Veronica Top 1000 Allertijden: Editie 2009

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1I Want to Break Free
additional recording engineer and additional engineer:
Mike Beiriger
assistant recording engineer:
Eddie DeLena and Stephan Wissnet
recording engineer and programming:
Reinhold Mack (German rock producer/engineer Reinhold Mack)
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
acoustic guitar, bass guitar and synthesizer:
John Deacon
electric guitar:
John Deacon and Brian May (Queen guitarist)
electronic drum set:
Roger Taylor (Queen drummer)
guest solo synthesizer:
Fred Mandel
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984, in 2011)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
music videos:
I Want to Break Free (music video) by Queen (UK rock group)
recording of:
I Want to Break Free (from 1983-08 until 1984-01)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
part of:
Zoey’s Extraordinary Playlist (2020–21 musical TV show)
Queen4.34:21
2Smooth Criminal
recording engineer and mixer:
Bruce Swedien
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
drums (drum set):
Bill Bottrell, John “JR” Robinson (session drummer) and Bruce Swedien
guitar:
David Williams (session guitarist and songwriter)
piano:
Kevin Maloney
saxophone:
Kim Hutchcroft and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
synclavier:
Christopher Currell (arranger)
synthesizer:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) and Michael Boddicker
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals and lead vocals and lead vocals:
Michael Jackson (“King of Pop”)
wind instruments arranger:
Jerry Hey
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1987)
recording of:
Smooth Criminal
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
cover recording of:
Smooth Criminal
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
Michael Jackson4.554:19
3The Scientist
additional recording engineer and additional producer:
Mark Phythian
recording engineer and engineer:
Ken Nelson (UK record producer)
additional engineer:
Rik Simpson
producer:
Coldplay and Ken Nelson (UK record producer)
mixer:
Coldplay, Ken Nelson (UK record producer) and Mark Phythian
acoustic guitar:
Jonny Buckland and Chris Martin (lead singer of Coldplay)
drums (drum set), percussion and background vocals:
Will Champion
electric bass guitar:
Guy Berryman
electric guitar:
Jonny Buckland
piano and lead vocals:
Chris Martin (lead singer of Coldplay)
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
music videos:
The Scientist by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 172)
recording of:
The Scientist
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.15:11
4Ayo Technology
phonographic copyright (℗) by:
Family Tree Music AB
part of:
MIA Award: Song of the Year (number: 2008)
cover recording of:
Ayo Technology
writer:
Curtis Jackson (50 Cent), Nate Hills (US producer Nate Hills), Justin Timberlake and Timothy Mosley
publisher:
50 Cent Music, 50 Cent Music Publishing, Danjahandz Music, Kobalt Music Copyrights SARL, Tennman Tunes, Universal Music Publishing (use ONLY if no country‐specific information is available), Virginia Beach Music, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) and Zomba Music
Milow3.353:34
5Michel
recording of:
Michel
writer:
Anouk (Dutch rock singer) and Bart van Veen
Anouk4:09
6Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (Engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music and PRI Music, Inc.
Scorpions3.855:13
7Is She Really Going Out With Him? (live)
live recording of:
Is She Really Going Out With Him?
