Bringing On Back the Good Times

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo and Tony Macaulay
publisher:
EMI United Partnership Ltd.
The Foundations42:53
2Love Grows (Where My Rosemary Goes)
producer:
Tony Macaulay
vocals:
Tony Burrows
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1970)
music videos:
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd. and Intersong Music Ltd.
Edison Lighthouse3.62:49
3Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold
writer:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:55
4The Loco-Motion
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Little Eva2:23
5My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:47
6I Get the Sweetest Feeling
recording of:
I Get the Sweetest Feeling (in 1968)
writer:
Alicia Evelyn and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson42:54
7Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes4.152:53
8Sweet Talkin’ Guy
recording of:
Sweet Talking Guy
writer:
Barbara Baer, Eliot Greenberg, Doug Morris (record executive) and Robert Schwartz
The Chiffons2:21
9Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation53:02
10You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:01
11Everything’s Tuesday
Chairmen of the Board2:50
12Kissin’ in the Back Row of the Movies
baritone vocals:
Grant Kitchings
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
tenor vocals:
Butch Leake
vocals:
Bill Fredericks and Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
composer:
Roger Greenaway and Tony Macaulay
The Drifters43:31
13Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 6) and Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Archies3.62:47
14Hey Baby
recording of:
Hey! Baby
writer:
Bruce Channel and Margaret Cobb
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd. and シンコーミュージック・パブリッシャーズ
Bruce Channel2:19
15Elenore
recording of:
Elenore
lyricist and composer:
John Barbata, Howard Kaylan, Al Nichol, Jim Pons and Mark Volman
publisher:
Doraflo Music, Inc., EMI Longitude Music and High Concept Music
The Turtles52:30
16Freedom Come, Freedom Go
recording of:
Freedom Come, Freedom Go
writer:
Roger Cook (singer, songwriter, producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) and Mike Hazlewood (in 1971)
The Fortunes3:21
17The Shoop Shoop Song (It’s in His Kiss)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song) (in 1964)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, TM Music Ltd. and Trio Music Company
Betty Everett42:10
18It’s My Party
producer:
Qunicy Jones
arranger:
Claus Ogerman
recording of:
It’s My Party (on 1963-03-30)
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.52:17
19Then I Kissed Her
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Carol Kaye (on 1965-05-03) and Brian Wilson (Beach Boys co‐founder) (on 1965-05-03)
castanets:
Frank Capp (on 1965-05-03)
double bass [upright bass]:
Jimmy Bond (on 1965-05-03)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1965-05-03)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1965-05-03), René Hall (on 1965-05-03), Al Jardine (on 1965-05-03) and Carl Wilson (Beach Boys) (on 1965-05-03)
instruments:
Bill Pitman (on 1965-05-03)
organ:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1965-05-03) and Leon Russell (on 1965-05-03)
piano:
Brian Wilson (Beach Boys co‐founder) (on 1965-05-03)
tambourine:
Ron Swallow (on 1965-05-03)
lead vocals:
Al Jardine (on 1965-05-03)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1965-05-03), Mike Love (Beach Boys) (on 1965-05-03), Brian Wilson (Beach Boys co‐founder) (on 1965-05-03), Carl Wilson (Beach Boys) (on 1965-05-03) and Dennis Wilson (Beach Boys) (on 1965-05-03)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-05-03)
cover recording of:
And Then I Kissed Her (on 1965-05-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
cover recording of:
Then He Kissed Me (on 1965-05-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
The Beach Boys42:17
20Another Day
assistant recording engineer:
Ted Brosnan (from 1970-10-12 until 1971-01)
recording engineer:
Tim Geelan (from 1970-10-12 until 1971-01)
producer:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
mixer:
Dixon Van Winkle (on 1971-02-08)
acoustic guitar and electric guitar:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01) and David Spinozza (from 1970-10-12 until 1971-01)
bass guitar, tambourine and lead vocals:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1970-10-12 until 1971-01)
percussion:
Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01) and Denny Seiwell (drummer / percussionist) (from 1970-10-12 until 1971-01)
background vocals:
Linda McCartney (from 1970-10-12 until 1971-01) and Paul McCartney (The Beatles) (from 1970-10-12 until 1971-01)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2012) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
additionally recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1971-01)
