The Very Best of Miles Davis: The Warner Bros Sessions 1985–1991

~ Release by Miles Davis (see all versions of this release, 2 available)

Annotation

The last creative flowering of Miles Davis during the years after he left Colombia where he had been for thirty years up until that point. Notable for a wide range of different styles overlapping in the chronological order of release dates; several film scores, ambitious massed orchestral work harking back to the Gill Evans era, excursions into pop covers, use of contemporary electronic instruments and techniques and inclusion of modern genres such as Hip-Hop and funk and even reggae. Also extremely significant was that, for the one and only time in his life, Miles Davis revisited earlier incarnations of his work and played songs he had long left behind, in stark contrast to his avowed philosophy of ever moving on. This can apparantly be attributed to the fact that he realised that he might not have had long left to go in his life, and found himself recapitulating his earlier work in an effort to sum up his life's contribution to music.
An invaluble contribution to our understanding of the supreme maestro.

Annotation last modified on 2012-08-20 14:09 UTC.

Tracklist

CD 1
#TitleRatingLength
1Tutu
assistant engineer:
Maureen Thompson
engineer:
Eric Calvi and Peter Doell
producer:
Tommy LiPuma and Marcus Miller (jazz musician)
assistant mixer:
Eddie Garcia
mixer:
Bill Schnee
bass guitar, drum machine, guitar and synthesizer and other instruments [all other instruments]:
Marcus Miller (jazz musician)
bongos and drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart)
percussion:
Paulinho da Costa (Brazilian percussionist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
instruments arranger and arranger:
Marcus Miller (jazz musician)
phonographic copyright (℗) by:
Warner Music France (in 2010)
engineered at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States and Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States
recording of:
Tutu
composer:
Marcus Miller (jazz musician)
45:16
2Splatch
assistant engineer:
Maureen Thompson
engineer:
Eric Calvi and Peter Doell
producer:
Tommy LiPuma and Marcus Miller (jazz musician)
assistant mixer:
Eddie Garcia
mixer:
Bill Schnee
additional percussion:
Steve Reid (percussionist for The Rippingtons)
bass guitar, drum machine, guitar and synthesizer and other instruments [all other instruments]:
Marcus Miller (jazz musician)
drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart)
percussion:
Paulinho da Costa (Brazilian percussionist)
solo synthesizer and synthesizer:
Adam Holzman (American keyboardist, composer and producer)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
instruments arranger and arranger:
Marcus Miller (jazz musician)
engineered at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States and Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States
recording of:
Splatch
composer:
Marcus Miller (jazz musician)
4:45
3Catembe5:37
4Mr Pastorius
bass, bass clarinet and electric guitar:
Marcus Miller (jazz musician)
drums (drum set):
Al Foster
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Mr. Pastorius
composer:
Marcus Miller (jazz musician)
5:43
5Amandla5:24
6Mystery
recorded in:
New York, New York, United States (from 1991-01 until 1991-02)
producer:
Easy Mo Bee
mixer:
D’Anthony Johnson
alto saxophone:
Kenny Garrett (from 1991-01 until 1991-02)
keyboard:
Deron Johnson (from 1991-01 until 1991-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1991-01 until 1991-02)
recording of:
Mystery (from 1991-01 until 1991-02)
writer:
Easy Mo Bee
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
53:57
7Chocolate Chip
recorded in:
New York, New York, United States (from 1991-01 until 1991-02)
producer:
Easy Mo Bee
mixer:
D’Anthony Johnson
alto saxophone:
Kenny Garrett (from 1991-01 until 1991-02)
keyboard:
Deron Johnson (from 1991-01 until 1991-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1991-01 until 1991-02)
recording of:
Chocolate Chip (from 1991-01 until 1991-02)
writer:
Easy Mo Bee and Donald Hepburn
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
3.54:39
8Doo Bop Song
recorded in:
New York, New York, United States (from 1991-01 until 1991-02)
producer:
Easy Mo Bee
mixer:
D’Anthony Johnson
alto saxophone:
Kenny Garrett (from 1991-01 until 1991-02)
keyboard:
Deron Johnson (from 1991-01 until 1991-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1991-01 until 1991-02)
vocals:
A.B. Money (from Rappin’ Is Fundamental), Easy Mo Bee and J.R. (rapper Darron Strand of R.I.F.)
samples:
DJ Premier in Deep Concentration by Gang Starr (US hip hop duo, Guru & DJ Premier), La-Di-Da-Di by Doug E. Fresh & M.C. Ricky D (earlier name of hip hop MC Slick Rick), Summer Madness by Kool & the Gang and The Fishing Hole by Marty Maggio
recording of:
The Doo‐Bop Song (from 1991-01 until 1991-02)
writer:
Easy Mo Bee
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
45:02
9Trumpet Cleaning
recording engineer:
Chris Danley
producer:
Rolf de Heer and Michel Legrand
mixer:
Peter D. Smith (engineer)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1990-03)
conductor:
Michel Legrand (in 1990-03)
arranger and orchestrator:
Michel Legrand
recorded at:
Crystal Studios in Hollywood, Los Angeles, California, United States (in 1990-03)
mixed at:
Hendon Studios in Adelaide, South Australia, Australia
3:58
10Siesta / Kitt’s Kiss / Lost in Madrid
synthesizer programming:
Jason Miles (jazz producer/keyboardist)
producer:
Marcus Miller (jazz musician)
mixer:
Ray Bardani
acoustic guitar:
John Scofield (US guitarist/composer)
instruments:
Marcus Miller (jazz musician)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States and Sigma Sound Studios (New York) in New York, New York, United States
mixed at:
Minot Sound Studio in White Plains, New York, United States
instrumental recording of:
Kitt’s Kiss
composer:
Marcus Miller (jazz musician)
instrumental recording of:
Lost in Madrid, Part 2
composer:
Marcus Miller (jazz musician)
instrumental recording of:
Siesta
composer:
Marcus Miller (jazz musician)
46:56
11Pan Piper
1:42
12Summertime
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1991-07-08)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:56
13In a Silent Way
live cover recording of:
In a Silent Way (on 1988-12-17)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
1:47
14Time After Time
live cover recording of:
Time After Time (on 1989-06-05)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
instrumental cover recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
10:00
15Hannibal
7:23

Credits