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson4:20
8RockstarNickelback4:17
9Killer
assistant producer:
Mark Tinley
producer:
Adamski
lead vocals:
Seal (English‐born singer and songwriter)
music videos:
Killer (music video) by Seal (English‐born singer and songwriter)
part of:
The Downloader’s Music Source Book (number: 198)
recording of:
Killer (in 1990)
lyricist:
Seal (English‐born singer and songwriter)
writer:
Seal (English‐born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski & Seal3.44:14
10A Good Heart
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
mixer:
Shelly Yakus
arranger:
Feargal Sharkey and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
Virgin Records Ltd. (Virgin Records Limited, not for release label use! for company relationships only) (from 1985 to present)
recording of:
A Good Heart
lyricist and composer:
Maria McKee
Feargal Sharkey3.64:41
11Overcome
recording of:
Overcome
lyricist and composer:
Ed Kowalczyk
Līve4:17
12All Night Long (All Night)
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
Lionel Richie3.44:21
13Save a Prayer
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran5:27
14Don’t You Want Me
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (Virgin Records Limited, not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League44:00
15Thunder in My Heart
engineer:
Howard Steele (US producer, sound engineer)
producer:
Richard Perry (producer)
bass guitar:
Abraham Laboriel
congas:
Lenny Castro
drums (drum set):
Jeff Porcaro
guitar:
Lee Ritenour and Fred Tackett
piano:
Tom Snow (US keyboardist/songwriter)
tambourine:
Bobbye Hall
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
recording of:
Thunder in My Heart
lyricist:
Leo Sayer
composer:
Tom Snow (US keyboardist/songwriter)
Leo Sayer53:34
16Maid of Orleans
engineer:
Howard Gray (UK producer, engineer, and electronic musician) and Brian Tench
producer:
Richard Manwaring (Producer) and Orchestral Manoeuvres in the Dark
phonographic copyright (℗) by:
Dindisc (in 1981) and Dinsong Limited (in 1981)
recording of:
Joan of Arc (Maid of Orleans)
lyricist and composer:
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher) and Dinsong Ltd.
Orchestral Manoeuvres in the Dark2.54:13
17Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (Mercury Records Limited, not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears4.054:13
18Wherever You Will Go
assistant recording engineer:
Tiago Becker and Valente Torres
recording engineer:
Marc Greene (engineer) and David Thoener
producer:
Marc Tanner
mixer:
Chris Lord‐Alge
additional keyboard:
Paul Mirkovich
bass:
Bob Glaub
drums (drum set):
Matt Laug
guitar, mandolin, sampler [loops] and sitar:
Aaron Kamin
percussion:
Aaron Kamin, Matt Laug and Satnam Ramgotra
synthesizer [synth strings]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
tabla:
Satnam Ramgotra
phonographic copyright (℗) by:
BMG Entertainment (in 2001)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Image Recording in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 2002 (number: 5)
recording of:
Wherever You Will Go
writer:
Alex Band (singer‐songwriter and frontman of The Calling) and Aaron Kamin
publisher:
Alex Band Music and BMG Music Publishing, Inc.
The Calling3.953:28
CD 2
#TitleArtistRatingLength
1I’d Do Anything for Love (But I Won’t Do That)
producer:
Jim Steinman
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf35:26
2Private Dancer
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:07
3Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.754:09
4You Do Something to Me
producer:
Brendan Lynch (London producer) and Paul Weller (English singer-songwriter and musician)
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles
drums (drum set):
Steve White (Style Council drummer)
guitar, other instruments [novatron], piano and lead vocals:
Paul Weller (English singer-songwriter and musician)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller43:38
5Sing Our Own Song
producer:
UB40
recording of:
Sing Our Own Song
lyricist and composer:
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue and Terence Wilson (aka Astro of UB40)
UB404:07
6Tinseltown in the Rain
recording of:
Tinseltown in the Rain
writer:
Robert Bell (The Blue Nile) and Paul Buchanan (Scottish alt. pop musician, of Blue Nile)
The Blue Nile4:27
7Parachute
recording of:
Parachute
writer:
Something Happens
Something Happens4:29
8Everybody’s Got to Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:10
9Why Does My Heart Feel So Bad
engineer, producer and mixer:
Moby (electronic musician Richard Melville Hall)
choir vocals and guest choir vocals:
The Shining Light Gospel Choir
music videos:
Why Does My Heart Feel So Bad? (Animated) by Moby (electronic musician Richard Melville Hall)
recording of:
Why Does My Heart Feel So Bad?
lyricist and composer:
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Moby43:45
10Bette Davis’ Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), EMI America Records, Inc. (holding - file NO releases here!) (in 1981), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
11Promised You a Miracle
producer:
Keith Forsey (drummer, producer and songwriter) and Peter Walsh (UK producer)
recording of:
Promised You a Miracle
writer:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) and Michael MacNeil
Simple Minds4:00
12Dancing With Tears in My EyesUltravox3:50
13One Step Beyond
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass guitar:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
phonographic copyright (℗) by:
Virgin Records Ltd. (Virgin Records Limited, not for release label use! for company relationships only) (in 1979)
cover recording of:
One Step Beyond…
lyricist and composer:
Cecil Bustamente Campbell
publisher:
Melodisc Music Ltd.
