Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Annotation last modified on 2014-05-02 23:43 UTC.

Tracklist

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▼ CD 1: Bach: Organ Works
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1Trio Sonata no. 1 in E-flat major, BWV 525: 1. [without tempo indication]
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: I. (Allegro) (in 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach3:06
2Trio Sonata no. 1 in E-flat major, BWV 525: 2. Adagio
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: II. Adagio (in 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach3:51
3Trio Sonata no. 1 in E-flat major, BWV 525: 3. Allegro
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro (in 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach4:06
4Six Chorales of Diverse Kinds, "Schübler Chorales": Wachet auf, ruft uns die Stimme, BWV 645
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1947-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:00
5Six Chorales of Diverse Kinds, "Schübler Chorales": Wo soll ich fliehen hin, oder: Auf meinen lieben Gott, BWV 646
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wo soll ich fliehen hin, BWV 646 (from 1947-08 until 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1748 until 1749)
part of:
Bach-Werke-Verzeichnis (number: BWV 646)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach2:00
6Six Chorales of Diverse Kinds, "Schübler Chorales": Wer nur den lieben Gott lässt walten, BWV 647
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (in 1947-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (from 1947-08 until 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:12
7Six Chorales of Diverse Kinds, "Schübler Chorales": Meine Seele erhebet den Herrn, BWV 648
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (from 1947-08 until 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 648)
is based on:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach1:50
8Six Chorales of Diverse Kinds, "Schübler Chorales": Ach bleib bei uns, Herr Jesu Christ, BWV 649
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (in 1947-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 649)
is based on:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
part of:
Sechs Choräle von verschiedener Art
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (from 1947-08 until 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 649)
is based on:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach2:52
9Six Chorales of Diverse Kinds, "Schübler Chorales": Kommst du nun, Jesu, vom Himmel herunter, BWV 650
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (in 1947-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (from 1947-08 until 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:10
10Partite diverse sopra: Sei gegrüßet, Jesu gütig, BWV 768
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Choral-Partita, BWV 768 "Sei gegrüsset, Jesu gütig" (from 1947-08 until 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: K96) and Bach-Werke-Verzeichnis (number: BWV 768)
Johann Sebastian Bach21:49
11Trio Sonata no. 6 in G major, BWV 530: 1. Vivace
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: I. Vivace (in 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
Johann Sebastian Bach4:08
12Trio Sonata no. 6 in G major, BWV 530: 2. Lento
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: II. Lente (in 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
Johann Sebastian Bach3:46
13Trio Sonata no. 6 in G major, BWV 530: 3. Allegro
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: III. Allegro (in 1947-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
Johann Sebastian Bach4:03
14Toccata and Fugue in D minor, BWV 565
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1947-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
Johann Sebastian Bach9:24
15Fugue in E-flat major, BWV 552
producer:
Erich Thienhaus
pipe organ [Stellwagen-Orgel]:
Helmut Walcha (German organist)
recorded at:
St. Jakobi in Lübeck, Schleswig-Holstein, Germany
recording of:
Präludium und Fuge Es-Dur, BWV 552: II. Fuge (in 1947-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge Es-Dur, BWV 552
Johann Sebastian Bach7:20
▼ CD 2: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
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1Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 1. Aria: Ich will den Kreuzstab gerne tragen
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:38
2Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 2. Recitative: Mein Wandel auf der Welt
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:12
3Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 3. Aria: Endlich, endlich wird mein Joch
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:42
4Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 4. Recitative and Arioso: Ich stehe fertig und bereit
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:56
5Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 5. Chorale: Komm, o Tod, du Schlafes Bruder
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Berlin Motet Choir (in 1951-06)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
6Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 1. Aria: Ich habe genug
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (from 1951-06-20 until 1951-06-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22) and RIAS Kammerorchester (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-06-20 until 1951-06-22)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1951-06-20 until 1951-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:27
7Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 2. Recitative: Ich habe genug. Mein Trost ist nur allein
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:27
8Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 3. Aria: Schlummert ein, ihr matten Augen
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:19
9Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 4. Recitative: Mein Gott, wann kommt das schöne: Nun!
