Tracklist

Medium 1
# Title Artist Rating Length
1 Soul Man
Sam & Dave 4 2:39
2 In the Midnight Hour
Wilson Pickett 2 2:32
3 Respect
Aretha Franklin 3.7 2:29
4 I've Been Loving You Too Long (To Stop Now)
Otis Redding 3:14
5 Green Onions
Booker T. & The MG’s 3.5 2:53
6 Sweet Soul Music
Arthur Conley 2:23
7 Tighten Up
Archie Bell & The Drells 3:13
8 On Broadway
The Drifters 3:04
9 Yakety Yak
The Coasters 1:52
10 What'd I Say
Ray Charles 3.5 6:27
11 Just One Look
Doris Troy 2:27
12 Make Me Your Baby
Barbara Lewis 2:32
13 Stand by Me
Ben E. King 4.6 3:01
14 When a Man Loves a Woman
Percy Sledge 5 2:53
15 Shake, Rattle and Roll
Big Joe Turner 3:00

Credits

Medium 1

drums (drum set):
Milt Turner (1959-02-18) (track 10)
Roger Hawkins (1967-02-14) (track 3)
bass guitar:
Tommy Cogbill (1967-02-14) (track 3)
trumpet:
Marcus Belgrave (1959-02-18) (track 10)
cornet:
Melvin Lastie (1967-02-14) (track 3)
membranophone:
Roger Hawkins (1966-02-17) (track 14)
farfisa [farfisa organ]:
Spooner Oldham (1966-02-17) (track 14)
organ:
Spooner Oldham (1967-02-14) (track 3)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (1966-02-17) (track 14)
Jimmy Johnson (Muscle Shoals rhythm section (guitar/producer)) (1967-02-14) (track 3)
bass:
Edgar Willis (bass) (1959-02-18) (track 10)
electric piano:
Ray Charles (soul musician, singer and songwriter) (1959-02-18) (track 10)
double bass:
Albert Lowe Jr. (1966-02-17) (track 14)
piano:
Aretha Franklin (1967-02-14) (track 3)
baritone saxophone:
Willie Bridges (1967-02-14) (track 3)
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (1959-02-18) (track 10)
tenor saxophone:
Charles Chalmers (1967-02-14) (track 3)
King Curtis (saxophonist) (1967-02-14) (track 3)
tenor saxophone [tenor sax]:
David “Fathead” Newman (1959-02-18) (track 10)
arranger:
Ray Charles (soul musician, singer and songwriter) (track 10)
Arif Mardin (track 3)
Tom Dowd (track 3)
background vocals:
The Raelettes (1959-02-18) (track 10)
Carolyn Franklin (1967-02-14) (track 3)
Erma Franklin (1967-02-14) (track 3)
composer:
Archie Bell (of Archie Bell & the Drells) (track 7)
Ray Charles (soul musician, singer and songwriter) (track 10)
Otis Redding (track 3)
conductor:
Tom Dowd (1967-02-14) (track 3)
instruments:
Booker T. & The MG’s (1967) (track 1)
The Mar‐Keys Horns (1967) (track 1)
lead vocals:
Sam Moore (singer) (1967) (track 1)
David Prater (Soul artist) (1967) (track 1)
lyricist:
Ray Charles (soul musician, singer and songwriter) (track 10)
Otis Redding (track 3)
Billy Butler (60-70s R&B singer) (track 7)
producer:
Ahmet Ertegun (track 10)
Marlin Greene ('60s teen artist, writer & engineer) (track 14)
Quin Ivy (track 14)
Jerry Wexler (tracks 3, 10)
publisher:
Mike Stoller (track 13)
recording engineer:
Tom Dowd (track 3)
vocals:
Ray Charles (soul musician, singer and songwriter) (1959-02-18) (track 10)
Ben E. King (1960-10-27) (track 13)
Percy Sledge (1966-02-17) (track 14)
Aretha Franklin (1967-02-14) (track 3)
writer:
Arthur Conley (track 6)
Sam Cooke (track 6)
Steve Cropper (tracks 2, 5)
Al Jackson, Jr. (Booker T & The MGs drummer) (track 5)
Booker T. Jones (track 5)
Ben E. King (track 13)
Jerry Leiber (track 13)
Calvin Lewis (track 14)
Wilson Pickett (track 2)
Otis Redding (track 6)
Lewie Steinberg (track 5)
Mike Stoller (track 13)
Andrew Wright (US keyboardist) (track 14)
Jerry Butler (soul singer) (1965) (track 4)
Otis Redding (1965) (track 4)
Isaac Hayes (1967) (track 1)
David Porter (US soul musician, producer & songwriter) (1967) (track 1)
phonographic copyright by:
H.H.O. Ltd (music licensing) (tracks 13–14)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (1965) (track 2)
Biem (international rights organization representing member societies from 58 countries) (1992) (track 14)
Stemra (Netherlands rights society for composers and music publishers) (1992) (track 14)
Biem (international rights organization representing member societies from 58 countries) (1993) (track 14)
Stemra (Netherlands rights society for composers and music publishers) (1993) (track 14)
publisher:
Carlin Music Corporation (tracks 2, 10)
Cotillion Music Inc. (BMI) (track 2)
EMI Music Publishing (do not use as a release label!) (track 1)
East (US publishing company affiliated with BMI) (track 4)
Hornall Brothers Music Ltd. (limited company) (track 13)
Irving Music (BMI) (track 5)
Irving Music, Inc. (track 2)
Jerry Leiber Music (track 13)
Melodie der Welt (track 13)
Mijac Music (tracks 10, 14)
Progressive Music (track 10)
Time (US publishing entity affiliated with BMI) (track 4)
Trio Music (track 13)
Unichappell Music (track 13)
Warner/Chappell (track 14)
Warner‐Tamerlane Publishing Corp. (publisher; do NOT use as release label) (track 10)
Pronto Music (1966 –) (track 14)
Warner‐Tamerlane Publishing Corp. (publisher; do NOT use as release label) (1966 –) (track 14)
recorded at:
Norala Studio in Sheffield, Alabama, United States (1966-02-17) (track 14)
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (1967-02-14) (track 3)
mash-ups:
Stand By Me by ccc (track 13)
sampled by:
Stand by Me by Timeflies (track 13)
That Girl by Maxi Priest feat. Shaggy (track 5)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5) (track 3)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) (track 10)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) (track 14)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) (track 13)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 126) (track 15)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) (track 2)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) (track 5)
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458) (track 1)
cover recording of:
Respect (1967-02-14) (track 3)
is the basis for:
Gemüsemann (track 5)
That Girl (track 5)
later parody versions:
Lowell Man (track 1)
Mia (track 13)
Old Man (track 1)
later translated versions:
Bleib bei mir (track 13)
Errespetua (track 3)
Heit wirds dauern (track 2)
Pregherò (track 13)
Stand By Me (Spanish) (track 13)
Stand by Me (track 13)
Đến bên em (track 13)
緊靠一起 (track 13)
recording of:
Green Onions (instrumental) (track 5)
Sweet Soul Music (track 6)
Tighten Up (track 7)
What’d I Say (1959-02-18) (track 10)
Stand by Me (Ben E. King) (1960-10-27) (track 13)
When a Man Loves a Woman (1966-02-17) (track 14)
Soul Man (1967) (track 1)
translated version of:
Lawman (執法者) (track 1)

Release

ASIN: US: B000002LV0 [info]