Tracklist

CD 1
# Title Artist Rating Length
1 Adagio for Strings
Samuel Barber 4:16
2 Sarabande: Main Title From Barry Lyndon
Georg Friedrich Händel 2:39
3 The Flower Duet From Lakmé
Léo Delibes 1:25
4 Gymnopédie no. 1
Erik Satie 3:59
5 Liebestraum no. 3 in A flat
Franz Liszt 4:25
6 Where Dreams Are Born
John Williams 4:20
7 O Mio Babbino Caro
Giacomo Puccini 2:15
8 My Heart Will Go On
James Horner 5:00
9 Bereuse
Armas Järnefelt 3:33
10 Méditation
Jules Massenet 4:54
11 Ave Maria
Franz Schubert 2:32
12 Adagio
Joaquín Rodrigo 4:26
13 Polovetsian Dance With Chorus
Alexander Porfiryevich Borodin 2:32
14 Adagio Sostenuto
Ludwig van Beethoven 4:45
15 Andante Festivo
Jean Sibelius 5:17
16 Für Elise
Ludwig van Beethoven 2:43
17 Air
Johann Sebastian Bach 5:23
18 Valse in A flat major, op. 69 no. 1
Frédéric Chopin 4:38
19 Dune
Toto 3:14
20 Braveheart: End Title
James Horner 4:39
CD 2
# Title Artist Rating Length
1 Figlio perduto
Ludwig van Beethoven 3.5 4:37
2 Rachel’s Song
Vangelis 4.65 4:47
3 Dreaming
Robert Schumann 2:52
4 The Beatitudes (Adagio)
Tomaso Giovanni Albinoni 6:06
5 Fu Gui and Jia Zhan (Leben!)
Zhao Jiping 2:50
6 Tennessee
Hans Zimmer 3:38
7 The Time Machine
Russell Garcia 2:28
8 Pie Jesu
Gabriel Fauré 2:48
9 The Swan
Camille Saint‐Saëns 3:17
10 Study no.5 in B minor (Moderato)
Fernando Sor 2:47
11 Tanti anni prima
Astor Piazzolla 5:13
12 Prelude, op.23 no. 4 in D major
Sergei Vasilyevich Rachmaninoff 4:47
13 Romeo and Juliette
Pyotr Ilyich Tchaikovsky 2:49
14 Canon in D major
Johann Pachelbel 4:46
15 Fantasia on “Greensleeves”
Ralph Vaughan Williams 4:26
16 Largo
Johann Sebastian Bach 3:13
17 Edo Lullaby
Minoru Miki 3:38
18 Miserere mei, Deus
Gregorio Allegri 5:07
19 Theme From Schindler’s List
John Williams 4:41
20 Ebben? Ne andrò lontano
Alfredo Catalani 3:35

