Jazz Moods: Hot

~ Release by George Benson (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1White Rabbit
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Airto Moreira (percussionist) (in 1971-11)
percussion and vibraphone and vibraphone [vibes]:
Phil Kraus (in 1971-11)
piccolo and solo flute:
Hubert Laws (in 1971-11)
solo trumpet:
John Frosk (in 1971-11)
trumpet:
Al Rubin (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
conductor:
Don Sebesky (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (in 1971-11)
instrumental cover recording of:
White Rabbit (in 1971-11)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
46:56
2Body Talk
engineer:
Rudy van Gelder (on 1973-07-17)
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1973-07-17)
drums (drum set):
Jack DeJohnette (on 1973-07-17)
electric bass guitar:
Gary King (jazz bassist, arranger and songwriter) (on 1973-07-17)
electric piano:
Harold Mabern (American jazz pianist) (on 1973-07-17)
guitar:
George Benson (jazz guitarist/singer) (on 1973-07-17) and Earl Klugh (on 1973-07-17)
percussion:
Mobutu (percussionist) (on 1973-07-17)
tenor saxophone:
Frank Foster (saxophonist) (on 1973-07-17)
trombone:
Gerald Chamberlain (trombonist) (on 1973-07-17) and Dick Griffin (on 1973-07-17)
trumpet:
Jon Faddis (on 1973-07-17), John Gatchell (on 1973-07-17) and Waymon Reed (on 1973-07-17)
conductor:
Pee Wee Ellis (on 1973-07-17)
arranger:
Pee Wee Ellis
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1973-07-17)
recording of:
Body Talk (on 1973-07-17)
composer:
George Benson (jazz guitarist/singer)
48:20
3Take Five
engineer:
Rudy van Gelder (on 1974-05-29)
bass:
Ron Carter (US jazz double-bassist) (on 1974-05-29)
drums (drum set):
Steve Gadd (drummer) (on 1974-05-29)
guitar:
George Benson (jazz guitarist/singer) (on 1974-05-29) and Phil Upchurch (on 1974-05-29)
piano:
Kenny Barron (on 1974-05-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1974-05-29)
later releases:
Take Five by George Benson (jazz guitarist/singer)
cover recording of:
Take Five (original instrumental version) (on 1974-05-29)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
47:06
4Old Devil Moon
recording of:
Old Devil Moon (from “Finian’s Rainbow”)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
9:24
5Theme From Good King Bad
alto saxophone:
David Sanborn (on 1975-12-04)
baritone saxophone:
Ronnie Cuber (on 1975-12-04)
cello:
Charles McCracken (cellist) (on 1975-12-04) and Alan Shulman (cellist and composer) (on 1975-12-04)
clavinet and keyboard:
Don Grolnick (on 1975-12-04)
drums (drum set):
Andy Newmark (on 1975-12-04)
flute:
Joe Farrell (on 1975-12-04)
guitar:
George Benson (jazz guitarist/singer) (on 1975-12-04) and Eric Gale (on 1975-12-04)
keyboard:
Bobby Lyle (on 1975-12-04)
percussion:
Sue Evans (on 1975-12-04)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer) (on 1975-12-04) and Frank Vicari (on 1975-12-04)
trombone:
Fred Wesley (on 1975-12-04)
trumpet:
Randy Brecker (on 1975-12-04)
vibraphone:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (on 1975-12-04)
viola:
Harold Coletta (on 1975-12-04) and Theodore Israel (on 1975-12-04)
violin:
Max Ellen (on 1975-12-04), Paul Gershman (on 1975-12-04), Harry Glickman (on 1975-12-04), Emanuel Green (on 1975-12-04), Harold Kohon (on 1975-12-04), David Nadien (on 1975-12-04), John Pintavalle (on 1975-12-04) and Max Pollikoff (on 1975-12-04)
5:57
6California Dreamin'
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn and trumpet:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Phil Kraus (in 1971-11) and Airto Moreira (percussionist) (in 1971-11)
piccolo:
Hubert Laws (in 1971-11)
vibraphone:
Phil Kraus (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (in 1971-11)
instrumental cover recording of:
California Dreamin’ (in 1971-11)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
47:19
7Take the "A" Train
engineer:
Rudy van Gelder (on 1974-05-30)
bass and guitar:
Phil Upchurch (on 1974-05-30)
double bass:
Ron Carter (US jazz double-bassist) (on 1974-05-30)
drums (drum set):
Steve Gadd (drummer) (on 1974-05-30)
guitar:
George Benson (jazz guitarist/singer) (on 1974-05-30)
piano:
Kenny Barron (on 1974-05-30)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1974-05-30)
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1974-05-30)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
4:14
8So What?
engineer:
Rudy van Gelder (on 1971-02-02)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist)
drums (drum set):
Jack DeJohnette
guitar:
George Benson (jazz guitarist/singer)
organ:
Clarence Palmer
percussion:
Michael Cameron and Albert Nicholson (percussionist/drummer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1971-02-02)
cover recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
9:17
9Clockwise
recorded in:
New York, New York, United States (on 1966-02-09)
baritone saxophone:
Ronnie Cuber (on 1966-02-09)
drums (drum set):
Jimmy Lovelace (on 1966-02-09)
guitar:
George Benson (jazz guitarist/singer) (on 1966-02-09)
organ:
Dr. Lonnie Smith (on 1966-02-09)
recording of:
Clockwise (on 1966-02-09)
composer:
George Benson (jazz guitarist/singer)
4:26
10Hold on I'm Coming
5:43