| # | Title | Artist | Rating | Length |
|---|
| 1 | The Boy Is Mine- producer:
- Dallas Austin, Brandy and Rodney Jerkins
- performer:
- Brandy and Monica
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1998) and WEA International, Inc. (in 1998)
- produced for:
- Brand Nu, Inc., Darkchild Entertainment, Inc. and Darp, Inc.
- recording of:
- The Boy Is Mine
- writer:
- Brandy Norwood , LaShawn Daniels , Fred Jerkins, Rodney Jerkins and Japhe Tejeda
- publisher:
- Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc. , Famous Music Publishing, Fred Jerkins Publishing, Henchi Music and Sony/ATV Melody
| Brandy & Monica | 4.25 | 4:57 |
| 2 | My Heart Will Go On- recording engineer:
- Humberto Gatica and David Gleeson
- miscellaneous support:
- Emilie Charlap
- additional drum machine programming:
- Dan Shea
- drum machine programming:
- Walter Afanasieff
- assistant engineer:
- Chris Brooke, Tony Gonzalez , Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson
- audio engineer:
- Dan Shea
- co-producer:
- James Horner
- producer:
- Walter Afanasieff
- mixer:
- Humberto Gatica
- additional keyboard:
- Dan Shea
- bass synthesizer, Hammond organ [Hammond B-3 organ] and keyboard:
- Walter Afanasieff
- fiddle [Irish fiddle]:
- Paul Peabody
- guitar [guitars]:
- Dann Huff
- tin whistle [pennywhistle]:
- Tony Hinnigan
- background vocals:
- Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
- conductor:
- William Ross
- arranger:
- Walter Afanasieff
- orchestrator:
- William Ross
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- music videos:
- My Heart Will Go On (Love Theme From Titanic) by Céline Dion
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 2)
- recording of:
- My Heart Will Go On
- lyricist:
- Will Jennings
- composer:
- James Horner
- publisher:
- Blue Sky Rider Songs, EMI Music Publishing , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Music Corporation , Fox Film Music Corporation , Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, TCF Music Publishing, Inc. , Universal Music Publishing Ltd. , ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
- part of:
- The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
- part of:
- Titanic
| Céline Dion | 4.35 | 4:41 |
| 3 | Iris | Goo Goo Dolls | 4.2 | 4:52 |
| 4 | Ray of Light | Madonna | 4.05 | 5:21 |
| 5 | You’re Still the One | Shania Twain | 3.8 | 3:36 |
| 6 | Everybody (Backstreet’s Back) | Backstreet Boys | 4.15 | 4:49 |
| 7 | Amor ti vieta | Andrea Bocelli | | 1:50 |
| 8 | Wide Open Spaces- assistant recording engineer:
- Chip Matthews and Mike Wruck
- recording engineer:
- Eric Legg
- additional producer:
- Jim Burnett, Mark Capps , Tony Castle , Erik Hellerman, Clarke Schleicher and Ed Simonton
- producer:
- Blake Chancey and Paul Worley
- assistant mixer:
- Christopher Rowe and Shawn Simpson
- mixer:
- John Guess
- editor:
- Jim Burnett, Don Cobb and Carlos Grier
- acoustic guitar:
- Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
- banjo and resonator guitar [dobro]:
- Emily Erwin (from 1997-03 until 1997-08)
- bass:
- Joe Chemay and Michael Rhodes
- congas [conga], shakers [shaker] and tambourine:
- Tom Roady
- drums (drum set) [drums]:
- Greg Morrow
- electric guitar:
- George Marinelli, Billy Joe Walker, Jr. and Paul Worley
- fiddle and mandolin:
- Martie Seidel (from 1997-03 until 1997-08)
- Hammond organ [B-3 organ] and piano:
- Matt Rollings
- steel guitar:
- Lloyd Maines
- lead vocals:
- Natalie Maines (from 1997-03 until 1997-08)
- vocals:
- Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1998)
- recorded at:
- Westwood Studio
- mixed at:
- The Workstation
- edited at:
- Georgetown Masters in Nashville, Tennessee, United States
- additionally produced at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
- recording of:
- Wide Open Spaces (from 1997-03 until 1997-08)
- lyricist and composer:
- Susan Gibson
- publisher:
- Pie-Eyed Music (in 1997)
| Dixie Chicks | 5 | 3:45 |
| 9 | Doo Wop (That Thing) | Lauryn Hill | 3.35 | 4:03 |
| 10 | Torn | Natalie Imbruglia | 4.1 | 4:06 |
| 11 | Save Tonight | Eagle‐Eye Cherry | 4.15 | 4:00 |
| 12 | My Father’s Eyes | Eric Clapton | 3.65 | 5:23 |
| 13 | Anytime- recording engineer:
- Chris Wood
- drum machine programming:
- Anthony Nance
- assistant engineer:
- Mary Ann Souza
- executive producer:
- Bruce Carbone and Herb Trawick
- producer:
- Brian McKnight
- assistant mixer:
- Ed Rasso
- mixer:
- Bassy Bob Brockmann
- background vocals and lead vocals:
- Brian McKnight
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1997)
- recorded at:
- Backroom Studios in Glendale, California, United States
- mixed at:
- Sound on Sound Recording Studios in New York, New York, United States
- samples:
- Outside Your Door by Me’Shell NdegéOcello
- music videos:
- Anytime by Brian McKnight
- recording of:
- Anytime
- lyricist:
- Brian McKnight
- composer:
- Brandon Barnes
- publisher:
- Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. , Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. and Universal–Songs of PolyGram International, Inc.
| Brian McKnight | 4 | 4:33 |
| 14 | Lullaby | Shawn Mullins | | 5:31 |
| 15 | You Were Meant for Me | Sting | | 4:12 |
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