Yardbird Suite

~ Release by Frank Morgan Quartet (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Yardbird Suite
recording engineer:
Danny Kopelson (from 1988-01-10 until 1988-01-11)
producer:
Orrin Keepnews
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1988-01-10 until 1988-01-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-01-10 until 1988-01-11)
drums (drum set):
Al Foster (from 1988-01-10 until 1988-01-11)
piano:
Mulgrew Miller (from 1988-01-10 until 1988-01-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1988-01-10 until 1988-01-11)
recording of:
Yardbird Suite (instrumental version) (in 1988-01)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1946)
7:57
2Night in Tunisia
recording engineer:
Danny Kopelson (from 1988-01-10 until 1988-01-11)
producer:
Orrin Keepnews
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1988-01-10 until 1988-01-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-01-10 until 1988-01-11)
drums (drum set):
Al Foster (from 1988-01-10 until 1988-01-11)
piano:
Mulgrew Miller (from 1988-01-10 until 1988-01-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1988-01-10 until 1988-01-11)
recording of:
Night in Tunisia (instrumental) (in 1988-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
6:25
3Billie’s Bounce
recording engineer:
Danny Kopelson (from 1988-01-10 until 1988-01-11)
producer:
Orrin Keepnews
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1988-01-10 until 1988-01-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-01-10 until 1988-01-11)
drums (drum set):
Al Foster (from 1988-01-10 until 1988-01-11)
piano:
Mulgrew Miller (from 1988-01-10 until 1988-01-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1988-01-10 until 1988-01-11)
recording of:
Billie’s Bounce (in 1988-01)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
7:24
4Star Eyes
recording engineer:
Danny Kopelson (from 1988-01-10 until 1988-01-11)
producer:
Orrin Keepnews
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1988-01-10 until 1988-01-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-01-10 until 1988-01-11)
drums (drum set):
Al Foster (from 1988-01-10 until 1988-01-11)
piano:
Mulgrew Miller (from 1988-01-10 until 1988-01-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1988-01-10 until 1988-01-11)
instrumental recording of:
Star Eyes (in 1988-01)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
7:16
5Scrapple From the Apple
recording engineer:
Danny Kopelson (from 1988-01-10 until 1988-01-11)
producer:
Orrin Keepnews
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1988-01-10 until 1988-01-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-01-10 until 1988-01-11)
drums (drum set):
Al Foster (from 1988-01-10 until 1988-01-11)
piano:
Mulgrew Miller (from 1988-01-10 until 1988-01-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1988-01-10 until 1988-01-11)
recording of:
Scrapple From the Apple (in 1988-01)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
part of:
The Real Book (compilation of jazz standards, Volume I)
6:05
6Skylark
recording engineer:
Danny Kopelson (from 1988-01-10 until 1988-01-11)
producer:
Orrin Keepnews
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1988-01-10 until 1988-01-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-01-10 until 1988-01-11)
drums (drum set):
Al Foster (from 1988-01-10 until 1988-01-11)
piano:
Mulgrew Miller (from 1988-01-10 until 1988-01-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1988-01-10 until 1988-01-11)
instrumental recording of:
Skylark (in 1988-01)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部
6:45
7Cheryl
recording engineer:
Danny Kopelson (from 1988-01-10 until 1988-01-11)
producer:
Orrin Keepnews
alto saxophone:
Frank Morgan (American jazz alto sax) (from 1988-01-10 until 1988-01-11)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-01-10 until 1988-01-11)
drums (drum set):
Al Foster (from 1988-01-10 until 1988-01-11)
piano:
Mulgrew Miller (from 1988-01-10 until 1988-01-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1988-01-10 until 1988-01-11)
recording of:
Cheryl (in 1988-01)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp/BMI (BMI)
7:49

Credits

Release group

Wikidata:Q60787083 [info]