A Selection from The Penguin Guide to Bargain Compact Discs and Cassettes

~ Release by Ivan March, Edward Greenfield and Robert Layton (see all versions of this release, 1 available)

Annotation

a cut out cd insert is provided

Annotation last modified on 2019-04-13 19:44 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Concerto in D major, P 175: I. Allegro molto
harpsichord:
Raymond Leppard (conductor and harpsichordist)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1970)
recording of:
Concerto in D major, RV 121: I. Allegro molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, RV 121
Antonio Vivaldi2:24
2Horn Concerto no. 4 in E flat major, K. 495: III. Rondo. Allegro vivace
horn:
Alan Civil (British horn player)
orchestra:
Royal Philharmonic Orchestra
conductor:
Rudolf Kempe (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:31
3Symphony no. 5 in E minor, op. 64: III. Allegro moderato
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (in 1990-12)
conductor:
Sian Edwards (English conductor) (in 1990-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1991)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1990-12)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1990-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky6:02
4The Barber of Seville: Act I. Scene 2. “Una voce poco fa”
soprano vocals:
Mirella Freni (soprano)
orchestra:
Glyndebourne Festival Orchestra
conductor:
Vittorio Gui (conductor and composer)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:35
5Symphony no. 5: IV. Adagietto “Sehr langsam”
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-01-11 until 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (from 1990-01-11 until 1990-01-13)
balance engineer:
Mike Clements (engineer) (from 1990-01-11 until 1990-01-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-01-11 until 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1990-01-11 until 1990-01-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:02
6Water Music, Suite no. 1: Menuet-Trio
engineer and editor:
Neville Boyling (engineer)
producer:
Victor Olof
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:09
7Water Music, Suite no. 1: Bourrée
engineer and editor:
Neville Boyling (engineer)
producer:
Victor Olof
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel1:25
8The Marriage of Figaro: Act II. Canzona. “Voi, che sapete”
producer:
Lawrance Collingwood
soprano vocals [Cherubino]:
Risë Stevens (Opera director, actress, mezzo-soprano) (from 1955-07-04 until 1955-07-12)
orchestra:
Glyndebourne Festival Orchestra (from 1955-07-04 until 1955-07-12)
conductor:
Vittorio Gui (conductor and composer) (from 1955-07-04 until 1955-07-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1955-07-04 until 1955-07-12)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1955-07-04 until 1955-07-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:53
9Suite bergamesque: III. Clair de lune
piano:
Daniel Adni (pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy4:46
10Violin Concerto no. 1 in G minor: III. Allegro energico
recording engineer:
Mike Hatch (engineer/editor) (from 1989-06-30 until 1989-07-01)
producer:
Andrew Keener (engineer/editor/producer)
violin:
Tasmin Little (violinist) (from 1989-06-30 until 1989-07-01)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1989-06-30 until 1989-07-01)
conductor:
Vernon Handley (conductor) (from 1989-06-30 until 1989-07-01)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1989-06-30 until 1989-07-01)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico (from 1989-06-30 until 1989-07-01)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:37
11Symphony no. 9 “From the New World”: III. Scherzo “Molto vivace”
recording engineer:
Mr Bear (engineer) (in 1982-01)
producer:
Martin Compton (producer)
orchestra:
London Philharmonic Orchestra (LPO) (in 1982-01)
conductor:
Zdeněk Mácal (conductor) (in 1982-01)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (in 1982-01)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (in 1982-01)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák7:59
12Tosca: Act II. Final Scene. “Vissi d’arte, vissi d’amore”
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:03
13Peer Gynt, Suite no. 1: Morning
producer:
David C. Mottley (Producer)
orchestra:
Bournemouth Symphony Orchestra (in 1973-06)
conductor:
Paavo Berglund (conductor) (in 1973-06)
balance engineer:
Stuart Eltham (engineer) (in 1973-06)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (in 1973-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (in 1973-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:15
14Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices
recording engineer:
Mr Bear (engineer) (in 1983-03)
producer:
Steve C. Smith (engineer/producer)
orchestra:
London Philharmonic Orchestra (LPO) (in 1983-03)
conductor:
Karl Anton Rickenbacher (conductor) (in 1983-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-03)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. Tanz der Lehrbuben (Dance of the Apprentices) (in 1983-03)
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
Richard Wagner2:51
15Pomp & Circumstance Marches, op. 39: no. 4 in G major
recording engineer:
Mr Bear (engineer) (in 1981-02)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO) (in 1981-02)
conductor:
Vernon Handley (conductor) (in 1981-02)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (in 1981-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1981-02)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar4:46

Credits

Release

manufactured in:Austria
Discogs:https://www.discogs.com/release/8255685 [info]