Credits

CD 1

premiered in:
Helsinki, Uusimaa, Finland (1939-01-01) (track 15)
recorded in:
Kaustinen, Keski-Pohjanmaa, Finland (1993-09) (track 15)
piano:
Rudolf Buchbinder (Austrian classical pianist) (track 16)
Michel Legrand (track 4)
Anne Queffélec (track 5)
Jenő Jandó (1988-01-04 – 1988-01-06) (track 14)
arranger:
Franz Liszt (track 5)
composer:
Léo Delibes (track 3)
George Frideric Handel (German‐British baroque composer) (track 2)
James Horner (tracks 8, 20)
Giacomo Puccini (Italian composer) (track 7)
Franz Schubert (Austrian composer Franz Peter Schubert) (track 11)
John Williams (soundtrack composer & conductor) (track 6)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 17)
Ludwig van Beethoven (1793 – 1795) (track 14)
Ludwig van Beethoven (1808 – 1810) (track 16)
Fryderyk Chopin (composer) (1829 – 1835) (track 18)
Franz Liszt (1850) (track 5)
Erik Satie (French composer) (1888-02 – 1888-04) (track 4)
Jules Massenet (1894) (track 10)
Armas Järnefelt (1904) (track 9)
Samuel Barber (1936) (track 1)
Jean Sibelius (1938) (track 15)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 12)
conductor:
Nic Raine (track 8)
János Rolla (track 17)
Juha Kangas (1993-09) (track 15)
dedicated to:
Sigrid Lindberg (track 9)
engineer:
Endre Radányi (engineer) (1988-01-04 – 1988-01-06) (track 14)
librettist:
Philippe Gille (track 3)
Edmond Gondinet (track 3)
lyricist:
Will Jennings (track 8)
[anonymous] (Special Purpose Artist) (track 11)
orchestra:
Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra) (track 17)
Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra) (1993-09) (track 15)
orchestrator:
producer:
Monika Feszler (track 14)
soprano vocals:
Barbara Bonney (tracks 6, 11)
phonographic copyright by:
TELDEC (imprint featuring just the "TELDEC" wordmark) (1984) (track 17)
publisher:
EMI Music Publishing (do not use as a release label!) (track 8)
Fox Film Music Corporation (BMI) (track 8)
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (track 8)
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (track 8)
Breitkopf & Härtel (1905) (track 9)
recorded at:
Italian Institute of Culture in Budapest, Hungary (1988-01-04 – 1988-01-06) (track 14)
part of:
Sibelius-Werkverzeichnis (number: JS 34b) (track 15)
Kinsky catalogue (Beethoven WoO works) (number: WoO 59) (track 16)
arrangement of:
Adagio for Strings (track 1)
Andante festivo, JS 34a (string quartet) (track 15)
O lieb, so lang du lieben kannst, S. 298/2 (second version) (track 5)
arrangements:
"O mio babbino caro" from Gianni Schicchi (for piano, Mikhashoff) (track 7)
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 17)
Air in D, BWV 1068 (arr. Heimer Sjöblom for organ) (track 17)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 17)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 17)
Air on the G String (for cello and orchestra, arr. Cullen) (track 17)
Ave Maria (The Priests arrangement) (track 11)
Berceuse (Kehtolaulu) (catch-all for arrangements) (track 9)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 12)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 12)
For Aleeza (Beethoven's "Für Elise" • an abridged arrangement) (track 16)
Gianni Schicchi: "O mio babbino caro" (catch-all for arrangements) (track 7)
Gymnopédie Nº 1 (simplified piano arrangement by Hans-Günter Heumann) (track 4)
Kehtolaulu (track 9)
Kehtolaulu (for big band, Halkosalmi) (track 9)
Meditation from Thaïs (catch-all for arrangements) (track 10)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 10)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 10)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 10)
My Heart Will Go On (arr. Adrian Williams for small orchestra) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 17)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 17)
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (track 4)
Solo Amore (track 17)
エリーゼのために (フォーバブルボウズ) (track 16)
instrumental recording of:
is the basis for:
Ave Maria (track 11)
Bach Aire (track 17)
Child of the Night (track 3)
Drifting, Dreaming (track 4)
Liebesträume (german vocals) (track 5)
Night Enchanted (track 3)
Passion Flower (track 16)
Sweetest Love (track 17)
イヴの誘惑 (track 16)
熱情的花朵 (track 16)
later parody versions:
Free Delivery (track 8)
later translated parody versions:
Titanic (track 8)
later translated versions:
Il mio cuore va (Italian translation of 'My Heart Will Go On') (track 8)
私のお父さん (track 7)
later versions:
Trois Gymnopedies (first movement) (Gary Numan version) (track 4)
給愛麗斯 (track 16)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 17)
Gymnopédie no. 1: Lent et douloureux (orchestrated by Lenehan & Kennedy) (track 4)
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy) (track 4)
part of:
A.I. Artificial Intelligence (2001 film score) (track 6)
Gianni Schicchi (track 7)
Thaïs: Acte II (track 10)
Gymnopédies (track 4)
Waltzes, op. 69 (track 18)
Concierto de Aranjuez (movement) (track 12)
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (track 13)
Lakmé: Acte I (track 3)
partial recording of:
Dune (1984 film score) (track 19)
parts:
Big Battle (Dune) (track 19)
Dune (Desert Theme) (track 19)
Final Dream (Dune) (track 19)
First Attack (Dune) (track 19)
Leto’s Theme (Dune) (track 19)
Main Title (Dune) (track 19)
Paul Kills Feyd (Dune) (track 19)
Paul Meets Chani (Dune) (track 19)
Paul Takes the Water of Life (Dune) (track 19)
Prologue (Dune) (track 19)
Prophecy Theme (Dune) (track 19)
Robot Fight (Dune) (track 19)
Take My Hand (Dune) (track 19)
The Box (Dune) (track 19)
Trip to Arrakis (Dune) (track 19)
recording of:
Adagio for Strings (catch-all for arrangements) (track 1)
Ave Maria (Schubert's Ave Maria: Latin "Ave Maria" text sung to the tune of 'Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria"') (track 11)
Berceuse (Kehtolaulu) (for violin and orchestra) (track 9)
End Credits (Braveheart) (track 20)
Where Dreams Are Born (A.I.: Artificial Intelligence) (track 6)
Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio (1988-01-04 – 1988-01-06) (track 14)
Andante festivo, JS 34b (string orchestra and timpani) (1993-09) (track 15)
referred to in medleys:
Hooked on Romance (track 17)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work) (track 11)