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 5. Aria: Ich freue mich auf meinen Tod
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:57
11Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Sinfonia
organ:
Maria Jung
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:17
12Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 1 (Chorus): Christ iag in Todesbanden
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach5:49
13Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 2 (Chorus: Soprano/Contralto): Den Tod niemand zwingen kunnt
organ:
Maria Jung
alto vocals and soprano vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach4:31
14Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 3 (Chorus: Tenor): Jesus Christus, Gottes Sohn
organ:
Maria Jung
tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (for piano, Rummel) (in 1950-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Walter Rummel
arrangement of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
Johann Sebastian Bach2:21
15Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 4 (Chorus): Es war ein wunderlicher Krieg
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach3:05
16Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 5 (Bass): Hier ist das rechte Osterlamm
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (conductor) (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany (in 1950-08)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach4:21
17Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 6 (Chorus: Soprano/Tenor): So feiern wir das hohe Fest
organ:
Maria Jung
soprano vocals and tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach2:34
18Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 7 (Chorale): Wir essen und wir leben wohl
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:25
▼ CD 3: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
#TitleArtistRatingLength
1Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 1. Sinfonia
oboe:
Karl Steins (oboist)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:10
2Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 2. Chorus: Ich hatte viel Bekümmernis
oboe:
Karl Steins (oboist)
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:51
3Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 3. Aria (Soprano): Seufzer, Tränen
oboe:
Karl Steins (oboist)
soprano vocals:
Gunthild Weber (German soprano)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach4:29
4Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 4. Recitative: Wie hast du dich
tenor vocals:
Helmut Krebs (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach1:43
5Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 5. Aria (Tenor): Bäche von gesalznen Zähren
tenor vocals:
Helmut Krebs (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach6:28
6Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 6. Chorus: Was betrübst du dich
oboe:
Karl Steins (oboist)
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach4:09
7Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 7. Recitative: Ach Jesu, meine Ruh
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach1:45
8Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu
bass vocals:
Hermann Schey (bass-baritone)
soprano vocals:
Gunthild Weber (German soprano)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach4:24
9Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 9. Chorus: Sei nun wieder zufrieden
oboe:
Karl Steins (oboist)
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach6:37
10Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 10. Aria (Tenor): Erfreue dich, Seele
tenor vocals:
Helmut Krebs (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:01
11Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 11. Chorus: Das Lamm
oboe:
Karl Steins (oboist)
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1952-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:28
12Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 1. Chorus: Es erhub sich ein Streit
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach5:02
13Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 2. Recitative: Gottlob! der Drache liegt
bass vocals:
Hermann Schey (bass-baritone)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:11
14Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 3. Aria (Soprano): Gott schickt uns
soprano vocals:
Gunthild Weber (German soprano)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:26
15Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 4. Recitative: Lasst uns das Angesicht
tenor vocals:
Helmut Krebs (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:50
16Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 5. Aria (Tenor): Bleibt ihr Engel
tenor vocals:
Helmut Krebs (tenor)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach7:42
17Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 6. Recitative: Lasst uns das Angesicht
soprano vocals:
Gunthild Weber (German soprano)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:38
18Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 7. Chorus: Lass dein Engel mit mir fahren
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (on 1952-06-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:34
19Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorus: Gott der Herr ist Sonn' und Schild
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (on 1952-06-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:10
20Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Aria (Contralto): Gott ist unsere Sonn'
alto vocals:
Lore Fischer (German contralto)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (on 1952-06-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:37
21Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorale: Nun danket alle Gott
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (on 1952-06-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:20
22Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Recitative: Gott Lob, wir wissen
bass vocals:
Hermann Schey (bass-baritone)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (on 1952-06-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach1:10
23Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Duet (Soprano and Bass): Gott, ach Gott, verlass die Deinen nimmermehr
bass vocals:
Hermann Schey (bass-baritone)
soprano vocals:
Gunthild Weber (German soprano)
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (on 1952-06-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:39
24Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Chorale: Erhalt uns in der Wahrheit