Madness4.552:21
14I Will Keep My Head Down
recording of:
I Will Keep My Head Down
lyricist and composer:
DINAND
Kane4:30
15Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!) and Finchley Music Corp.
Kim Wilde4.43:27
16This Is Not America
engineer:
Marcellus Frank and David Richards (Swiss-based producer and engineer)
producer:
David Bowie (English singer‐songwriter) and Pat Metheny
mixer:
Bob Clearmountain
analog synthesizer [Oberheim], analog synthesizer [Prophet-5], keyboard [Kurzweil] and marimba:
Lyle Mays (from 1984-09 until 1984-10)
drums (drum set):
Paul Wertico (from 1984-09 until 1984-10)
electric bass guitar:
Steve Rodby (from 1984-09 until 1984-10)
electric guitar, guitar synthesizer [Roland GR-300 guitar synthesizer] and synclavier:
Pat Metheny (from 1984-09 until 1984-10)
background vocals and lead vocals:
David Bowie (English singer‐songwriter) (from 1984-09 until 1984-10)
performer:
Pat Metheny Group (from 1984-09 until 1984-10)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1985)
recorded at:
Mountain Recording Studios (original Montreux location, 1975-2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1984-09 until 1984-10)
recording of:
This Is Not America (from 1984-09 until 1984-10)
lyricist and writer:
David Bowie (English singer‐songwriter)
composer:
Lyle Mays and Pat Metheny
publisher:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
David Bowie & Pat Metheny Group3.653:50
17The Whole of the Moon
recording of:
The Whole of the Moon
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys5:00
18CrazyIcehouse3:26
19Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
keyboard and Moog:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, EMI Records, since 1972) (in 1978), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 26)
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.55:55
CD 3
#TitleArtistRatingLength
1Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:07
21 nacht alleen
recorded in:
Weert, Limburg, Netherlands, Kingdom of the Netherlands (from 1982-11 until 1982-12)
engineer:
Erwin Musper
producer:
Doe Maar
drums (drum set):
René van Collem
guitar:
Jan Hendriks (Guitar, former member Doe Maar)
keyboard:
Ernst Jansz
performer:
Doe Maar
recorded at:
Telstar Studio (Studio of Telstar Records, founded by Johnny Hoes) in Weert, Limburg, Netherlands, Kingdom of the Netherlands (from 1982-11 until 1982-12)
recording of:
1 nacht alleen
lyricist and composer:
Henny Vrienten
Doe Maar3:59
3Some Kind of Wonderful
recording of:
Some Kind of Wonderful
lyricist and composer:
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company and Fermata do Brasil
Grand Funk Railroad3:17
4Hey St. Peter
recording of:
Hey, St. Peter
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan4:23
5Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 314)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019/5/16) and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:39
6Rhythm Is a Dancer
producer:
Benito Benites, John “Virgo” Garrett III and Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
phonographic copyright (℗) by:
Logic Records (Germany)
recording of:
Rhythm Is a Dancer
writer:
Thea Austin, Benito Benites, Butler and John “Virgo” Garrett III
is based on:
Automan
Snap!43:43
7Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc.
Blondie3.52:18
8Dancing in the Street
cover recording of:
Dancing in the Street
writer:
Marvin Gaye, Ivy Jo Hunter and William Stevenson (Motown songwriter)
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
David Bowie & Mick Jagger3:12
9All Together Now
engineer:
Noel Rafferty
additional producer:
Heller & Farley
producer:
Graham McPherson
phonographic copyright (℗) by:
Produce Records (UK label owned by the band The Farm) and Farmsongs Ltd. (in 1990)
recording of:
All Together Now
lyricist:
Peter Hooton
composer:
Steve Grimes (The Farm)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) and Windswept Music (London) Ltd.
