Loud, Proud & Heavy – The Best of Uriah Heep

~ Release by Uriah Heep (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Gypsy
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4.56:41
2Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc. and Harmony Music Ltd.
33:50
3Wake Up (Set Your Sights)
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Wake Up (Set Your Sights) (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
6:24
4Bird of Prey
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:13
5High Priestess
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1970-10 until 1970-11)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
organ:
Ken Hensley (from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Communications PLC (not for label use, copyright holder) (in 1996) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970-10 until 1970-11)
recording of:
High Priestess (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:43
6Lady in Black
recording engineer and mixer:
Peter Gallen
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
4.654:45
7Love Machine
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Love Machine (in 1971-07)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
33:40
8July Morning
engineer:
Peter Gallen
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
July Morning (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4.6510:32
9Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.55:10
10Tears in My Eyes
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Tears in My Eyes (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
55:03
11The Magician’s Birthday
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
The Magician’s Birthday (from 1972-09 until 1972-10)
writer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
10:19
12The Wizard
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
The Wizard (from 1972-03 until 1972-04)
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.653:00
13Rainbow Demon
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Rainbow Demon (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.54:20
14Easy Livin’
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
live recording of:
Easy Livin’ (on 2003-11-08)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
4.352:37
▼ CD 2
#TitleRatingLength
1Sweet Freedom
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar:
Gary Thain
guitar:
Mick Box and Ken Hensley
keyboard:
Ken Hensley
background vocals:
Ken Hensley and Lee Kerslake
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973), Castle Copyrights Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (from 1973-06 until 1973-07)
recording of:
Sweet Freedom (from 1973-06 until 1973-07)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
36:31
2Stealin’
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar:
Gary Thain
guitar:
Mick Box and Ken Hensley
keyboard:
Ken Hensley
background vocals:
Ken Hensley and Lee Kerslake
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973), Castle Copyrights Ltd. (in 1973) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (from 1973-06 until 1973-07)
recording of:
Stealin’ (from 1973-06 until 1973-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:52
3Return to Fantasy
assistant engineer:
Dave Burns (engineer) and Dave Harris (Recording engineer at Morgan Studios, London)
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar and mellotron:
John Wetton
guitar:
Mick Box and Ken Hensley
keyboard and synthesizer:
Ken Hensley
background vocals:
Ken Hensley, Lee Kerslake and John Wetton
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1975), Castle Copyrights Ltd. (in 1975) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1975)
recording of:
Return to Fantasy (in 1975)
writer:
David Byron and Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
5:51
4Misty Eyes
assistant engineer:
John Gallen
engineer:
Ashley Howe
producer:
Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Misty Eyes (from 1975-12 until 1976-03)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:17
5One Way or Another
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
One Way or Another (from 1975-12 until 1976-03)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:39
6Can’t Keep a Good Band Down
assistant engineer:
John Gallen
engineer:
Ashley Howe
producer:
Uriah Heep (British prog/hard rock)
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1975-12 until 1976-03)
recording of:
Can't Keep a Good Band Down (from 1975-12 until 1976-03)
writer:
Ken Hensley
publisher:
S. Bron Music Co. Ltd.
3:39
7The Hanging Tree
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1976), Bronze Records Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
The Hanging Tree (from 1976-10 until 1976-11)
writer:
Ken Hensley and Jack Williams (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
3:43
8Firefly
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
Firefly (from 1976-10 until 1976-11)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
6:18
9Been Away Too Long
recording of:
Been Away Too Long
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
5:05
10Wise Man
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
Wise Man (from 1976-10 until 1976-11)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
4:41
11Free Me
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free Me (from 1977-07 until 1977-09)
lyricist and composer:
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
23:33
12Illusion
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Illusion (from 1977-07 until 1977-09)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:04
