Matthäus-Passion

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt (see all versions of this release, 2 available)

Tracklist

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▼ 12" Vinyl 1
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A1Matthäus-Passion, BWV 244: Teil I: Chorus (1, 2): Kommt, ihr Töchter, helft mir klagen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach57:32
A2Matthäus-Passion, BWV 244: Teil I: Evangelista: Da Jesus die Rede vollendet hatte
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
A3Matthäus-Passion, BWV 244: Teil I: Choral: Herzliebster Jesu, was hast du verbrochen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1970-09)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
A4Matthäus-Passion, BWV 244: Teil I: Evangelista: Da versammleten sich die Hohenpriester
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:29
A5Matthäus-Passion, BWV 244: Teil I: Chorus (1, 2): Ja nicht auf das Fest
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:17
A6Matthäus-Passion, BWV 244: Teil I: Evangelista: Da nun Jesus war zu Bethanien
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:22
A7Matthäus-Passion, BWV 244: Teil I: Chorus (1): Wozu dienet dieser Unrat
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:34
A8Matthäus-Passion, BWV 244: Teil I: Evangelista: Da das Jesus merkte, sprach er zu ihnen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:41
A9Matthäus-Passion, BWV 244: Teil I: Recit (Altus 1): Du lieber Heiland du
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
A10Matthäus-Passion, BWV 244: Teil I: Aria (Altus 1): Buß' und Reu'
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals and countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:19
A11Matthäus-Passion, BWV 244: Teil I: Evangelista: Da ging hin der Zwölfen einer
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:32
A12Matthäus-Passion, BWV 244: Teil I: Aria (Soprano 2): Blute nur, du liebes Herz
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:54
B1Matthäus-Passion, BWV 244: Teil I: Evangelista: Aber am ersten Tage der süßen Brot
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:14
B2Matthäus-Passion, BWV 244: Teil I: Chorus (1): Wo willst du, dass wir dir bereiten
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:26
B3Matthäus-Passion, BWV 244: Teil I: Evangelista: Er sprach: Gehet hin in die Stadt
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach1:39
B4Matthäus-Passion, BWV 244: Teil I: Chorus (1): Herr, bin ich's?
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:12
B5Matthäus-Passion, BWV 244: Teil I: Choral: Ich bin's, ich sollte büßen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:50
B6Matthäus-Passion, BWV 244: Teil I: Evangelista: Er antwortete und sprach
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:18
B7Matthäus-Passion, BWV 244: Teil I: Recit (Soprano 1): Wiewohl mein Herz in Tränen schwimmt
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:27
B8Matthäus-Passion, BWV 244: Teil I: Aria (Soprano 1): Ich will dir mein Herz schenken
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:49
B9Matthäus-Passion, BWV 244: Teil I: Evangelista: Und da sie den Lobgesang gesprochen hatten
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
B10Matthäus-Passion, BWV 244: Teil I: Choral: Erkenne mich, mein Hüter
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:06
B11Matthäus-Passion, BWV 244: Teil I: Evangelista: Petrus aber antwortete
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:09
B12Matthäus-Passion, BWV 244: Teil I: Choral: Ich will hier bei dir stehen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:06
B13Matthäus-Passion, BWV 244: Teil I: Evangelista: Da kam Jesus mit ihnen zu einem Hofe
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:43
B14Matthäus-Passion, BWV 244: Teil I: Recit (Tenore 1, Chorus 2): O Schmerz! (Chorus: Was ist die Ursach)
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:53
B15Matthäus-Passion, BWV 244: Teil I: Aria (Tenore 1, Chorus 2): Ich will bei meinem Jesu wachen (Chorus: So schlafen …)
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals:
Nigel Rogers (tenor) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:16
▼ 12" Vinyl 2
#TitleArtistRatingLength
C1Matthäus-Passion, BWV 244: Teil I: Evangelista: Und ging hin ein wenig
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
C2Matthäus-Passion, BWV 244: Teil I: Recit (Basso 2): Der Heiland fällt vor seinem Vater nieder
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:16
C3Matthäus-Passion, BWV 244: Teil I: Aria (Basso 2): Gerne will ich mich bequemen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals:
Max van Egmond (bass-baritone) (in 1970-09)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:13
C4Matthäus-Passion, BWV 244: Teil I: Evangelista: Und er kam zu seinen Jüngern
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
C5Matthäus-Passion, BWV 244: Teil I: Choral: Was mein Gott will, das g'scheh' allzeit
recorded in:
Wien, Austria (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
C6Matthäus-Passion, BWV 244: Teil I: Evangelista: Und er kam und fand sie aber schlafend
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:42
C7Matthäus-Passion, BWV 244: Teil I: Aria (Soprano 1, Altus 1, Chorus 2): So ist mein Jesus nun gefangen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
countertenor vocals [Altus]:
Tom Sutcliffe (Counter-tenor, Critic) (in 1970-09)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder, Einstudierung [Sopransolo]: Hans Gillesberger and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIa. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach3:54
C8Matthäus-Passion, BWV 244: Teil I: Chorus (1, 2): Sind Blitze, sind Donner in Wolken verschwunden
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach1:11
C9Matthäus-Passion, BWV 244: Teil I: Evangelista: Und siehe, einer aus denen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:36
C10Matthäus-Passion, BWV 244: Teil I: Choral: O Mensch, bewein dein Sünde groß
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:18
