Tracklist

CD 1
# Title Artist Rating Length
1 Come again: Sweet love doth now invite John Dowland 2:42
2 What if I never speed? John Dowland 2:31
3 Serse, HWV 40: Act 1, Scene I, 1. Ombra mai fù Georg Friedrich Händel 2:54
4 Samson, HWV 57: Act 3, Scene III, 3. Let the bright Seraphim Georg Friedrich Händel 5:34
5 Dido and Aeneas: Act 3. Thy hand, Belinda / When I am laid in earth Henry Purcell 5:06
6 Acis and Galatea: Act 2. Heart, the seat of soft delight Georg Friedrich Händel 4:10
7 L'incoronazione di Poppea: Act 3. Pur ti miro Claudio Monteverdi 4:34
8 Scherzi musicali: Quel sguardo sdegnosetto Claudio Monteverdi 3:01
9 Rodelinda: Act 2, Scene 7. Io t'abbraccio Georg Friedrich Händel 6:52
10 The Triumph of Time and Truth, HWV 71: Act 3. Guardian angels, oh, protect me Georg Friedrich Händel 5:59
11 Stabat Mater: I. Stabat Mater Giovanni Battista Pergolesi 3:56
12 Cantata, BWV 202 "Weichet nur, betrübte Schatten": VII. Sich üben im Lieben Johann Sebastian Bach 4:38
13 Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": IX. Schafe können sicher weiden Johann Sebastian Bach 4:45

Credits

CD 1

composed in:
Weimar, Thüringen, Germany (track 13)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (1713-02) (track 13)
arranger:
Corrado Guarino (track 7)
Gianluigi Trovesi (track 7)
composer:
George Frideric Handel (German‐British baroque composer) (tracks 4, 10)
Claudio Monteverdi (tracks 7–8)
Giovanni Battista Pergolesi (composer) (track 11)
John Dowland (composer and lutenist) (1597) (track 1)
John Dowland (composer and lutenist) (1603) (track 2)
Henry Purcell (baroque composer) (1689) (track 5)
Johann Sebastian Bach (German Baroque period composer & musician) (1713) (track 13)
George Frideric Handel (German‐British baroque composer) (1718) (track 6)
Johann Sebastian Bach (German Baroque period composer & musician) (1718 – 1723) (track 12)
George Frideric Handel (German‐British baroque composer) (1725) (track 9)
George Frideric Handel (German‐British baroque composer) (1737-12-26 – 1738-01-09) (track 3)
librettist:
Salomon Franck (track 13)
Nahum Tate (track 5)
[anonymous] (Special Purpose Artist) (track 12)
John Gay (English poet and dramatist) (1718) (track 6)
part of:
Stattkus-Verzeichnis (number: SV 247) (order: 201) (track 8)
arrangements:
Come Again, P. 60 (arr. for lute) (track 1)
Come Again, sweet love doth now invite (for low voice and piano, Keel) (track 1)
Largo from “Xerxes” (for violin, harp, organ and strings, arr. Hellmesberger) (track 3)
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch-all for arrangements) (track 3)
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (Serse) (for cello and orchestra) (track 3)
Sheep May Safely Graze (arr. for piano, Egon Petri) (track 13)
Sheep May Safely Graze (translated) (track 13)
Sheep May Safely Graze from Cantata, BWV 208 (for piano, Friedman) (track 13)
Sheep May Safely Graze from Cantata, BWV 208 (for organ, Taylor) (track 13)
is the basis for:
Blithe Bells (for piano) (track 13)
Blithe Bells (for orchestra) (track 13)
Crux fidelis (track 3)
later translated versions:
later versions:
Remember Me (track 5)
orchestrations:
Dido’s Lament (track 5)
Sheep May Safely Graze (from Cantata 208) (Stokowski orchestration) (track 13)
part of:
Scherzi Musicali (1632) SV 246-251 (part of collection) (track 8)
The Third Booke of Songs or Ayres (order: 9) (track 2)
Dido and Aeneas, Z. 626: Act III (number) (order: 11) (track 5)
Acis and Galatea, HWV 49: Act II (order: 16) (track 6)
The First Booke of Songs or Ayres (order: 17) (track 1)
recording of:
referred to in medleys:
Hooked on Romance (track 3)
Suite (track 5)

Release

ASIN:DE: B004M8Y4Y4 [info]