Celebration: Live at the Triad

~ Release by Sheila Jordan (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Introductory Remarks
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
0:35
2Hum Drum Blues
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
live recording of:
Hum-Drum Blues (in 2004-11)
composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
3:05
3Mood Indigo
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
live recording of:
Mood Indigo (1930 jazz composition and song) (in 2004-11)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:02
4It’s You or No One
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
live recording of:
It’s You or No One (in 2004-11)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
5:19
5Commentary
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
0:08
6Brother Where Are You
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
live recording of:
Brother Where Are You? (in 2004-11)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) and Norman Curtis
arranger:
Stefan Lievestro (Dutch jazz bassist)
5:37
7Blues Medley for Miles: Blue Skies / All Blues / Freddie Freeloader
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
live medley including a recording of:
All Blues (vocal version, lyrics by Oscar Brown Jr.) (in 2004-11)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
version of:
All Blues
live medley including a recording of:
Blue Skies (in 2004-11)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
live medley including a recording of:
Freddie Freeloader (vocalese version, lyrics by Jon Hendricks) (in 2004-11)
lyricist:
Jon Hendricks
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
version of:
Freddie Freeloader (original Miles Davis instrumental version)
10:10
8The Promise of You
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
4:51
9Commentary
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
0:04
10Astaire/Rogers Medley: Let’s Face the Music & Dance / Cheek to Cheek / I Won’t Dance / I Could Have Danced All Night / Pick Yourself Up
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
live medley including a recording of:
Cheek to Cheek (from “Top Hat”) (in 2004-11)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 2)
part of:
Top Hat (1935 film)
live medley including a recording of:
I Could Have Danced All Night (My Fair Lady) (in 2004-11)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
live medley including a recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 2004-11)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
live medley including a recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (in 2004-11)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
live medley including a recording of:
Pick Yourself Up (from “Swing Time”) (in 2004-11)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
7:23
11Commentary
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
0:09
12Straight Ahead
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
5:10
13Fats Meets Bird Medley: Honeysuckle Rose / Ain’t Misbehavin’ / Scrapple From the Apple
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
recording of:
Scrapple From the Apple (from 2004-11-17 until 2004-11-18)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
part of:
The Real Book (compilation of jazz standards, Volume I)
live medley including a recording of:
Ain’t Misbehavin’ (in 2004-11)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
live medley including a recording of:
Honeysuckle Rose (in 2004-11)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
9:45
14Introducing Jay Clayton
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
0:21
15Birk’s Works
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
live recording of:
Birk's Works (in 2004-11)
composer:
Dizzy Gillespie
6:48
16Sheila’s Blues
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
3:07
17Commentary
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
0:15
18The Crossing
recording engineer:
Jon Rosenberg (engineer) (from 2004-11-17 until 2004-11-18)
producer:
Cameron Brown (US jazz double bassist) and Sheila Jordan
mixer and editor:
Jon Rosenberg (engineer)
bass:
Cameron Brown (US jazz double bassist) (from 2004-11-17 until 2004-11-18)
vocals:
Sheila Jordan (from 2004-11-17 until 2004-11-18)
phonographic copyright (℗) by:
HighNote Records, Inc. (not for release label use!)
recorded at:
The Triad (New York) in New York, New York, United States (from 2004-11-17 until 2004-11-18)
4:42

Credits

Release

photography:Gene Martin (photographer)
executive producer:Joe Fields (American jazz producer)
design:Brad Wrolstad
Discogs:https://www.discogs.com/release/8303326 [info]
ASIN:US: B000A7Q23C [info]