Così fan tutte

~ Release by Mozart; Leontyne Price, Tatiana Troyanos, Judith Raskin, Sherrill Milnes, George Shirley, Ezio Flagello, New Philharmonia Orchestra, Erich Leinsdorf (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Così fan tutte: Overture
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Ouvertura (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:16
2Così fan tutte: Atto I. “La mia Dorabella capace non è” (Trio)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:58
3Così fan tutte: Atto I. “Fuor la spada”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:55
4Così fan tutte: Atto I. “E la fede delle femmine” (Trio)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:25
5Così fan tutte: Atto I. “Una bella serenata” (Trio)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:24
6Così fan tutte: Atto I. “Ah, guarda, sorella” (Duet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:42
7Così fan tutte: Atto I. “Mi par che stamattina”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Mi par che stamattina” (Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:11
8Così fan tutte: Atto I. “Vorrei dir, e cor non ho” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 5 Aria “Vorrei dir e cor non ho” (Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:40
9Così fan tutte: Atto I. “Stelle! Per carita, Signor Alfonso”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:08
10Così fan tutte: Atto I. “Sento, o Dio, che questo piede ”(Quintet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:53
11Così fan tutte: Atto I. “Non piangere, idol mio!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
partial recording of:
Così fan tutte: Atto I. Recitativo “Non piangere, idol mio” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:58
12Così fan tutte: Atto I. “Al fato dan legge quegli occhi vezzosi” (Duet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
partial recording of:
Così fan tutte: Atto I. No. 7 Duettino “Al fato dan legge quegli occhi vezzosi” (Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:25
13Così fan tutte: Atto I. “La commedia e graziosa”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “La commedia è graziosa” (Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:24
14Così fan tutte: Atto I. “Bella vita militar!” (Chorus)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:32
15Così fan tutte: Atto I. “Non v’e più tempo, amici”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Non v’è più tempo, amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:45
16Così fan tutte: Atto I. “Di scrivermi ogni giorno” (Quintet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:54
17Così fan tutte: Atto I. “Dove son?”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:08
18Così fan tutte: Atto I. “Soave sia il vento” (Trio)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:17
19Così fan tutte: Atto I. “Non son cattive comico”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Non son cattivo comico” (Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:06
20Così fan tutte: Atto I. “Che vita maledetta”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:03
21Così fan tutte: Atto I. “Smanie implacabili” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:09
22Così fan tutte: Atto I. “Signora Dorabella, Signora Fiordiligi”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabello, Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:15
23Così fan tutte: Atto I. “In uomini, in soldati” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:42
▼ CD 2
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1Così fan tutte: Atto I. “Che silenzio”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Che silenzio: che aspetto di tristezza” (Don Alfonso, Despina) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:25
2Così fan tutte: Atto I. “Alla bella Despinetta” (Sextet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:41
3Così fan tutte: Atto I. “Che susurro! Che strepito!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Che sussurro! Che strepito” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:47
4Così fan tutte: Atto I. “Come scoglio immoto resta” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:46
5Così fan tutte: Atto I. “Ah, non partite!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Ah non partite” (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:55
6Così fan tutte: Atto I. “Non siate ritrosi occhietti vezzosi” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:42
7Così fan tutte: Atto I. “E voi ridete?” (Trio)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:52
8Così fan tutte: Atto I. “Si puo sapere un poco”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Si può sapere un poco la cagion di quel riso” (Don Alfonso, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart0:52
9Così fan tutte: Atto I. “Un’aura amorosa del nostro tesoro”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:40
10Così fan tutte: Atto I. “Oh, la saria da ridere!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. Recitativo “Oh la saria da ridere” (Don Alfonso, Despina) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:30
11Così fan tutte: Atto I. “Ah, che tutta in un momento” (Finale)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart8:21
12Così fan tutte: Atto I. “Eccovi il medico, signore belle!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart10:56
13Così fan tutte: Atto II. “Andate là”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:25
14Così fan tutte: Atto II. “Una donna a quindici anni” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:37
