Tracklist

CD 1
#TitleArtistRatingLength
1Overture
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Overture (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626
Henry Purcell3:07
2Act I: Shake the cloud from off your brow (Belinda, Chorus)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:10
3Act I: Ah! Belinda, I am press'd with torment (Dido)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:26
4Act I: Grief increases by concealing (Belinda, Dido, Chorus)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:57
5Act I: Whence could so much virtue spring (Dido, Belinda)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:12
6Act I: Fear no danger to ensue (Belinda, 2nd Woman and Chorus)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:40
7Act I: See, your Royal guest appears (Belinda, Aeneas, Dido)
baritone vocals:
Thomas Hemsley (baritone) (from 1952-03-15 until 1952-03-28)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:17
8Act I: Cupid only throws the dart (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:35
9Act I: If not for mine, for Empire's sake (Aeneas)
baritone vocals:
Thomas Hemsley (baritone) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:24
10Act I: Pursue thy conquest, Love (Belinda)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:49
11Act I: To the hills and the vales (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:15
12Act I: The Triumphing Dance
conductor:
Geraint Jones (conductor, organist / harpsichordist) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:20
13Act II Scene 1: Prelude for the Witches
conductor:
Geraint Jones (conductor, organist / harpsichordist) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:27
14Act II Scene 1: Wayward sisters (Sorceress, 1st Witch)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:35
15Act II Scene 1: Harm's our delight (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:19
16Act II Scene 1: The Queen of Carthage, whom we hate (Sorceress, Chorus)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:48
17Act II Scene 1: Ruin'd ere the set of sun (1st and 2nd Witches, Sorceress, Chorus)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:30
18Act II Scene 1: But, ere we this perform (1st and 2nd Witches)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:15
19Act II Scene 1: In our deep vaulted cell (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:17
20Act II Scene 1: Echo Dance of Furies
conductor:
Geraint Jones (conductor, organist / harpsichordist) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:01
21Act II Scene 2: Ritornelle
conductor:
Geraint Jones (conductor, organist / harpsichordist) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:29
22Act II Scene 2: Thanks to these lonesome vales (Belinda, Chorus)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:44
23Act II Scene 2: Oft she visits this lone mountain (2nd Woman)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:06
24Act II Scene 2: Behold, upon my bended spear (Aeneas, Dido)
baritone vocals:
Thomas Hemsley (baritone) (from 1952-03-15 until 1952-03-28)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:36
25Act II Scene 2: Haste to town (Belinda, Chorus)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:47
26Act II Scene 2: Stay, Prince! and hear great Jove's command (Spirit, Aeneas)
baritone vocals:
Thomas Hemsley (baritone) (from 1952-03-15 until 1952-03-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:43
27Act II Scene 2: Then since our Charm's have sped (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:10
28Act III Scene 1: Prelude - Come away, fellow sailors (Sailor, Chorus)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:45
29Act III Scene 1: The Sailor's Dance
conductor:
Geraint Jones (conductor, organist / harpsichordist) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:43
30Act III Scene 1: See, the flags and streamers curling (Sorceress, 1st and 2nd Witches)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:56
31Act III Scene 1: Our next motion (Sorceress)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:41
32Act III Scene 1: Destruction's our delight (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:35
33Act III Scene 1: The Witches' Dance
conductor:
Geraint Jones (conductor, organist / harpsichordist) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:32
34Act III Scene 2: Your counsel all is urg'd in vain (Dido, Belinda, Aeneas)
baritone vocals:
Thomas Hemsley (baritone) (from 1952-03-15 until 1952-03-28)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:41
35Act III Scene 2: Great minds against themselves conspire (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:13
36Act III Scene 2: Thy hand, Belinda; darkness shades me (Dido)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:07
37Act III Scene 2: When I am laid in earth (Dido)
soprano vocals:
Kirsten Flagstad (soprano) (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:59
38Act III Scene 2: With drooping wings ye cupids come (Chorus)
choir vocals:
The Mermaid Singers (from 1952-03-15 until 1952-03-28)
recorded at:
Abbey Road Studio No. 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1952-03-15 until 1952-03-28)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 1952-03-15 until 1952-03-28)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:36

Credits

Release

ASIN:US: B00004UHU3 [info]