choir vocals:
Berliner Motettenchor
orchestra:
Berliner Philharmoniker
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (on 1952-06-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:45
▼ CD 4: Gregorian Chant
#TitleArtistRatingLength
1Primae vesperae in nativitate Domini nostri Jesu Christi: V. Deus in adiutorum
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]0:58
2Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 1: Rex pacificus - Psalm 109: Dixit Dominus
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:34
3Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 2: Magnificatus es Rex pacificus - Psalm 110: Confitebor tib
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]3:05
4Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 3: Scitote - Psalm 111: Beatus vir
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]3:03
5Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 4: Levate capita - Psalm 112: Laudate, pueri
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:34
6Primae vesperae in nativitate Domini nostri Jesu Christi: Capitulum: Apparuit benignitas
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]0:31
7Primae vesperae in nativitate Domini nostri Jesu Christi: Responsorium breve: Hodie scietis
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:47
8Primae vesperae in nativitate Domini nostri Jesu Christi: Hymnus: Christe Redemptor omnium
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]3:00
9Primae vesperae in nativitate Domini nostri Jesu Christi: V. Crastina die
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]0:34
10Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona: Cum ortus fuerit - Magnificat
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]4:25
11Primae vesperae in nativitate Domini nostri Jesu Christi: V. Kyrie eleison - Pater noster
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:55
12Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Oratio: Oremus: concede
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:23
13Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Benedicamus Domino
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:22
14Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Antiphona BMV: Alma Redemptoris Virginis
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:05
15Primae vesperae in nativitate Domini nostri Jesu Christi: V. Post partum - Oremus: Deus qui salutis - V. Divinum auxilium
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:29
16Prima missa in commemoratione omnium fidelium defunctorum: Introitus: Requiem aeternam
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:21
17Prima missa in commemoratione omnium fidelium defunctorum: Kyrie
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:56
18Prima missa in commemoratione omnium fidelium defunctorum: Oratio: Fidelium Deus omnium
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:20
19Prima missa in commemoratione omnium fidelium defunctorum: Epistola (1 Corinthians 15, 51-57)
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:42
20Prima missa in commemoratione omnium fidelium defunctorum: Graduale: Requiem aeternam
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]4:49
21Prima missa in commemoratione omnium fidelium defunctorum: Tractus: Absolve, Domine
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:27
22Prima missa in commemoratione omnium fidelium defunctorum: Sequentia: Dies irae
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]5:30
23Prima missa in commemoratione omnium fidelium defunctorum: Evangelium (John 5, 25-30)
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:27
24Prima missa in commemoratione omnium fidelium defunctorum: Offertorium: Domine Jesu Christe
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]4:41
25Prima missa in commemoratione omnium fidelium defunctorum: Praefatio Defunctorum
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]3:02
26Prima missa in commemoratione omnium fidelium defunctorum: Sanctus
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]0:55
27Prima missa in commemoratione omnium fidelium defunctorum: Pater noster
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]2:37
28Prima missa in commemoratione omnium fidelium defunctorum: Agnus
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:19
29Prima missa in commemoratione omnium fidelium defunctorum: Communio: Lux aeterna
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:08
30Prima missa in commemoratione omnium fidelium defunctorum: Postcommunio: Animabus quaesumus
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]1:05
31Prima missa in commemoratione omnium fidelium defunctorum: Requiescant in pace
choir vocals:
Chor der Mönche der Benediktiner-Erzabtei St. Martin, Beuron
chorus master:
Pater Maurus Pfaff (chorus master)
[traditional]0:18
▶ CD 5: De La Halle: Dances; Le Jeu De Robin Et De Marion
▶ CD 6: Bach: Brandenburg Concertos
▶ CD 7: Bach: Brandenburg Concertos
▶ CD 8: Gibbons/Morley: Anthems; Madrigals; Fantasies
▶ CD 9: Bach: Passio Secundum Matthaeum
▶ CD 10: Bach: Passio Secundum Matthaeum
▶ CD 11: Bach: Passio Secundum Matthaeum
▶ CD 12: Bach: Cantatas
▶ CD 13: Praetorius / Widmann / Schein: Dances
▶ CD 14: Mouret / Delalande: Symphonies; Fanfares
▶ CD 15: Höfische Konzertmusik des österreichischen Barock
▶ CD 16: Musique de table
▶ CD 17: Vier Orchester-Sinfonien, wq 183
▶ CD 18: Israel in Egypt
▶ CD 19: Israel in Egypt
▶ CD 20: Sonaten für Cembalo
▶ CD 21: Canti amorosi
▶ CD 22: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
▶ CD 23: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
▶ CD 24: Music of the Gothic Era
▶ CD 25: Pièces de Clavecin
▶ CD 26: Die Orchesterwerke
▶ CD 27: Goldberg-Variationen
▶ CD 28: Le quattro stagioni
▶ CD 29: Wassermusik / 3 Konzerte
▶ CD 30: Mass in B minor
▶ CD 31: Mass in B minor
▶ CD 32: Palestrina: Missa Papae Marcelli / Allegri: Misere
▶ CD 33: Piano Concertos nos. 18 & 19
▶ CD 34: Vespro Della Beata Vergine
▶ CD 35: Vespro Della Beata Vergine
▶ CD 36: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
▶ CD 37: Symphonies nos. 5 & 6 "Pastoral"
▶ CD 38: Rebel: Les Élémens / Gluck: Alessandro
▶ CD 39: La Resurrezione
▶ CD 40: La Resurrezione
▶ CD 41: Music for San Rocco
▶ CD 42: Messiah
▶ CD 43: Messiah
▶ CD 44: Lamenti
▶ CD 45: A Flemish Feast / Flemish Renaissance Wind Music
▶ CD 46: Motets
▶ CD 47: Italian Cantatas
▶ CD 48: une symphonie imaginaire
▶ CD 49: il divino boemo
▶ CD 50: Concertos for Two Violins
▶ CD 51: Alcina
▶ CD 52: Alcina
▶ CD 53: Alcina
▶ CD 54: Motetes e himnos para el año litúrgico
▶ CD 55: 2013