Beauty of the Baroque

~ Release by Danielle de Niese (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#	Title	Artist	Rating	Length
1	Come again: Sweet love doth now invite recording of: The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" composer: John Dowland (composer and lutenist) (in 1597) part of: The First Booke of Songs or Ayres	John Dowland		2:42
2	What if I never speed? recording of: The Third Booke of Songs or Ayres, No. 9: "What if I never speed?" writer and composer: John Dowland (composer and lutenist) (in 1603) part of: The Third Booke of Songs or Ayres	John Dowland		2:31
3	Serse, HWV 40: Act 1, Scene I, 1. Ombra mai fù recording of: Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	Georg Friedrich Händel		2:54
4	Samson, HWV 57: Act 3, Scene III, 3. Let the bright Seraphim recording of: Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman) composer: George Frideric Handel (German‐British baroque composer) librettist: Newburgh Hamilton part of: Samson, HWV 57: Act III	Georg Friedrich Händel		5:34
5	Dido and Aeneas: Act 3. Thy hand, Belinda / When I am laid in earth recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		5:06
6	Acis and Galatea: Act 2. Heart, the seat of soft delight recording of: Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea) composer: George Frideric Handel (German‐British baroque composer) (in 1718) librettist: John Gay (English poet and dramatist) (in 1718) part of: Acis and Galatea, HWV 49: Act II	Georg Friedrich Händel		4:10
7	L'incoronazione di Poppea: Act 3. Pur ti miro recording of: L' Incoronazione di Poppea: Act 3 - Pur ti miro composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) arranger: Corrado Guarino and Gianluigi Trovesi part of: L' Incoronazione di Poppea: Act 3	Claudio Monteverdi		4:34
8	Scherzi musicali: Quel sguardo sdegnosetto recording of: Quel sguardo sdegnosetto, SV 247 composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: Stattkus-Verzeichnis (number: SV 247) part of: Scherzi Musicali (1632) SV 246-251	Claudio Monteverdi		3:01
9	Rodelinda: Act 2, Scene 7. Io t'abbraccio recording of: Rodelinda, regina de' Longobardi, HWV 19: Atto II, no. 46. Duetto "Io t'abbraccio, e piu che morte aspro e forte" (Rodelinda, Bertarido) composer: George Frideric Handel (German‐British baroque composer) (in 1725) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II	Georg Friedrich Händel		6:52
10	The Triumph of Time and Truth, HWV 71: Act 3. Guardian angels, oh, protect me recording of: The Triumph of Time and Truth, HWV 71: Guardian angels (Part III) composer: George Frideric Handel (German‐British baroque composer) part of: The Triumph of Time and Truth, HWV 71	Georg Friedrich Händel		5:59
11	Stabat Mater: I. Stabat Mater recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		3:56
12	Cantata, BWV 202 "Weichet nur, betrübte Schatten": VII. Sich üben im Lieben recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		4:38
13	Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": IX. Schafe können sicher weiden recording of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” premiered in: Weißenfels, Sachsen-Anhalt, Germany (in 1713-02) composed in: Weimar, Thüringen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1713) librettist: Salomon Franck part of: Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”	Johann Sebastian Bach		4:45

Credits

Release

ASIN:	DE: B004M8Y4Y4 [info]

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Release information

Barcode:: 028947822608
Format:: CD
Length:: 56:42

Additional details

Type:: Album
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Decca Classics
478 2260

Release events

Germany
2011-06-06

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External links

DE: B004M8Y4Y4

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Last updated on 2019-12-09 21:00 UTC