichinaccio, Giulietta, Choeur, Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:03
5Les Contes d’Hoffmann : Acte III. « Elle a fui, la tourterelle » (Antonia, Crespel, Frantz)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach6:31
6Les Contes d’Hoffmann : Acte III. « Jour et nuit je me mets en quatre » (Frantz, Hoffmann, Nicklausse)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Jour et nuit je me mets en quatre” (Frantz, Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:13
7Les Contes d’Hoffmann : Acte III. « C’est une chanson d’amour qui s’envole » (Hoffmann, Antonia, Nicklausse, Frantz, Crespel, Miracle)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte III. Scène “Voilà donc le secret de sa fuite!” (Hoffmann, Antonia, Frantz, Crespel, Miracle)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach8:59
8Les Contes d’Hoffmann : Acte III. « Que veux‐tu faire ? » (Crespel, Miracle, Hoffmann, Antonia)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV. “Que veux-tu faire ?” (Crespel, Miracle, Hoffmann, Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach7:55
9Les Contes d’Hoffmann : Acte III. « Tu ne chanteras plus… sais‐tu quel sacrifice » (Miracle, Antonia, la voix de la mère d’Antonia)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
soprano vocals:
Margarita Lilova (mezzo-soprano) and Joan Sutherland (soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Sais-tu quel sacrifice” (Miracle, Antonia, Une voix)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Tu ne chanteras plus ?” (Miracle)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach9:23
10Les Contes d’Hoffmann : Acte III. « Mon enfant! ma fille ! Antonia ! » (Crespel, Antonia, Hoffmann, Nicklausse, Miracle)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. Finale “Mon enfant ! ma fille ! Antonia !” (Crespel, Antonia, Hoffmann, Nicklausse, Miracle)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach3:08
11Les Contes d’Hoffmann : Acte III. Entr’acte
producer:
John Mordler (producer) and Michael Woolcock (producer)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (engineer)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:58
12Les Contes d’Hoffmann : Epilogue. « Voilà, mes amis, quelle fut l’histoire de mes trois amours » (Hoffmann, Nicklausse, les étudiants, Luther, Lindorf)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Roland Jacques
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Voilà, mes amis, quelle fut l'histoire de mes trois amours” (Hoffmann, Nicklausse, Etudiants, Luther, Lindorf)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach2:28
13Les Contes d’Hoffmann : Epilogue. « Messieurs, le souper est servi ! » (Luther, Hoffmann, les étudiants)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Messieurs, le souper est servi !” (Luther, Hoffmann, Etudiants)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach1:19
14Les Contes d’Hoffmann : Epilogue. « Et moi ? Moi, la fidèle amie » (La Muse, Hoffmann, Stella)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Et moi ? Moi, la fidèle amie” (La Muse, Hoffmann, Stella)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach2:15
15Les Contes d’Hoffmann : Epilogue. « Adieu ! Je ne veux pas te suivre » (Hoffmann, Lindorf, Stella, Nicklausse)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
The Tales of Hoffman: Epilogue. "Adieu! Je ne veux pas te suivre" (Hoffmann, Lindorf, Stella, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
Jacques Offenbach3:15
16Les Contes d’Hoffmann : Epilogue. « Jusqu’au matin remplis, remplis, mon verre ! » (les étudiants)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Jusqu'au matin remplis, remplis, mon verre !” (Les étudiants)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach0:42