It’s Time (deluxe)

~ Release by Michael Bublé (see all versions of this release, 15 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Feeling Good
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Rafael Padilla
piano:
Randy Waldman
arranger:
David Foster (Canadian music producer, arranger and composer) and Don Sebesky
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Feeling Good
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Michael Bublé4.353:57
2A Foggy Day (in London Town)
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Dave Tull
guitar:
Brian Green (producer)
percussion:
Rafael Padilla
piano:
Randy Waldman
arranger:
Bill Holman
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Michael Bublé42:32
3You Don’t Know Me
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
piano:
Alan Chang
solo guitar:
Brian Green (producer)
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
You Don’t Know Me
writer:
Eddy Arnold and Cindy Walker (US songwriter, singer and dancer)
publisher:
ソニー・ミュージックパブリッシング A事業部, Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (on 1955-08-19) and Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
Michael Bublé44:14
4Quando, quando, quando
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
flute and saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
guitar:
Heitor Pereira
keyboard:
David Foster (Canadian music producer, arranger and composer)
percussion:
Rafael Padilla
guest lead vocals:
Nelly Furtado
strings arranger:
Jorge Calandrelli
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Quando, quando, quando (English version)
lyricist:
Alberto Testa
composer:
Tony Renis
translator:
Charles Boone and Ervin Drake (Songwriter)
translated version of:
Quando, quando, quando
Michael Bublé duet with Nelly Furtado44:45
5Home
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Rafael Padilla
piano:
David Foster (Canadian music producer, arranger and composer)
solo guitar:
Brian Green (producer)
background vocals:
Debbie Timuss
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
recording of:
Home
writer:
Michael Bublé, Alan Chang and Amy Foster-Gillies
Michael Bublé23:45
6Can’t Buy Me Love
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Robert Hurst (jazz bassist composer)
drums (drum set):
Jeff Hamilton (jazz drummer)
organ:
Jochem van der Saag
percussion:
Rafael Padilla
piano:
Tamir Hendelman
arranger:
John Clayton Jr. and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Can’t Buy Me Love
writer:
John Lennon (The Beatles) (in 1964-01) and Paul McCartney (The Beatles) (in 1964-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC and Unart Music Corp.
written at:
George V Hotel in Paris, Île-de-France, France (from 1964-01 until 1964-02)
Michael Bublé23:15
7The More I See You
recording engineer and mixer:
Al Schmitt
assistant engineer:
Andy Brohard, Wil Donovan (engineer) and Bruce Monical
engineer:
Steve Genewick (task: Pro Tools)
producer:
Tommy LiPuma
alto saxophone:
Keith Fiddmont
baritone saxophone:
Lee Callet
bass guitar:
Christian McBride (American jazz bassist)
bass trombone:
Bill Reichenbach, Jr. (jazz trombonist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Anthony Wilson (guitarist and composer)
piano:
Tamir Hendelman
solo alto saxophone:
Jeff Clayton (saxophonist and flautist)
solo tenor saxophone:
Rickey Woodard
tenor saxophone:
Charles Owens (US jazz & session saxophonist, from Phoenix, born 193)
trombone:
George Bohanon, Ira Nepus and Ryan Porter (jazz trombonist)
trumpet:
Gilbert Castillanos, Sal Cracchiolo, Kye Palmer and Bijon Watson
arranger:
John Clayton Jr.
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
cover recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
Michael Bublé53:48
8Save the Last Dance for Me
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor, Alejandro Rodríguez (engineer based in Los Angeles) and Jorge Vivo (engineer)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
acoustic guitar:
Brandon Jenner
bass guitar and piano:
David Foster (Canadian music producer, arranger and composer)
drums (drum set):
Vinnie Colaiuta (drummer)
electric guitar:
Michael Thompson (session guitarist)
percussion:
Rafael Padilla
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (publisher) (in 1974) and Trio Music (publisher) (in 1974)
Michael Bublé43:39
9Try a Little Tenderness
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
acoustic guitar:
Brian Green (producer)
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
electric guitar:
Dean Parks (American session guitarist)
piano:
Randy Waldman
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Michael Bublé4:06
10How Sweet It Is
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
David Foster (Canadian music producer, arranger and composer)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Dean Parks (American session guitarist)
harmonica and organ:
Jochem van der Saag
piano:
Tamir Hendelman
arranger:
John Clayton Jr.
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Michael Bublé2:59
11Song for You
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guest trumpet:
Chris Botti
guitar:
Michael Thompson (session guitarist)
piano:
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
A Song for You
lyricist and composer:
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Michael Bublé feat. Chris Botti4:43
12I’ve Got You Under My Skin
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Frank Capp
guitar:
John Chiodini
piano:
Randy Waldman
arranger:
Nelson Riddle
orchestrator:
Sammy Nestico
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Michael Bublé43:40
13You and I
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Dave Tull
piano:
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer) and Jeremy Lubbock
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
You and I
lyricist and composer:
Stevie Wonder
publisher:
Arabella Éditions Musicales SARL, Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
sub-publisher:
大洋音楽
Michael Bublé3:56
14Dream a Little Dream
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Michael Bublé3:09
15Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Michael Bublé13:21
16I’m Beginning to See the Light
cover recording of:
I’m Beginning to See the Light
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Michael Bublé2:50
17Softly as I Leave You
cover recording of:
Softly, as I Leave You
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music (publisher)
translated version of:
Piano
Michael Bublé3:47