D1Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1, Chorus 2): Ach, nun ist mein Jesus hin! (Chorus: Wo ist denn)
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals:
Choir of King’s College, Cambridge (in 1970-09) and Paul Esswood (countertenor) (in 1970-09)
bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:23
D2Matthäus-Passion, BWV 244: Teil II: Evangelista: Die aber Jesum gegriffen hatten
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
D3Matthäus-Passion, BWV 244: Teil II: Choral: Mir hat die Welt trüglich gericht't
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1970-09)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
D4Matthäus-Passion, BWV 244: Teil II: Evangelista: Und wiewohl viele falsche Zeugen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:07
D5Matthäus-Passion, BWV 244: Teil II: Recit (Tenore 2): Mein Jesus schweigt zu falschen Lügen stille
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor II]:
Nigel Rogers (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
D6Matthäus-Passion, BWV 244: Teil II: Aria (Tenore 2): Geduld!
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals and tenor vocals [Tenor II]:
Nigel Rogers (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:31
D7Matthäus-Passion, BWV 244: Teil II: Evangelista: Und der Hohepriester antwortete
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:24
D8Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Er ist des Todes schuldig
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:12
D9Matthäus-Passion, BWV 244: Teil II: Evangelista: Da speieten sie aus
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:15
D10Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Weissage uns, Christe
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:23
D11Matthäus-Passion, BWV 244: Teil II: Choral: Wer hat dich so geschlagen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
▼ 12" Vinyl 3
#TitleArtistRatingLength
E1Matthäus-Passion, BWV 244: Teil II: Evangelista: Petrus aber saß draußen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:54
E2Matthäus-Passion, BWV 244: Teil II: Chorus (2): Wahrlich, du bist auch einer von denen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:12
E3Matthäus-Passion, BWV 244: Teil II: Evangelista: Da hub er an, sich zu verfluchen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:20
E4Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1): Erbarme dich, mein Gott
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals and countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1970-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:16
E5Matthäus-Passion, BWV 244: Teil II: Choral: Bin ich gleich von dir gewichen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1970-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:03
E6Matthäus-Passion, BWV 244: Teil II: Evangelista: Des Morgens aber
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:55
E7Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Was gehet uns das an
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:09
E8Matthäus-Passion, BWV 244: Teil II: Evangelista: Und er warf die Silberlinge
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:41
E9Matthäus-Passion, BWV 244: Teil II: Aria (Basso 2): Gebt mir meinen Jesum wieder
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals:
Max van Egmond (bass-baritone) (in 1970-09)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:04
E10Matthäus-Passion, BWV 244: Teil II: Evangelista: Sie hielten aber einen Rat
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:12
E11Matthäus-Passion, BWV 244: Teil II: Choral: Befiehl du deine Wege
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
F1Matthäus-Passion, BWV 244: Teil II: Evangelista: Auf das Fest aber
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach1:43
F2Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Barrabam!
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:04
F3Matthäus-Passion, BWV 244: Teil II: Evangelista: Pilatus sprach zu ihnen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:12
F4Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Laß ihn kreuzigen!
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVb. "Laß ihn kreuzigen" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:22
F5Matthäus-Passion, BWV 244: Teil II: Choral: Wie wunderbarlich ist doch diese Strafe
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1970-09)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
F6Matthäus-Passion, BWV 244: Teil II: Evangelista: Der Landpfleger sagte
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:14
F7Matthäus-Passion, BWV 244: Teil II: Recit (Soprano 1): Er hat uns allen wohlgetan
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
F8Matthäus-Passion, BWV 244: Teil II: Aria (Soprano 1): Aus Liebe will mein Heiland sterben
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:34
F9Matthäus-Passion, BWV 244: Teil II: Evangelista: Sie schrieen aber noch mehr
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:04
F10Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Laß ihn kreuzigen!
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:20
F11Matthäus-Passion, BWV 244: Teil II: Evangelista: Da aber Pilatus sahe
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:26
F12Matthäus-Passion, BWV 244: Teil II: Chorus (1, 2): Sein Blut komme über uns
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:43
F13Matthäus-Passion, BWV 244: Teil II: Evangelista: Da gab er ihnen Barrabam los
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:21
F14Matthäus-Passion, BWV 244: Teil II: Recit (Altus 2): Erbarm' es Gott
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus II]:
James Bowman (UK countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
F15Matthäus-Passion, BWV 244: Teil II: Aria (Altus 2): Können Tränen meine Wangen
recorded in:
Wien, Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus II]:
James Bowman (UK countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:29
▶ 12" Vinyl 4

Credits

Release

liner notes:Nikolaus Harnoncourt (conductor)
Discogs:https://www.discogs.com/release/2526032 [info]