13Free ’n’ Easy
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free ’n’ Easy (from 1977-07 until 1977-09)
writer:
Mick Box and John Lawton
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
43:07
14I’m Alive
recording of:
I'm Alive Again
writer:
Mick Box, Bob Daisley, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne's band)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
I’m Alive
lyricist and composer:
John Lawton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:41
15Woman of the Night
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Woman of the Night (from 1978-04 until 1978-08)
writer:
Mick Box, Lee Kerslake and John Lawton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:04
▼ CD 3
#TitleRatingLength
1Fallen Angel
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Fallen Angel (from 1978-04 until 1978-08)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
4:57
2Been Hurt
recording of:
Been Hurt
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
5:04
3Love or Nothing
recording of:
Love or Nothing
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
2:47
4Come Back to Me
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978), Castle Copyrights Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Come Back to Me (from 1978-04 until 1978-08)
writer:
Ken Hensley and Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), WB Music Corp. (1929–2019) and Umble Tunes Ltd. (in 1978)
54:20
5Think It Over
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Think It Over
writer:
Trevor Bolder (British bassist) and John Sloman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Hit Songs Ltd.
3:35
6Love Stealer
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1980)
cover recording of:
Love Stealer
writer:
Richard Myhill and Phil Wainman
publisher:
Intersong USA, Inc. (publisher), Mysongs Ltd., Sherlock Holmes Music Ltd., Sony/ATV Tunes LLC and Utopia Music Ltd.
3:26
7Feelings
assistant engineer:
Darren Burn (UK child pop singer), Julian Cooper (engineer), David Kemp (engineer) and Nick Rogers (engineer/mixing)
engineer:
John Gallen
executive producer:
Gerry Bron
producer:
John Gallen and Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1980) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (in 1979)
recording of:
Feelings (in 1979)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
5:22
8Too Scared to Run
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Too Scared to Run (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne's band)
publisher:
Dinsdale Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music and Intersong Music Ltd.
3:50
9Running All Night (With the Lion)
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Running All Night (with the Lion) (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Gary Farr, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne's band)
publisher:
Hit Songs Ltd., Intersong Music, Intersong Music Ltd. and Virgin Ear Music
4:24
10Hot Persuasion
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Hot Persuasion (from 1981-10 until 1981-12)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne's band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music, Intersong Music Ltd. and O.A.M. Music Publishing
3:51
11On the Rebound
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
cover recording of:
On the Rebound (from 1981-10 until 1981-12)
lyricist and composer:
Russ Ballard
publisher:
April Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd. and Russell Ballard Ltd
23:14
12That’s the Way That It Is
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
That’s the Way That It Is (from 1981-10 until 1981-12)
lyricist and composer:
Paul Bliss
publisher:
April Music Inc., April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Paul Bliss Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 and ヤマハミュージックEH(CM)
4:09
13Stay on Top
producer:
Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1983)
recording of:
Stay on Top (from 1983-01 until 1983-03)
lyricist and composer:
Tom Jackson (member of Praying Mantis, Zenith)
publisher:
Angus Publications Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Maze Music Inc.
3:38
14Heartache City (live)
live recording of:
Heartache City
writer:
Trevor Bolder (British bassist), Mick Box, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne's band)
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
5:02
15Hold Your Head Up
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
cover recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ
4:32
16Stand Back
keyboard programming:
Steve Piggott
producer and mixer:
Trevor Bolder (British bassist)
mixed at:
Fairview Recording Studio in Willerby, East Riding of Yorkshire, England, United Kingdom
recording of:
Stand Back
writer:
Mick Box and Phil Lanzon
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it) and Leosong Copyright Service Ltd.
3:54
17Different World
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1991)
recording of:
Different World
writer:
Mick Box and Phil Lanzon
publisher:
BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it) and Leosong Copyright Service Ltd.
4:11

Credits

Release

manufactured in:Europe
art direction and design:Auto (UK designer)
liner notes:Joel McIver (British Book Author)
compiler:Joel McIver (British Book Author)
copyrighted (©) by and phonographic copyright (℗) by:Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2007)
Discogs:https://www.discogs.com/release/5698530 [info]
ASIN:UK: B000QRI4G4 [info]