The Farm4.25:46
10Sign of the Times
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka "Mixmaster"), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
writer:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons and Lesley Shone
The Belle Stars4.52:54
11Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest saxophone:
Lenny Pickett (saxophone)
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads)
guitar and keyboard:
Jerry Harrison (Talking Heads)
background vocals:
Jerry Harrison (Talking Heads) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
vocals:
David Byrne (Talking Heads)
arranger:
Byrne (Talking Heads), Frantz, Harrison (Talking Heads) and Weymouth
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985) and Sire Records Company (not for release label use!) (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc. and Warner Bros. Music Corp.
Talking Heads4.24:21
12Inside My HeadDi‐rect3:27
13Forever Blue
recording of:
Forever Blue
writer:
Steve Foster (song writer) and Graeham Goble
publisher:
American Ragtime Music, EMI Music Publishing (do not use as a release label!), Stephen Foster Music, Warner Chappell and Words & Music P/L
Little River Band35:05
14Hero
producer:
Chad Kroeger
mixer:
Randy Staub
bass:
Mike Kroeger
drums (drum set):
Matt Cameron (US drummer with Pearl Jam, Soundgarden)
guitar:
Tyler Connolly
vocals:
Chad Kroeger and Josey Scott
performer:
Josey Scott
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2003)
recording of:
Hero (Spider-man)
lyricist and composer:
Chad Kroeger
publisher:
Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Chad Kroeger feat. Josey Scott3.853:21
15Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.653:34
16Oh Pretty Woman
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (Rock Producer/Engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (Rock Producer/Engineer)
alto saxophone and tenor saxophone:
Frank Mead
baritone saxophone:
Nick Payn
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guest guitar:
Albert King (well‐known US blues guitarist & singer)
guest Hammond organ:
Don Airey
guest trumpet:
Raoul D'Olivera
guitar:
Albert King (well‐known US blues guitarist & singer) and Gary Moore (Thin Lizzy, blues guitar)
tenor saxophone:
Nick Pentelow
vocals:
Gary Moore (Thin Lizzy, blues guitar)
horn arranger:
Don Airey and Gary Moore (Thin Lizzy, blues guitar)
cover recording of:
Oh, Pretty Woman
lyricist and composer:
A.C. "Moohah" Williams (WDIA DJ)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Irving Music, Inc.
Gary Moore & Albert King4.54:26
17Listen to the Radio (Atmospherics)
additional engineer:
Johnny Schinas
engineer:
Mike Pela and Dennis Weinreich
producer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
bass:
Pat Davey (bassist)
drums (drum set) and percussion:
Steve Laurie
guitar family:
Paul Harvey (guitarist)
organ, piano, Rhodes piano and synthesizer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
percussion:
Martin Ditcham
saxophone:
Iain Ballamy
trumpet:
Guy Barker
background vocals:
Marsha Hunt
arranger:
Paul Harvey (guitarist) and Tom Robinson (British singer-songwriter, bassist and radio presenter)
recording of:
Atmospherics: Listen to the Radio
writer:
Peter Gabriel (formerly of Genesis) and Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Cliofine Limited and EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher)
Tom Robinson3:45
18Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:55
19SupergirlReamonn3:52
CD 4
#TitleArtistRatingLength
1Age of Reason
recording of:
Age of Reason
writer:
Todd Hunter (Todd Stuart Hunter of Dragon) and Johanna Pigott
publisher:
EMI Songs and J. Albert & Son Pty. Ltd.
