Aida

~ Release by Verdi; Bergonzi, Simionato, Vienna Philharmonic Orchestra, Karajan (see all versions of this release, 5 available)

Annotation

Tebaldi, Bergonzi, Simionato, MacNeil, Wiener Philharmonic feat. conductor: Karajan

Annotation last modified on 2005-05-17 17:19 UTC.

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1Aida: Preludio
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Preludio (standard opening to the opera, ~4min)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:54
2Aida: Atto I, Scena I. "Sì: corre voce che l'Etiope ardisca" (Ramfis)
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:39
3Aida: Atto I, Scena I. "Se quel guerrier io fossi! ... Celeste Aida" (Radamès)
producer:
John Culshaw
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi5:03
4Aida: Atto I, Scena I. "Quale insolita gioia" (Amneris)
producer:
John Culshaw
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:56
5Aida: Atto I, Scena I. "Alta cagion v'aduna" (Il re)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:41
6Aida: Atto I, Scena I. "Ritorna vincitor!" (Aida)
producer:
John Culshaw
mezzo-soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:01
7Aida: Atto I, Scena II. "Possente, possente Fthá" (Sacerdotessa)
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
soprano vocals [Una sacerdotessa]:
Eugenia Ratti (soprano)
vocals:
Eugenia Ratti (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:21
8Aida: Atto I, Scena II. "Mortal, diletto ai Numi" (Ramfis)
producer:
John Culshaw
vocals:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:12
9Aida: Atto II, Scena I. "Chi mai fra gl'inni e i plausi" (Schiave)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:14
10Aida: Atto II, Scena I. "Fu la sorte dell'armi a' tuoi funesta" (Amneris)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Giulietta Simionato (mezzo soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:04
11Aida: Atto II, Scena I. "Su! del Nilo al sacro lido" (Coro)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:46
12Aida: Atto II, Scena II. "Gloria all'Egitto" (Popolo)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:40
13Aida: Atto II, Scena II. "Marcia e ballabile" (Grand March & Ballet)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi6:20
14Aida: Atto II, Scena II. "Vieni, o guerriero vindice" (Popolo)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:30
15Aida: Atto II, Scena II. "Salvator della patria, io ti saluto" (Il re)
producer:
John Culshaw
bass vocals [Il re] and bass vocals [Ramfis]:
Fernando Corena (operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:13
16Aida: Atto II, Scena II. "Che veggo! ... Egli? ... Mio padre!" (Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi0:56
17Aida: Atto II, Scena II. "Quest'assisa ch'io vesto vi dica" (Amonasro)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Cornell MacNeil (American baritone) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:05
18Aida: Atto II, Scena II. "Ma tu, Re, tu signore possente" (Amonastro)
producer:
John Culshaw
baritone vocals [Amonasro]:
Cornell MacNeil (American baritone) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:25
▼ CD 2
#TitleArtistRatingLength
1Aida: Atto II, Scena II. "O Re: pei sacri Numi" (Radamès)
producer:
John Culshaw
bass vocals [Il Re]:
Fernando Corena (operatic bass)
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:42
2Aida: Atto II, Scena II. "Gloria all'Egitto" (Il re, popolo)
producer:
John Culshaw
bass vocals [Il re]:
Fernando Corena (operatic bass) (in 1959-09)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:16
3Aida: Atto III. "O tu che sei d'Osiride madre immortale" (Sacerdotesse, Sacerdoti)
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien (in 1959-09)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:21
4Aida: Atto III. "Qui Radamès verrà! ... O patria mia" (Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:14
5Aida: Atto III. "Ciel! mio padre! ... Rivedrai le foreste imbalsamete" (Aida, Amonasro)
producer:
John Culshaw
baritone vocals [Amonasro]:
Cornell MacNeil (American baritone)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:14
6Aida: Atto III. "Pur ti riveggo, mia dolce Aida" (Radamès)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:06
7Aida: Atto III. "Fuggiam gli ardori inospiti" (Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:07
8Aida: Atto III. "Tu!... Amonasro!... tu!... il Re?" (Radamès)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:57
9Aida: Atto IV, Scena I. "L'aborrita rivale a me sfuggia" (Amneris)
producer:
John Culshaw
vocals:
Giulietta Simionato (mezzo soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:59
10Aida: Atto IV, Scena I. "Già i Sacerdoti adunansi" (Amneris)
producer:
John Culshaw
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
vocals:
Giulietta Simionato (mezzo soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:16
11Aida: Atto IV, Scena I. "Ohimè!... morir mi sento!" (Amneris)
producer:
John Culshaw
vocals:
Giulietta Simionato (mezzo soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:23
12Aida: Atto IV, Scena I. "Radamès! Radamès! Radamès! Tu rivelasti" (Ramfis)
producer:
John Culshaw
vocals:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:04
13Aida: Atto IV, Scena II. "La fatal pietra sovra me si chiuse" (Radamès)
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals:
Giulietta Simionato (mezzo soprano)
soprano vocals and soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor) (in 1959-09)
vocals:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959, in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:18
14Aida: Atto IV, Scena II. "Presago il core della tua condanna" (Aida)
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:02
15Aida: Atto IV, Scena II. "O terra, addio" (Aida)
producer:
John Culshaw
choir vocals:
Singverein der Gellschaft der Musikfreunde (in 1959-09)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:12

Credits

Release

part of:The Originals (Decca Records/Philips) (order: 17)
ASIN:UK: B000KLRUKC [info]