The Creation

~ Release by Joseph Haydn; Gabrieli Consort & Players, Paul McCreesh (see all versions of this release, 1 available)

Annotation

Cast:

Gabriel: Sandrine Piau
Uriel: Mark Padmore
Raphael: Neal Davies
Adam: Peter Harvey
Eve: Miah Persson

Chetham's Chamber Choir

Gabrieli Consort & Players
Paul McCreesh

Recording: Watford Colosseum 10/2006

The edition used for this performance is based on that of A. Peter Brown (OUP, 1991) with alterations to the verbal text, the solo/tutti divisions and recitatives by Paul McCreesh

For cast and recording data see disc 1.

Annotation last modified on 2010-01-04 20:31 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1The Creation: Part One. The First Day: Introduction. The Representation of Chaos
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: I. Die Vorstellung des Chaos (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn6:19
2The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:11
3The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chetham's Chamber Choir (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:07
4The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:02
5The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: V. Solo mit Chor: Mit staunen sieht das Wunderwerk (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:16
6The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:39
7The Creation: Part One. The Third Day: Aria "Rolling in foaming billows" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VII. Rollend in schäumenden Wellen (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:10
8The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:30
9The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:12
10The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:11
11The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chetham's Chamber Choir (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:10
12The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:40
13The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:06
14The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (in 2006-10)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:08
15The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:31
16The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn8:10
17The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn2:38
18The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:18
19The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn6:53
20The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:24
21The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:27
22The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:38
23The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIII. Rezitativ: Und Gott schuf den Menschen (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:49
24The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:54
25The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXV. Rezitativ: Und Gott sah jedes Ding (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:21
26The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn9:43
▼ CD 2
#TitleArtistRatingLength
1The Creation: Part Three. Accompanied recitative "In rosy mantle now appears" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn4:22
2The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Adam]:
Peter Harvey (bass-baritone) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Eve]:
Miah Persson (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn10:32
3The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Adam]:
Peter Harvey (bass-baritone) (in 2006-10)
soprano vocals [Eve]:
Miah Persson (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn2:16
4The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
bass vocals [Adam]:
Peter Harvey (bass-baritone) (in 2006-10)
soprano vocals [Eve]:
Miah Persson (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn8:03
5The Creation: Part Three. Recitative "O happy pair" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn0:33
6The Creation: Part Three. Chorus "Praise the Lord, uplift your voices"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor) and Jenni Whiteside
choir vocals:
Chetham's Chamber Choir (in 2006-10)
solo contralto vocals:
Ruth Massey
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn3:43

Credits

Release

art direction:Fred Münzmaier
liner notes:David Wyn Jones (musicologist)
Paul McCreesh (conductor)
liner notes translator:Dennis Collins (liner notes translator)
Reinhard Lüthje (classical liner notes translator)
executive producer:Christopher Alder (editor/engineer/producer)
Marita Prohmann
booklet editor:Eva Zöllner (booklet editor)
Discogs:https://www.discogs.com/release/6695607 [info]
ASIN:DE: B000YA536M [info]
discography entry:http://www.deutschegrammophon.com/cat/4777361 [info]
https://www.deutschegrammophon.com/cat/4777361 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002738599 [info]