John Farnham5:08
2Dancing in the Moonlight
recording of:
Dancing in the Moonlight
lyricist and composer:
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader3:50
3The Way to Your Heart
phonographic copyright (℗) by:
EMI Music Belgium (in 1988)
recording of:
The Way to Your Heart
writer:
Jan Leyers (Belgian singer & songwriter) and Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
publisher:
EMI Music Publishing Belgium and Siren Music
Soulsister3:48
4Isn’t It Time
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
writer:
Jack Conrad and Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. and X‐Ray Music
The Babys4.54:02
5God Is a DJ
programming:
Rollo (Rollo Armstrong of Faithless)
engineer:
Goetz
producer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
mixer:
Goetz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
keyboard:
Sister Bliss
vocals:
Maxi Jazz
publisher:
Champion (UK soul, dance and house music label) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
God Is a DJ
lyricist:
Maxi Jazz
writer:
Jamie Catto, Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
publisher:
BMG Music Publishing Ltd., Champion (UK soul, dance and house music label), Champion Management & Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Faithless3.753:35
6Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British-American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of "Katrina and the Waves")
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of "Katrina and the Waves"), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:59
7Breakfast at Tiffany’s
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America
Deep Blue Something4:19
8Is This Love
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987, in 2008) and EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2008)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:45
9Paid My Dues
recording engineer:
“Young” Dave Scheuer and Thomas R. Yezzi (lead vocals)
miscellaneous support:
Marc Russell (task: production coordinator)
drums (drum set) [drum] programming and additional producer:
Richie Jones
producer:
Ric Wake
assistant mixer:
Jim Annunziato
mixer:
Dan Hetzel and Richie Jones
bass guitar:
Marc Russell
guitar [guitars] and keyboard [keyboards]:
Eric Kupper
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), LaMenga Kafi, Danny Madden and Nicki Richards
arranger:
Richie Jones and Ric Wake
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 2001)
produced for:
W&R Group
recorded at:
Cove City Sound Studios in Glen Cove, New York, United States and Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
mixed at:
Cove City Sound Studios in Glen Cove, New York, United States
music videos:
Paid My Dues by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Paid My Dues (in 2001)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Greg Lawson (US songwriter), LaMenga Kafi and Damon Sharpe
publisher:
Annotation Music, BMG Platinum Songs US, Connotation Music, Damon Sharpe Music, GQ Romeo Music, Locoriya’s Songs, Poho Productions, Universal Music Corp. (USA, affiliated with ASCAP), VMG Notation Copyrights, Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) and WB Music Corp (1929–2019)
Anastacia3.53:23
10Right Between the Eyes
recording of:
Right Between the Eyes
writer:
Andrew Gold and Graham Gouldman
publisher:
Man-Ken Music Ltd., Sluggosongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Island Music Ltd. (in 1989) and St. Anne’s Music Ltd. (in 1989)
Wax4:10
11Livin’ Thing
engineer:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) and Duane Scott
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1976-07)
cello:
Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1976-07)
guitar:
Jeff Lynne (in 1976-07) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
violin:
Mik Kaminski (in 1976-07)
background vocals:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
lead vocals:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
orchestrator:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1976-07) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Livin’ Thing (in 1976-07)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Electric Light Orchestra4.153:34
12Only When You Leave
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet5:02
13Adult Education
recording of:
Adult Education
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
Daryl Hall & John Oates53:57
14Some Like It Hot
recording of:
Some Like It Hot
writer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) and John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music and Tritec Music Ltd. (publisher and copyrights holder)
Powerstation3:45
15China in Your Hand
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4:04
16Silent Lucidity
assistant recording engineer:
Marc Ramaer
recording engineer and mixer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990's-2020's)
producer:
Peter Collins (producer)
assistant mixer:
Dan Harjung
12 string guitar, acoustic guitar and electric guitar:
Chris DeGarmo and Michael Wilton
drums (drum set) and percussion:
Scott Rockenfield
electric bass guitar, fretless bass and background vocals:
Eddie Jackson (US metal bassist for Queensrÿche)
keyboard, lead vocals and whistling:
Geoff Tate
orchestrator:
Michael Kamen (American score composer)
produced for:
Jill Music Ltd.