recorded at:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (on 1970-10-12)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1971-02-08)
recording of:
Another Day (1970 McCartney song) (from 1970-10-12 until 1971-01)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), McCartney Music Inc. and Northern Songs
Paul McCartney3.653:43
21Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
22Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:18
23That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1976)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music
KC and the Sunshine Band4.23:01
24This Will Be (an Everlasting Love)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3)
recording of:
This Will Be (An Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:50
25Rock Me Gently
recording of:
Rock Me Gently
lyricist and composer:
Andy Kim (pop singer & songwriter)
Andy Kim3:22
26Bringing On Back the Good Times
recording of:
Bringing on Back the Good Times
writer:
John Cokell and Phillip Goodhand-Tait
Love Affair3:24
▼ CD 2
#TitleArtistRatingLength
1God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 17) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 25)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys4.32:50
2I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again (Promises, Promises)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music Ltd., Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Bobbie Gentry2:53
3The First Cut Is the Deepest
producer:
Mike Hurst (musician and record producer from London, England)
vocals:
P.P. Arnold
recording of:
The First Cut Is the Deepest
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated) and Salafa Ltd.
P.P. Arnold43:12
4The Single Girl
Sandy Posey2:26
5A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders31:59
6Hold Me Close
recording of:
Hold Me Close
lyricist and composer:
David Essex
David Essex53:53
7When Will I See You Again
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1974)
edit of:
When Will I See You Again (Ferguson, Holiday, Pinkney) by The Three Degrees
recording of:
When Will I See You Again
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell
The Three Degrees2:35
8More Than a Woman
producer:
Freddie Perren
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
percussion:
Bob Zimmitti and Paulinho da Costa (Brazilian percussionist)
piano:
Sonny Burke (soul/jazz/funk keyboardist)
cover recording of:
More Than a Woman
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc. and Gibb Brothers Music
Tavares53:13
9Emotion
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
synthesizer [synthesizers]:
James Newton Howard (American score composer)
background vocals:
Barry Gibb and Robin Gibb
vocals:
Samantha Sang
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
recorded at and remixed at:
Criteria Sound in Miami, Florida, United States
recording of:
Emotion
writer:
Barry Gibb and Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music and Unichappell Music
Samantha Sang43:54
10The Air That I Breathe
engineer:
Mike Jarratt and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies), Tony Hicks and Terry Sylvester
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) and The Hollies Ltd. (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Hollies4.54:11
11Angie Baby
recording of:
Angie Baby
lyricist and composer:
Alan O’Day
Helen Reddy53:28
12Where Do You Go to My Lovely
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
Peter Sarstedt4:41
13On Days Like These
recording of:
On Days Like These
lyricist:
Don Black (English lyricist)
composer:
Quincy Jones
Matt Monro3:40
14To Sir With Love
producer:
Mickie Most (English record producer)
recording of:
To Sir With Love (on 1967-03-20)
lyricist:
Don Black (English lyricist)
composer:
Mark London (musical theater)
publisher:
Screen Gems–EMI Music Ltd.
Lulu52:45
15By the Time I Get to Phoenix
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 450)
cover recording of:
By the Time I Get to Phoenix (on 1967-08-17)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
strings arranger:
Mick Harvey
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
Glen Campbell32:43
16A Little Bit More
cover recording of:
A Little Bit More
lyricist and composer:
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd. and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019))
Dr. Hook3:13
17Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., Songs of Universal, Inc. and Universal/MCA Music Ltd. (not for release label use!)
Don McLean4.253:59
18Gaye
recording of:
Gaye
lyricist and composer:
Clifford T. Ward
Clifford T. Ward3:35
19Miss You Nights
producer:
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
recording of:
Miss You Nights
composer:
Dave Townsend (English songwriter, wrote "Miss You Nights", performed with Alan Parsons Project)
publisher:
Off the Wall Music
Cliff Richard3:56
20Lovin’ You
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23

Credits

Release

ASIN:UK: B000EF7WG6 [info]