Tracklist

CD 1
# Title Artist Rating Length
1 Ave Maria, Op.52 No.6, D. 839
Franz Schubert 5:50
2 Bist du bei mir? BWV 508
Johann Sebastian Bach 2:22
3 Ave verum corpus, K. 618
Wolfgang Amadeus Mozart 3:56
4 Panis Angelicus
César Franck 4:15
5 Wher'er you walk
Georg Friedrich Händel 4:31
6 O sleep, why dost thou leave me
Georg Friedrich Händel 3:25
7 Flößt, mein Heiland, flößt dein Namen, WO, BWV 248
Johann Sebastian Bach 5:27
8 Exultate, jubilate, K. 165
Wolfgang Amadeus Mozart 17:01
9 O divine Redeemer
Charles‐François Gounod 6:07
10 Schlafendes Jesuskind
Hugo Wolf 3:39
11 Ave Maria, meditation based on Bach's First Prelude
Charles‐François Gounod 2:51

Credits

CD 1

composed in:
Leipzig, Sachsen, Germany (1734 – 1735) (track 7)
organ:
John Constable (1971-04) (track 3)
piano:
Dalton Baldwin (track 1)
viola da gamba:
Marçal Cervera (track 2)
harpsichord:
Leonard Hokanson (track 2)
arranger:
Harry van Hoof (track 3)
baritone vocals:
Hermann Prey (track 2)
choir vocals:
London Symphony Chorus (1971-04) (track 3)
composer:
Johann Sebastian Bach (tracks 7, 11)
César Franck (track 4)
Charles‐François Gounod (French composer) (track 9)
Hugo Wolf (track 10)
George Frideric Handel (German‐British baroque composer) (1743) (tracks 5–6)
Wolfgang Amadeus Mozart (classical composer) (1773) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 3)
Franz Schubert (Austrian composer Franz Peter Schubert) (1825) (track 1)
Charles‐François Gounod (French composer) (1853) (track 11)
conductor:
Raymond Leppard (track 8)
Barry Rose (organist / choirmaster) (track 9)
Julius Rudel (track 11)
Christopher Seaman (tracks 4–6, 10)
Sir Colin Davis (1971-04) (track 3)
Eugen Jochum (1973-02) (track 7)
librettist:
William Congreve (tracks 5–6)
lyricist:
St. Thomas Aquinas (track 4)
Eduard Mörike (German Romantic poet, † 1875) (track 10)
Sir Walter Scott (19th-century Scottish author) (track 1)
[anonymous] (Special Purpose Artist) (track 11)
orchestra:
English Chamber Orchestra (tracks 8–9)
London Symphony Orchestra (tracks 4–6, 10)
Utah Symphony (track 11)
Wiener Symphoniker (track 11)
London Symphony Orchestra (1971-04) (track 3)
previously attributed to:
producer:
Vittorio Negri (track 3)
soprano vocals:
Elly Ameling (tracks 1, 8)
Kiri Te Kanawa (tracks 9, 11)
Elly Ameling (1973-02) (track 7)
tenor vocals:
José Carreras (track 11)
Frank Patterson (Irish tenor) (tracks 4–6, 10)
translator:
Adam Storck (track 1)
vocals:
London Symphony Chorus (1971-04) (track 3)
phonographic copyright by:
Philips Classics (See annotation to check it's really this label.) (1970) (track 8)
Philips Classics (See annotation to check it's really this label.) (1972) (track 3)
Philips Classics (See annotation to check it's really this label.) (1973) (tracks 2, 6)
Philips Classics (See annotation to check it's really this label.) (1976) (tracks 4–5, 7, 10)
Philips Classics (See annotation to check it's really this label.) (1977) (track 1)
Philips Classics (See annotation to check it's really this label.) (1984) (tracks 9, 11)
recorded at:
part of:
Köchelverzeichnis (original numbering) (number: 165) (track 8)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 158a) (track 8)
Köchelverzeichnis (original numbering) (number: 618) (track 3)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618) (track 3)
Bach-Werke-Verzeichnis (number: BWV 508) (track 2)
arrangements:
Arie, BWV 508 „Bist Du bei mir“ (arranged for trumpet) (track 2)
Art Thou With Me (translated) (track 2)
Ave Maria (for handbell ensemble) (track 1)
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (track 11)
Ave Maria (for piano, Tilling) (track 1)
Ave Maria (for violin and piano, arr. Wilhelmj) (track 1)
Ave Maria (Ellens dritter Gesang), S. 557d (for solo piano, Liszt, first version) (track 1)
Ave verum corpus (for band, Buehlman) (track 3)
Ave verum corpus de Mozart, S. 461a (for piano solo, Liszt) (track 3)
Ave verum corpus de Mozart, S. 674d (for organ, Liszt) (track 3)
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) (track 2)
Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria" (catch-all for arrangements) (track 1)
Ellens dritter Gesang (Ave Maria), S. 558 Nr. 12 (for solo piano, Liszt, second version) (track 1)
Motet in D major, K. 618: "Ave verum corpus" (catch-all for arrangements) (track 3)
Panis Angelicus (catch-all for arrangements) (track 4)
has revision:
Exsultate, jubilate, K. 158a/165 (Salzburg revision) (track 8)
is based on:
is the basis for:
Ave Maria 2001 (track 1)
Ave María (Pallavicini's text) (track 1)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 3)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 3)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 3)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 3)
雪の夜 (track 11)
later translated versions:
Ave Maria (Italian translation of "Ave Maria" by Bach/Gounod) (track 11)
Ave Maria (Japanese translation of Bach/Gounod's "Ave Maria") (track 11)
later versions:
Ave Maria (Schubert's, in English, from "Fantasia") (track 1)
Ave Maria (Schubert's Ave Maria: Latin "Ave Maria" text sung to the tune of 'Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria"') (track 1)
Heavenly Father (track 1)
O Lord Most Holy (track 4)
orchestrations:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan) (track 11)
Bist du bei mir, BWV 508 (orchestrated by Klemperer) (track 2)
Panis Angelicus (orch. Stokowski) (track 4)
part of:
Semele, HWV 58: Act II (tracks 5–6)
Mörike-Lieder (for voice and piano) (track 10)
parts:
recording of:
Ave Maria (Bach/Gounod) (track 11)
Bist du bei mir, BWV 508 (previously attributed to Bach) (track 2)
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work) (track 1)
Panis Angelicus (track 4)
Ave verum corpus, K. 618 (for chorus, string and organ) (1971-04) (track 3)
referred to in medleys:
Hooked on Bach (track 11)