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
mixed at:
Royal Recorders in Lake Geneva, Wisconsin, United States
recording of:
Silent Lucidity
orchestrator:
Michael Kamen (American score composer)
lyricist and composer:
Chris DeGarmo
Queensrÿche4.55:49
17Tell It to My HeartTaylor Dayne3:40
18Sweet Sixteen
recording of:
Sweet Sixteen
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Music Publishing Ltd. and Rare Blue Music
Billy Idol4:16
19A Thousand Miles
additional recording engineer:
Bill Schnee
recording engineer:
Tal Herzberg and Michael C. Ross (US engineer, active 1980s–present)
engineer:
Tal Herzberg
producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
mixer:
Jack Joseph Puig
piano and lead vocals:
Vanessa Carlton
conductor:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
concertmaster:
Endre Granat (Hungarian violinist)
music videos:
A Thousand Miles by Vanessa Carlton
part of:
Billboard Year-End Hot 100 2002 (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 94)
recording of:
A Thousand Miles
lyricist and composer:
Vanessa Carlton
Vanessa Carlton3.73:56
CD 5
#TitleArtistRatingLength
1Suddenly Last Summer
recording of:
Suddenly Last Summer
lyricist and composer:
Martha Davis (of The Motels)
Motels3:33
2Skandal im Sperrbezirk
engineer:
Armand "Superelch" Volker (from 1981-03-09 until 1981-04-02)
producer:
Michael Busse (from 1981-03-09 until 1981-04-02), Barny Murphy (from 1981-03-09 until 1981-04-02), Günther Sigl (from 1981-03-09 until 1981-04-02), Harald Steinhauer (producer and songwriter) (from 1981-03-09 until 1981-04-02) and Franz Trojan (from 1981-03-09 until 1981-04-02)
mixer:
Armand "Superelch" Volker (in 1981)
drums (drum set):
Franz Trojan (from 1981-03-09 until 1981-04-02)
electric bass guitar and lead vocals:
Günther Sigl (from 1981-03-09 until 1981-04-02)
electronic organ:
Michael Busse (from 1981-03-09 until 1981-04-02)
guitar:
Barny Murphy (from 1981-03-09 until 1981-04-02)
recorded at:
Rainbow Studio (Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1981-03-09 until 1981-04-02)
recording of:
Skandal im Sperrbezirk (from 1981-03-09 until 1981-04-02)
lyricist and composer:
Günther Sigl
Spider Murphy Gang43:38
3Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks44:00
4Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka "Mixmaster")
drums (drum set) [drums]:
A Linn (Linn 9000)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis, Shirley Lewis, Mae McKenna (vocalist) and Suzanne Rhatigan
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Terrace Music (in 1987)
Rick Astley4.453:31
5Duel (Eye to Eye)
recording of:
Duel
lyricist:
Ralf Dörper
composer:
Claudia Brücken, Ralf Dörper, Susanne Freytag and Michael Mertens (German musician & producer)
Propaganda4:44
6Let’s Stick TogetherBryan Ferry3:01
7Black Hole Sun
phonographic copyright (℗) by:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
recording of:
Black Hole Sun
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH and You Make Me Sick I Make Music (in 1994)
Soundgarden44:32
8Just Another DayJon Secada5:26
9Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship)
phonographic copyright (℗) by:
BMG Entertainment (in 1987) and BMG Music (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship44:29
10Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
music videos:
Too Shy by Kajagoogoo
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 9) and VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 27)
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
EMI Songs
Kajagoogoo3.853:42
11Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:29
12Life’s What You Make ItTalk Talk4:00
13My Friend
producer:
Groove Armada
mixer:
Dave Pemberton
vocals:
Celetia Martin
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 2001)
samples:
Got to Learn How to Dance by Fatback Band (previously Fatback Band)
recording of:
My Friend
writer:
Richard Cornwell, Keith Crouch, Bill Curtis (The Fatback Band) and Glenn McKinney
Groove Armada4.255:01
14You’re a Friend of Mine
recording of:
You’re a Friend of Mine
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
arranger:
Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music (publisher as Warner/Chappell Music)
Clarence Clemons & Jackson Browne4:51
15Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer, John Beck (Writer, producer & musician) and John Hughes (guitarist)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:42
16We Close Our Eyes
producer:
Gary Stevenson
phonographic copyright (℗) by:
EMI Records (EMI Records UK, UK label renamed from Virgin EMI Records in 2020)
music videos:
We Close Our Eyes by Go West
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Go West3.23:42
17Children
recording of:
Children
composer:
Roberto Concina
publisher:
Jeity Music
Robert Miles3:54
18Tomorrow People
recording of:
Tomorrow People
lyricist and composer:
Ziggy Marley
Ziggy Marley & The Melody Makers3:29
19She’s So High
cover recording of:
She's So High
writer:
Tal Bachman
Kurt Nilsen4:08