| # | Title | Rating | Length |
|---|
| 1 | Ready to Run | 4.5 | 3:52 |
| 2 | Cowboy Take Me Away | 5 | 4:48 |
| 3 | Goodbye Earl | 5 | 4:20 |
| 4 | Some Days You Gotta Dance | 4 | 2:29 |
| 5 | Heartbreak Town | 3 | 3:54 |
| 6 | Sin Wagon | 4.65 | 3:38 |
| 7 | Without You- recording engineer:
- Billy Sherrill
- producer:
- Blake Chancey and Paul Worley
- acoustic guitar:
- Adam Steinberg
- cello:
- John Catchings and Bob Mason
- viola:
- Monisa Angell, Jim Grosjean, Kris Wilkinson and Gary Vanosdale
- violin:
- David Angell , Janet Askey, Catharine Umstead, David Davidson , Conni Ellisor, Carl Gorodetzky, Lee Larrison, Martie Seidel, Mary-Kathryn Vanosdale, Cate Myer , Pamela Sixfin, Alan Umstead and Karen Winkelmann
- conductor:
- Dennis Burnside
- orchestrator:
- Dennis Burnside
- recording of:
- Without You (in 1999)
- writer:
- Natalie Maines and Eric Silver
| 5 | 3:32 |
| 8 | Let Him Fly | 4 | 3:09 |
| 9 | Wide Open Spaces- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- Wide Open Spaces (from 1997-03 until 1997-08)
- lyricist and composer:
- Susan Gibson
- publisher:
- Pie-Eyed Music (in 1997)
| 5 | 3:46 |
| 10 | There’s Your Trouble- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- There’s Your Trouble (from 1997-03 until 1997-08)
- writer:
- Mark Selby and Tia Sillers
| 4.65 | 3:13 |
| 11 | You Were Mine- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- You Were Mine (from 1997-03 until 1997-08)
- writer:
- Emily Erwin and Martie Seidel
| 3 | 3:39 |
| 12 | I Can Love You Better- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1997)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- I Can Love You Better (from 1997-03 until 1997-08)
- writer:
- Pamela Brown Hayes and Kostas
- publisher:
- Universal–Songs of PolyGram International, Inc.
| 5 | 3:55 |
| 13 | Tonight the Heartache’s on Me- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- cover recording of:
- Tonight the Heartache's on Me (from 1997-03 until 1997-08)
- writer:
- Bob Morrison (in 1994), Johnny MacRae (in 1994) and Mary W. Francis (in 1994)
| 4 | 3:27 |
| 14 | Give It Up or Let Me Go- assistant recording engineer:
- Tony Castle
- recording engineer:
- Billy Sherrill
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Mark Ralston
- mixer:
- Chuck Ainlay
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Bobby Charles, Jr., Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Tommy Nash, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines and Tony Paoletta
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1997)
- recorded at:
- Westwood Studio
- mixed at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- cover recording of:
- Give It Up (or Let Me Go) (from 1997-03 until 1997-08)
- lyricist and composer:
- Bonnie Raitt
- publisher:
- Kokomo Music
| 4 | 4:58 |
| 15 | I Believe in Love | 5 | 4:13 |
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