| # | Title | Rating | Length |
|---|
| 1 | Rich Woman- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- electric guitar:
- T‐Bone Burnett and Marc Ribot
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- recording of:
- Rich Woman
- composer:
- Dorothy LaBostrie and Li’l Millet
- publisher:
- Metric Music Co and Sony/ATV Songs LLC
- cover recording of:
- Rich Woman
- composer:
- Dorothy LaBostrie and Li’l Millet
- publisher:
- Metric Music Co and Sony/ATV Songs LLC
| 3.65 | 4:05 |
| 2 | Killing the Blues- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- acoustic guitar and guitar:
- T‐Bone Burnett
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- electric guitar:
- T‐Bone Burnett and Marc Ribot
- pedal steel guitar:
- Greg Leisz
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Killing the Blues
- lyricist and composer:
- Rowland Salley
| 3.65 | 4:17 |
| 3 | Sister Rosetta Goes Before Us- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- acoustic guitar:
- T‐Bone Burnett
- banjo and electric guitar:
- Marc Ribot
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- fiddle:
- Alison Krauss
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- part of:
- Amazon – Best Songs of 2007: Editor Picks (number: 14)
- recording of:
- Sister Rosetta Goes Before Us
- composer:
- Sam Phillips
| 3 | 3:25 |
| 4 | Polly Come Home- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- acoustic guitar and electric guitar:
- Marc Ribot
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Polly
- composer:
- Gene Clark
| 3.5 | 5:39 |
| 5 | Gone Gone Gone (Done Moved On)- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- bass [6-string bass] and electric guitar:
- T‐Bone Burnett
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Gone, Gone, Gone
- composer:
- Don Everly and Phil Everly
| 3.65 | 3:34 |
| 6 | Through the Morning, Through the Night- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- electric guitar:
- T‐Bone Burnett and Marc Ribot
- pedal steel guitar:
- Greg Leisz
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Through the Morning, Through the Night
- composer:
- Gene Clark
| 3.5 | 4:03 |
| 7 | Please Read the Letter- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- acoustic guitar:
- T‐Bone Burnett and Marc Ribot
- bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- electric guitar:
- Marc Ribot
- fiddle:
- Alison Krauss
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- recording of:
- Please Read the Letter
- composer:
- Charlie Jones , Michael Lee , Jimmy Page and Robert Plant
- version of:
- Please Read the Letter
- recording of:
- Please Read the Letter
- writer:
- Charlie Jones , Michael Lee , Jimmy Page and Robert Plant
| 3 | 5:55 |
| 8 | Trampled Rose- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- keyboard, reed organ [pump organ] and toy piano:
- Patrick Warren
- resonator guitar [dobro]:
- Marc Ribot
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Trampled Rose
- writer:
- Kathleen Brennan and Tom Waits
| 3.5 | 5:34 |
| 9 | Fortune Teller- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- electric guitar:
- T‐Bone Burnett and Marc Ribot
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Fortune Teller
- lyricist and composer:
- Naomi Neville
- publisher:
- EMI United Partnership Ltd.
| 3.5 | 4:32 |
| 10 | Stick With Me Baby- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- electric guitar:
- T‐Bone Burnett and Marc Ribot
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Stick With Me Baby
- composer:
- Mel Tillis
| 3 | 2:51 |
| 11 | Nothin’- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- acoustic guitar:
- Norman Blake and T‐Bone Burnett
- banjo and electric guitar:
- Marc Ribot
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- fiddle:
- Alison Krauss
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Nothin’
- lyricist and composer:
- Townes van Zandt
| 3 | 5:35 |
| 12 | Let Your Loss Be Your Lesson- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- bass [6-string bass]:
- T‐Bone Burnett
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- electric guitar:
- Marc Ribot
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Let Your Loss Be Your Lesson
- composer:
- Milton Campbell
| 3 | 4:02 |
| 13 | Your Long Journey- recording engineer and mixer:
- Mike Piersante
- additional engineer:
- Stacy Parrish and Jason Wormer
- assistant engineer:
- Kyle Ford, Emile Kelman, Vanessa Parr and Alex Pavlides
- editor:
- Jason Wormer
- acoustic guitar:
- Norman Blake
- autoharp:
- Mike Seeger
- banjo:
- Riley Baugus
- double bass:
- Dennis Crouch
- drums (drum set):
- Jay Bellerose
- vocals:
- Alison Krauss and Robert Plant
- recorded at:
- ElectroMagnetic Studio in Los Angeles, California, United States, Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Village Recorder in Los Angeles, California, United States
- mixed at:
- ElectroMagnetic Studio in Los Angeles, California, United States
- cover recording of:
- Your Long Journey
- composer:
- Doc Watson and Rosa Lee Watson
| 2.5 | 3:55 |
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