CD 2

piano:
Maria João Pires (pianist) (1974-06) (track 16)
piano arranger:
Alfred Cortot (track 16)
arranger:
Ralph Greaves (1934) (tracks 15, 15)
composer:
Gregorio Allegri (track 18)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 16, 16)
Alfredo Catalani (track 20)
Russell Garcia (track 7)
Johann Pachelbel (track 14)
Astor Piazzolla (track 11)
Vangelis (Greek composer of electronic, new age and classical) (track 2)
Hans Zimmer (film score composer) (track 6)
Robert Schumann (German classical composer) (1838) (track 3)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1869) (track 13)
Gabriel Fauré (French composer) (1886 – 1900) (track 8)
Ralph Vaughan Williams (1924 – 1928) (track 15)
John Williams (soundtrack composer & conductor) (1993) (track 19)
conductor:
Andrew Davis (conductor, keyboardist, composer, arranger) (track 15)
Michel Corboz (1974-06) (track 16)
dedicated to:
Милий Алексеевич Балакирев (Mily Alexeyevich Balakirev) (track 13)
engineer:
Philippe Colonna (track 2)
Raine Shine (track 2)
librettist:
Luigi Illica (track 20)
orchestra:
Orquestra Gulbenkian (1974-06) (track 16)
orchestrator:
Astor Piazzolla (track 11)
revised by:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1870) (track 13)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1880) (track 13)
soprano vocals:
Lesley Garrett (track 20)
vocals:
Sarah Brightman (track 1)
Mary Hopkin (track 2)
publisher:
Chester Music Ltd. (track 19)
Universal/MCA Music (music publisher; do not use as release label!) (track 19)
Oxford University Press (1936) (track 15)
sampled by:
My Kingdom by The Future Sound of London (lead vocals) (track 2)
My Kingdom, Part 1 by The Future Sound of London (lead vocals) (track 2)
My Kingdom, Part 2 by The Future Sound of London (lead vocals) (track 2)
My Kingdom, Part 3 by The Future Sound of London (lead vocals) (track 2)
My Kingdom, Part 4 by The Future Sound of London (lead vocals) (track 2)
My Kingdom, Part 5 by The Future Sound of London (lead vocals) (track 2)
part of:
The Tchaikovsky Handbook (number: TH 42) (track 13)
arrangement of:
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 9)
arrangements:
Arioso from Keyboard Concerto no. 5 in F minor, BWV 1056 (for solo piano, Cortot) (track 16)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 14)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 14)
Concerto for Flute in A minor, BWV1056: II. Largo (arrangement of keyboard concerto) (track 16)
Kinderszenen, op. 15: No. 7. Träumerei (for string quartet and piano, arr. Paul Cassidy) (track 3)
Kinderszenen, op. 15: Träumerei (for violin and piano, arr. Catherine) (track 3)
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (track 3)
La Wally: Atto I. "Ebben? Ne andrò lontana" (for cello and orchestra, arr. Cosma) (track 20)
Requiem, op. 48: IV. Pie Jesu (catch-all for arrangements) (track 8)
Requiem, op. 48: Pie Jesu (for saxophone and orchestra, Bauch) (track 8)
Romeo and Juliet, TH 42, ČW 39 (for piano four hands, Nadezhda Purgold) (track 13)
Theme from Schindler's List (for brass band, Smith) (track 19)
is based on:
Greensleeves (track 15)
Lovely Joan (traditional English folk song) (track 15)
Sir John in Love (track 15)
is the basis for:
Adagio (track 14)
Christmas Canon (original version) (track 14)
Happy (track 14)
Il canto del cigno (The Song of the Swan) (track 9)
Lemming 1 (Lemmings, Commodore 64) (track 14)
Lullaby (track 14)
Pachelbel’s Canon (track 14)
Sanctus (track 14)
Sanctus II (track 14)
Simple Joy (track 14)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 18)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 18)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 18)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 18)
later translated versions:
later versions:
Canon in D, Mostly (track 14)
Tanti anni prima (for cello and bayan) (track 11)
orchestrations:
Arioso form Keyboard Concerto no. 5 in F minor, BWV 1056 (Stokowski orchestration) (track 16)
Kinderszenen, op. 15: Träumerei (orchestrated by R. Tilling) (track 3)
Kinderszenen, op. 15: Träumerei (orchestrated by Herbeck) (track 3)
Kinderszenen, op. 15: Träumerei (orchestrated by Josef Strauss) (track 3)
part of:
La Wally: Atto I (track 20)
Pearl Harbor (2001 film soundtrack) (track 6)
10 Preludes, op. 23 (track 12)
Requiem, op. 48 (track 8)
partial recording of:
Romeo and Juliet, TH 42, ČW 39 (1880 version, commonly performed) (track 13)
recording of:
Figlio perduto (track 1)
Kinderszenen, op. 15: Träumerei (for piano) (track 3)
Le Carnaval des animaux: XIII. Le Cygne (catch-all for unknown arrangement) (track 9)
Main Theme (Schindler’s List) (track 19)
Main Title Credits (The Time Machine) (track 7)
Miserere mei, Deus (track 18)
Rachel's Song (track 2)
Tanti anni prima (track 11)
Tennessee (track 6)
Arioso from Keyboard Concerto no. 5 in F minor, BWV 1056 (for solo piano, Cortot) (1974-06) (track 16)
referred to in medleys:
revision of:
Romeo and Juliet (1870, rarely performed) (track 13)

Release

ASIN: CA: B00006HARA [info]