15Così fan tutte: Atto II. “Sorella, cosa dici?”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Sorella, cosa dici?” (Firodiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:51
16Così fan tutte: Atto II. “Prenderò quel brunettino” (Duet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:55
17Così fan tutte: Atto II. “Ah, correte al giardino”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Ah, correte al giardino” (Don Alfonso, Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:27
18Così fan tutte: Atto II. “Secondate, aurette amiche” (Duet with Chorus)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:01
19Così fan tutte: Atto II. “Il tutto deponete sopra quei tavolini”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Il tutto deponete” … “Cos’è tal mascherata?” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:57
20Così fan tutte: Atto II. “La mano a me date” (Quartet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:32
21Così fan tutte: Atto II. “Oh che bella giornata!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Oh che bella giornata!” … “Passeggiamo anche noi” (Fiordiligi, Ferrando, Dorabella, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:51
22Così fan tutte: Atto II. “Il core vi dono, bell’idolo mio” (Duet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:23
▼ CD 3
#TitleArtistRatingLength
1Così fan tutte: Atto II. “Barbara! Perche fuggi?”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:52
2Così fan tutte: Atto II. “Ah! lo veggio quell’anima bella” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 24. Aria “Ah lo veggio, quell’anima bella” (Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:57
3Così fan tutte: Atto II. “Ei parte… senti… ah no!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:51
4Così fan tutte: Atto II. “Per pietà, ben mio, perdona” (Rondo)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:11
5Così fan tutte: Atto II. “Amico, abbiamo vinto!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:39
6Così fan tutte: Atto II. “Donne mie, la fate a tanti” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:03
7Così fan tutte: Atto II. “In qual fiero contrasto”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:18
8Così fan tutte: Atto II. “Tradito, schernito” (Cavatina)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:08
9Così fan tutte: Atto II. “Bravo! Questa e costanza”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Bravo, questa è costanza” (Don Alfonso, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:24
10Così fan tutte: Atto II. “Ora vedo che siete”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:43
11Così fan tutte: Atto II. “E amore un ladroncello” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 28 Aria “È amore un ladroncello” (Dorabella) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:20
12Così fan tutte: Atto II. “Come tutto congiura a sedurre il mio cor!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:04
13Così fan tutte: Atto II. “Fra gli amplessi, in pochi istanti” (Duet)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:57
14Così fan tutte: Atto II. “Oh, poveretto me!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Ah poveretto me! Cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:51
15Così fan tutte: Atto II. “Tutti accusan le donne” (Aria)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:55
16Così fan tutte: Atto II. “Vittoria, padroncini!”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. Recitativo “Vittoria, padroncini!” (Despina, Ferrando, Don Alfonso, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:35
17Così fan tutte: Atto II. “Fate presto, o cari amici” (Finale)
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:51
18Così fan tutte: Atto II. “Benedetti i doppi coniugi”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:52
19Così fan tutte: Atto II. “Miei signori, tutto e fatto”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:30
20Così fan tutte: Atto II. “Sani e salvi”
recording engineer:
Anthony Salvatore (engineer) (from 1967-08 until 1967-09)
producer:
Richard Mohr (producer) (from 1967-08 until 1967-09)
baritone vocals [Guglielmo]:
Sherrill Milnes (baritone) (from 1967-08 until 1967-09)
bass vocals [Don Alfonso]:
Ezio Flagello (operatic bass / baritone) (from 1967-08 until 1967-09)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
soprano vocals [Despina]:
Judith Raskin (soprano) (from 1967-08 until 1967-09)
soprano vocals [Dorabella]:
Tatiana Troyanos (mezzo-soprano) (from 1967-08 until 1967-09)
soprano vocals [Fiordiligi]:
Leontyne Price (soprano) (from 1967-08 until 1967-09)
tenor vocals [Ferrando]:
George Shirley (tenor) (from 1967-08 until 1967-09)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1967-08 until 1967-09)
conductor:
Erich Leinsdorf (conductor) (from 1967-08 until 1967-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1967-08 until 1967-09)
recording of:
Così fan tutte: Atto II. “Sani e salvi agli amplessi” … “Richiamati da regio contrordine” … “No Signor, non è un notaio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1967-08 until 1967-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart9:50

Credits

Release

harpsichord [continuo]:Valda Aveling (pianist, harpsichordist and clavichordist) (from 1967-08 until 1967-09)
chorus master:John McCarthy (British choral conductor, scholar, composer and arranger) (from 1967-08 until 1967-09)
choir vocals [chorus]:Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1967-08 until 1967-09)
part of:The RCA Victor Opera Series (Release) (number: 6677-2-RG) (order: 16)